Questions tagged [harmony]
For questions about the "vertical" aspects of music and how to build and study them.
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What are some chord substitutions for a I-IV-V blues progression?
I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any ...
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Why do many songs in major keys use a bVII chord?
Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. The I, ii, iii, IV, V, vi, and ...
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Understanding minor key harmony
A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know
The natural minor comes from the ...
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How is counterpoint different from harmony?
Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear.
Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
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Why is bass note so important in harmonic analysis of music?
In any type of harmonic analysis the bass plays a big part in determining the function of the harmony. There are even special ways to describe what note of the chord is in the bass (known as ...
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How to dramatically change the feeling of a song while keeping the melody largely the same?
How to dramatically change the feeling of a song while keeping the melody largely the same? Let's say we have a happy, upbeat pop song and we want to turn it into a sad song (or vice versa). Is it ...
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How to create Chord progressions that make sense
I've been reading over Walter Piston's Harmony book, and it has been an eye-opener to say the least. I understand concepts like tension and release, voice leading and so forth, but I still don't ...
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How do I become better at "playing outside"?
One can spend an enormous amount of time playing melodies "in" the tonic. For example if you are in A major, you might favor A major or A lydian. However, there is a term called "...
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Is F Lydian mode in the "key" of C Major?
In most cases (if not all), a piece of music without sharps or flats in the key signature, would be considered in the key of C major or A minor. This question assumes the context of Western Music ...
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How to modulate very smoothly and stealthily from major to minor?
I would like to modulate from G major to c minor in such a way that it would be almost unnoticeable to the listener. I'm composing a piece in a style that's very Arvo-Pärtesque minimalist-sounding, so ...
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Why does G# sound right when my melody is in C major?
I composed the following melody using notes from the C major scale. In the third bar a G# (Ab) seemed a natural choice to complete the loop, but I don’t understand why.
G# is not in C major nor its ...
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Do capable harmony singers sing in just intonation or tempered tuning?
I understand that the mathematical frequency ratios between certain intervals will correlate with the overtones that are present when a note sounds in a fundamental frequency. Certain predictable ...
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Why does Bach sometimes end with flat 7ths?
I've been studying the Bach inventions, and I see a common patterns in the first 3 inventions: They tend to include the flat 7ths in the very end. Examples:
C major:
D major:
E♭ major:
From a ...
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F# major vs Gb major?
I was looking at Dvorak's Humoresque (op 101 n 7) : it's mostly in G♭ major, in the middle it changes to F♯ minor. This would have looked more natural for me if F♯ major instead of G♭ major were used. ...
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What is a secondary dominant chord?
What is a secondary dominant chord? What's the theory behind them? How are they used in composition?