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Questions tagged [harmony]

For questions about the "vertical" aspects of music and how to build and study them.

2 votes
1 answer
65 views

Would writing my main vocal part (lyrics) to a drone help me stay in key, and without limiting pitch variation?

By drone typically I mean one note, though from my understanding a drone could be one note, two notes, a chord or even 6 notes usually played on string instruments such as the tanpura or guitar. I’m ...
Lestat's user avatar
  • 21
2 votes
1 answer
77 views

Is this a V7sus2/V7 chord in bach?

When i was playing this prelude from bach i came across a new chord that i don't usually see in 18th century pieces Also another question - in writing counterpoint in bach style it looks like two ...
user98606's user avatar
  • 337
0 votes
1 answer
98 views

can anyone help me in writing a quartet

hi i've been doing some analyzing and after learning counterpoint and 4 part harmony and studying a little about forms today for the first time i wrote a period to turn in into a ternary or a simple ...
user98606's user avatar
  • 337
0 votes
1 answer
37 views

Analyzing harmony

I'm trying to analyze this simple exercise from schubert but i can't really find the harmonic function here beside the satisfying voice leading that i hear when i play it I wanna write such a piece ...
user98606's user avatar
  • 337
0 votes
1 answer
19 views

moving into parallel compound intervals counterpoint

in strict counterpoint and i'm talking about fux's book is having 2 parallel perfect intervals with contrary motion still wrong? because in fux book only contrary and oblique motion are acceptable for ...
user98606's user avatar
  • 337
0 votes
2 answers
78 views

why does V/iii to IV work?

i was writing chords when I came up with this progression: IV-V-I-V/vi-IV-V-I i understand why the V/vi-IV works--because there is only a one note difference between vi (which V/vi usually resolves to)...
alistato's user avatar
  • 331
1 vote
6 answers
123 views

What is the value in analysing chords as if they were made up of stacked triads?

To my ears chords each have their own quality and how they sound (and what feelings they might evoke) depends on the context. In general plain majors are strong/simple while minors are sad, but add2 ...
Davy5003's user avatar
  • 151
3 votes
4 answers
580 views

The relation between voices in piano pieces

I've been trying to understand how to identify the voices within the harmonic progression they form, after learning counterpoint and SATB harmony. But when I'm investigating the relation between ...
user98606's user avatar
  • 337
0 votes
1 answer
69 views

Waltz in e minor by Ferdinando Carulli [closed]

I started learning a bit of classical guitar 2 years back. I only learnt and retained this piece, so forgive me for having no music knowledge, and I apologize if my question is ill phrased but are ...
sanya's user avatar
  • 3
1 vote
7 answers
150 views

Is a “minor Seventh Chord” basically just a combination of a “minor Triad” and its Relative “Major Triad”?

Is a minor Seventh Chord basically just a combination of a “minor Triad” and its Relative “Major Triad”, (or a combination of a Major Triad and its Relative minor Triad)?
Dave Little's user avatar
4 votes
3 answers
399 views

What does "prevailing harmony" mean?

While I was reading up on passing tones, I encountered this example: Example 15–7 presents an expansion of a C-major chord over two beats: the lower voice leaps down from the third of the chord to ...
Sean's user avatar
  • 1,487
4 votes
2 answers
170 views

Why does this major-key folk song sound sad?

This is an old Scottish folk song. Why does it sound so sad, even though it is in a major key, and doesn't use any of the typical tricks songwriters use to make major keys sound sad (i.e. IV-iv-I)?
My Name Jeff's user avatar
0 votes
1 answer
55 views

Ballade Pour Adeline: How to understand the dyads?

I am listening to Ballade pour Adeline for piano and specifically to this version on YouTube. After the quick introductory arpeggio, the main part starts with a dyad of G and E played with the right ...
hb20007's user avatar
  • 415
4 votes
1 answer
87 views

What seventh chords belong to the minor mode in actual practice after allowing the conventional alterations?

Fig. 85 on p. 115 of Roger Sessions' Harmonic Practice (1951) illustrates the triads capable of being sounded in the minor mode once one has permitted (1) lowering the second degree in the II chord, (...
Noah J's user avatar
  • 277
4 votes
2 answers
158 views

Can anyone give me examples of early uses of the dominant seventh chord?

It is well known (since Fetis) that the first appearance of the unprepared seventh in the dominant seventh chord is in Monteverdi's madrigal "Cruda amarilli". That sets the origin of this ...
Pablo's user avatar
  • 316

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