All Questions
126
questions
2
votes
1
answer
81
views
Is this a V7sus2/V7 chord in bach?
When i was playing this prelude from bach i came across a new chord that i don't usually see in 18th century pieces
Also another question - in writing counterpoint in bach style it looks like two ...
- 409
0
votes
1
answer
38
views
Analyzing harmony
I'm trying to analyze this simple exercise from schubert but i can't really find the harmonic function here beside the satisfying voice leading that i hear when i play it
I wanna write such a piece ...
- 409
3
votes
4
answers
584
views
The relation between voices in piano pieces
I've been trying to understand how to identify the voices within the harmonic progression they form, after learning counterpoint and SATB harmony.
But when I'm investigating the relation between ...
- 409
0
votes
1
answer
70
views
Waltz in e minor by Ferdinando Carulli [closed]
I started learning a bit of classical guitar 2 years back. I only learnt and retained this piece, so forgive me for having no music knowledge, and I apologize if my question is ill phrased but are ...
- 3
1
vote
1
answer
140
views
Why does it sound so weird? (Beethoven quartet)
Why does the first A# of the tetrachord of fugal development in op. 131, no. 7, m. 114 cello sound so weird? Is it because of the false relation with B?
- 33
5
votes
1
answer
156
views
How to analyze introduction of Rachmaninoff's Paganini variation?
I'm trying to analyze the introduction of Rachmaninoff's Paganini variations (picture below). I'm thinking the whole thing is a sequence and I only have to analyze the first two measures. The F# makes ...
- 51
4
votes
2
answers
147
views
Voice Leading in Göncz’s completion of Contrapunctus 14
My question relates to the attached extract from Zoltan Göncz’s completion of Bach’s Contrapunctus 14 from The Art of Fugue, and specifically the chord marked with the arrow.
To my mind, it appears to ...
- 41
2
votes
3
answers
141
views
How do I analyse these chords in this chorale?
I’m playing some chorales and I can’t figure out how to analyse these highlighted chords. I think these chords share the characteristics of having adjacent notes and I’m having trouble with that. The ...
- 121
1
vote
3
answers
173
views
Harmonic Analysis of Polka, Op. 39, No. 14 by Tchaikovsky
I'm having some trouble identifying what's going on harmonically in this chromatic sections here.
i. Bar 2: What function does the chord spelled [C#EGBb] have? All I can say about it is that it's a ...
- 187
5
votes
2
answers
617
views
How to analyze/spell this chord progression
I generally feel that I have a good intuition for chord naming, but know very few formal rules that apply to chromatic progressions like this one I wrote:
It seems obvious that one should avoid ...
- 1,880
5
votes
3
answers
1k
views
How to analyze this chord in Moonlight Sonata 3rd movement?
In Beethoven's Moonlight Sonata 3rd movement, I'd like to understand the Fx (double sharp) in measure 8.
Measure 8 has a bass of A and an arpeggio with the notes C# E Fx C# which sounds like an A7, ...
- 151
3
votes
0
answers
89
views
Roman numeral analysis: how to notate tonic root anticipation / triple suspension V7 I742 I?
Sometimes in a cadence between V7 and I there's a moment when an anticipated tonic root in the bass given on top of suspended 7^2^4^ from the V7 (triple suspension?). Two examples:
Beethoven op 10 no ...
2
votes
1
answer
154
views
Can anyone help me understand F#ø7 - F7 - Asus - AM7 - D7 - Em?
I'm trying to understand what's going on in this small piece written for Genshin Impact game, the song's name is "Pure Sky" is about 1min long and you can listen to it here (the part I'm ...
- 93
4
votes
3
answers
1k
views
Opening of Bach's mass in b minor: why does it make sense?
The opening harmonic progression of the B minor mass:
Bm moves to a C# half-diminished 7th — a ii7 chord, nothing unusual yet. To put it in root position is a bit unconventional for the style, but the ...
- 1,626
5
votes
5
answers
292
views
Harmony: why does transforming a ii minor chord into II major chord work?
I accidentally composed a song that uses the same harmony "trick" as the song The Odyssey from Symphony X. Both are in the key of Eb (I know it's C minor, but I like to think major for ...
- 296