All Questions
523
questions
-4
votes
0
answers
57
views
Which approach to 3 part harmony would the greatest percentage of people find pleasing?
I'm looking for algorithmic rules that take a melody and accompanying chords as input, then output the version of tight 3 part parallel harmony that the greatest percentage of untrained casual ...
1
vote
7
answers
151
views
Is a “minor Seventh Chord” basically just a combination of a “minor Triad” and its Relative “Major Triad”?
Is a minor Seventh Chord basically just a combination of a “minor Triad” and its Relative “Major Triad”, (or a combination of a Major Triad and its Relative minor Triad)?
0
votes
1
answer
56
views
Ballade Pour Adeline: How to understand the dyads?
I am listening to Ballade pour Adeline for piano and specifically to this version on YouTube.
After the quick introductory arpeggio, the main part starts with a dyad of G and E played with the right ...
7
votes
6
answers
854
views
Can a monophonic melody have harmony?
I'm analysing a piece from the Traditional Songs of the Maori by Margaret Orbell and Mervyn McLean.
Can such a piece with a monophonic melody have harmony?
1
vote
1
answer
140
views
Why does it sound so weird? (Beethoven quartet)
Why does the first A# of the tetrachord of fugal development in op. 131, no. 7, m. 114 cello sound so weird? Is it because of the false relation with B?
6
votes
7
answers
1k
views
Term for a harmony that's always above the melody, but just enough to be in chord?
Is there a term for a harmony that always resembles the next-closest note above the melody that is in chord (not just in key)?
A friend of mine always does that when improvising a harmony and she ...
4
votes
2
answers
121
views
The root of augmented triad according to Hindemith
In Hindemith's book The craft of musical composition. Book 1, Theoretical part, he says that (p. 97)
The lower tone of a third or a seventh (in the absence of any better interval) is the root of the ...
2
votes
3
answers
617
views
Why does Cmaj7 and Emaj7 sound good (or a name to describe this progression)?
I have an extremely limited understanding of theory, and from what I currently understand, chords will sound good together if they share a common key/scale (e.g. for C major scale, the chords that ...
0
votes
2
answers
129
views
In Organum and Species Counterpoint why is one of the voices always in whole notes?
Edit: It was pointed out to me that counterpoint spawned from the Organum style of music. For more context, here’s information from two sources I just read. “Two styles of Organum existed during this ...
0
votes
1
answer
130
views
how to theoretically understand that chords are compatible? [closed]
how can we theoretically understand that chords are compatible? let's imagine that there is a chord X1 and X2, what rules/conditions must these chords follow in order to be compatible? I have a ...
2
votes
3
answers
171
views
The Newton Brothers "I'm the candy Man" chord progression analysis
I've been listening to "I'm the candy man" from The Fall of the House of Usher this morning and am hitting a little roadblock trying to think of the theory behind the chord progression.
It ...
2
votes
5
answers
1k
views
Does melody come from root progressions?
I’ve noticed that in a melody certain notes stand out and it’s always the root of the current chord or arpeggio. (also, are arpeggios only descending/ascending or can they be in a random order?)
In ...
5
votes
1
answer
1k
views
How does one resolve the conflict between Renaissance theory of Cadences and the contradictions against it in Bach Chorales?
A level pupil.
Made the mistake of learning Renaissance cadence voicing way before starting A-level harmony course. There's a conflict of interest between the cadential progressions of the renaissance ...
3
votes
1
answer
110
views
How can harmony be implied by melody [duplicate]
I'm just curious about allot of compositional techniques, and one of them is the concept of "implying" harmony because it can be useful for determining later harmonic lines for an already ...
8
votes
5
answers
629
views
Why are triads considered perfect chords and the basis which all extensions are built off of?
Why are triads considered perfect chords and the basis which all extensions are built off of?
I'm sort of posting the question from an ignorant standpoint but I do already have some prior knowledge. I ...