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Questions tagged [harmony]

For questions about the "vertical" aspects of music and how to build and study them.

55 votes
4 answers
40k views

What are some chord substitutions for a I-IV-V blues progression?

I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any ...
user avatar
43 votes
12 answers
30k views

Why do many songs in major keys use a bVII chord?

Based on my understanding of chord theory, the chords used in most modern popular songs are comprised of notes that occur in the scale of the tonic key for that song. The I, ii, iii, IV, V, vi, and ...
Rockin Cowboy's user avatar
35 votes
8 answers
19k views

Understanding minor key harmony

A comment discussion under this question from me, clued me in to the fact that I don't really understand how minor keys work very well. So here is what I think I know The natural minor comes from the ...
Tim Seguine's user avatar
32 votes
11 answers
44k views

How is counterpoint different from harmony?

Harmony is a kind of second sound you hear. Counterpoint is also the second sound you hear. Aside from technical differentiation, how can you by ear differentiate these two concepts. Is it possible ...
Saeed Neamati's user avatar
32 votes
6 answers
4k views

Why is bass note so important in harmonic analysis of music?

In any type of harmonic analysis the bass plays a big part in determining the function of the harmony. There are even special ways to describe what note of the chord is in the bass (known as ...
Dom's user avatar
  • 47.8k
29 votes
9 answers
29k views

How to dramatically change the feeling of a song while keeping the melody largely the same?

How to dramatically change the feeling of a song while keeping the melody largely the same? Let's say we have a happy, upbeat pop song and we want to turn it into a sad song (or vice versa). Is it ...
netvope's user avatar
  • 945
28 votes
5 answers
5k views

How to create Chord progressions that make sense

I've been reading over Walter Piston's Harmony book, and it has been an eye-opener to say the least. I understand concepts like tension and release, voice leading and so forth, but I still don't ...
Sketchyfish's user avatar
27 votes
4 answers
11k views

How do I become better at "playing outside"?

One can spend an enormous amount of time playing melodies "in" the tonic. For example if you are in A major, you might favor A major or A lydian. However, there is a term called "...
piofusco's user avatar
  • 1,867
26 votes
8 answers
21k views

Is F Lydian mode in the "key" of C Major?

In most cases (if not all), a piece of music without sharps or flats in the key signature, would be considered in the key of C major or A minor. This question assumes the context of Western Music ...
Rockin Cowboy's user avatar
26 votes
9 answers
7k views

How to modulate very smoothly and stealthily from major to minor?

I would like to modulate from G major to c minor in such a way that it would be almost unnoticeable to the listener. I'm composing a piece in a style that's very Arvo-Pärtesque minimalist-sounding, so ...
Kim Fierens's user avatar
  • 2,347
25 votes
7 answers
8k views

Why does G# sound right when my melody is in C major?

I composed the following melody using notes from the C major scale. In the third bar a G# (Ab) seemed a natural choice to complete the loop, but I don’t understand why. G# is not in C major nor its ...
acidtrancejunkie's user avatar
25 votes
6 answers
10k views

Do capable harmony singers sing in just intonation or tempered tuning?

I understand that the mathematical frequency ratios between certain intervals will correlate with the overtones that are present when a note sounds in a fundamental frequency. Certain predictable ...
Rockin Cowboy's user avatar
25 votes
11 answers
7k views

Why does Bach sometimes end with flat 7ths?

I've been studying the Bach inventions, and I see a common patterns in the first 3 inventions: They tend to include the flat 7ths in the very end. Examples: C major: D major: E♭ major: From a ...
Karamell's user avatar
  • 353
25 votes
5 answers
30k views

F# major vs Gb major?

I was looking at Dvorak's Humoresque (op 101 n 7) : it's mostly in G♭ major, in the middle it changes to F♯ minor. This would have looked more natural for me if F♯ major instead of G♭ major were used. ...
leonbloy's user avatar
  • 1,232
23 votes
6 answers
71k views

What is a secondary dominant chord?

What is a secondary dominant chord? What's the theory behind them? How are they used in composition?
TaylorSwiftFan5932's user avatar

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