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-4 votes
0 answers
57 views

Which approach to 3 part harmony would the greatest percentage of people find pleasing?

I'm looking for algorithmic rules that take a melody and accompanying chords as input, then output the version of tight 3 part parallel harmony that the greatest percentage of untrained casual ...
gregorio's user avatar
1 vote
7 answers
151 views

Is a “minor Seventh Chord” basically just a combination of a “minor Triad” and its Relative “Major Triad”?

Is a minor Seventh Chord basically just a combination of a “minor Triad” and its Relative “Major Triad”, (or a combination of a Major Triad and its Relative minor Triad)?
Dave Little's user avatar
0 votes
1 answer
56 views

Ballade Pour Adeline: How to understand the dyads?

I am listening to Ballade pour Adeline for piano and specifically to this version on YouTube. After the quick introductory arpeggio, the main part starts with a dyad of G and E played with the right ...
hb20007's user avatar
  • 415
7 votes
6 answers
854 views

Can a monophonic melody have harmony?

I'm analysing a piece from the Traditional Songs of the Maori by Margaret Orbell and Mervyn McLean. Can such a piece with a monophonic melody have harmony?
John's user avatar
  • 73
1 vote
1 answer
140 views

Why does it sound so weird? (Beethoven quartet)

Why does the first A# of the tetrachord of fugal development in op. 131, no. 7, m. 114 cello sound so weird? Is it because of the false relation with B?
schwarz's user avatar
  • 33
6 votes
7 answers
1k views

Term for a harmony that's always above the melody, but just enough to be in chord?

Is there a term for a harmony that always resembles the next-closest note above the melody that is in chord (not just in key)? A friend of mine always does that when improvising a harmony and she ...
Forivin's user avatar
  • 251
4 votes
2 answers
121 views

The root of augmented triad according to Hindemith

In Hindemith's book The craft of musical composition. Book 1, Theoretical part, he says that (p. 97) The lower tone of a third or a seventh (in the absence of any better interval) is the root of the ...
Divide1918's user avatar
2 votes
3 answers
617 views

Why does Cmaj7 and Emaj7 sound good (or a name to describe this progression)?

I have an extremely limited understanding of theory, and from what I currently understand, chords will sound good together if they share a common key/scale (e.g. for C major scale, the chords that ...
lycus's user avatar
  • 131
0 votes
2 answers
129 views

In Organum and Species Counterpoint why is one of the voices always in whole notes?

Edit: It was pointed out to me that counterpoint spawned from the Organum style of music. For more context, here’s information from two sources I just read. “Two styles of Organum existed during this ...
Lecifer's user avatar
  • 994
0 votes
1 answer
130 views

how to theoretically understand that chords are compatible? [closed]

how can we theoretically understand that chords are compatible? let's imagine that there is a chord X1 and X2, what rules/conditions must these chords follow in order to be compatible? I have a ...
Asd Fgh's user avatar
  • 11
2 votes
3 answers
171 views

The Newton Brothers "I'm the candy Man" chord progression analysis

I've been listening to "I'm the candy man" from The Fall of the House of Usher this morning and am hitting a little roadblock trying to think of the theory behind the chord progression. It ...
Jon's user avatar
  • 21
2 votes
5 answers
1k views

Does melody come from root progressions?

I’ve noticed that in a melody certain notes stand out and it’s always the root of the current chord or arpeggio. (also, are arpeggios only descending/ascending or can they be in a random order?) In ...
Lecifer's user avatar
  • 994
5 votes
1 answer
1k views

How does one resolve the conflict between Renaissance theory of Cadences and the contradictions against it in Bach Chorales?

A level pupil. Made the mistake of learning Renaissance cadence voicing way before starting A-level harmony course. There's a conflict of interest between the cadential progressions of the renaissance ...
Ridiculable Pupil's user avatar
3 votes
1 answer
110 views

How can harmony be implied by melody [duplicate]

I'm just curious about allot of compositional techniques, and one of them is the concept of "implying" harmony because it can be useful for determining later harmonic lines for an already ...
amcstomp's user avatar
  • 123
8 votes
5 answers
629 views

Why are triads considered perfect chords and the basis which all extensions are built off of?

Why are triads considered perfect chords and the basis which all extensions are built off of? I'm sort of posting the question from an ignorant standpoint but I do already have some prior knowledge. I ...
Lecifer's user avatar
  • 994

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