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0 votes
1 answer
38 views

Analyzing harmony

I'm trying to analyze this simple exercise from schubert but i can't really find the harmonic function here beside the satisfying voice leading that i hear when i play it I wanna write such a piece ...
user98606's user avatar
  • 409
2 votes
1 answer
80 views

Purpose of interlude in Bach WTK II, Fugue 16

This is an excerpt of Bach WTK II, Fugue 16 (mm. 15-20). The part I have marked red is (in my opinion, hope not be mistaken) an interlude between the last entrance of the theme in the bass and the ...
AGuyCalledGerald's user avatar
5 votes
1 answer
156 views

How to analyze introduction of Rachmaninoff's Paganini variation?

I'm trying to analyze the introduction of Rachmaninoff's Paganini variations (picture below). I'm thinking the whole thing is a sequence and I only have to analyze the first two measures. The F# makes ...
Haytham's user avatar
  • 51
1 vote
1 answer
123 views

Unusual chord progression: I7-VIImaj7 (#VIImaj7 ?)

So I came up with this little tune that roughly follows the standard 12-bar blues form but it substitutes the subdominant (IV7 chord) with VIImaj7. It sounds unusual but quite smooth and not jarring ...
Jarek.D's user avatar
  • 1,638
6 votes
4 answers
830 views

Lydian harmony: What chords are tonic (T), subdominant (S), and dominant (D)?

The Lydian mode is the brightest-sounding mode and I am interested in how to utilize it. Diatonic chords in Lydian = I, II, iii, ivø, V, vi, vii What chords are tonic, subdominant, and dominant, in ...
user avatar
5 votes
5 answers
781 views

Bach prelude in C major: unresolved suspension?

I know that in the common practice style, even in free composition where guidelines don't apply strictly, a dissonant suspension must resolve. In the WTC 1 prelude in C major, bar 20 is a C dominant ...
OprenStein's user avatar
  • 1,626
2 votes
1 answer
154 views

Can anyone help me understand F#ø7 - F7 - Asus - AM7 - D7 - Em?

I'm trying to understand what's going on in this small piece written for Genshin Impact game, the song's name is "Pure Sky" is about 1min long and you can listen to it here (the part I'm ...
LucasAraujo's user avatar
5 votes
3 answers
518 views

Usage of sharpened subdominant in minor key: what is the diatonic function?

The piece Für Elise uses a D♯ in the key of A minor in the first bar, which is the sharpened subdominant. (I'm focusing on the first part, up to halfway through bar 23 in this score.) D♯ and G♯ are ...
mathlander's user avatar
5 votes
5 answers
292 views

Harmony: why does transforming a ii minor chord into II major chord work?

I accidentally composed a song that uses the same harmony "trick" as the song The Odyssey from Symphony X. Both are in the key of Eb (I know it's C minor, but I like to think major for ...
ViniciusPires's user avatar
1 vote
0 answers
63 views

Harmonic accuracy check [closed]

I would like a harmonic accuracy check for a variation that I composed based on a section of the first movement of Brahms's Violin Concerto. I am concerned with whether or not the notes of Bars 18 - ...
Ryan Bruch's user avatar
2 votes
2 answers
321 views

What is the function of C#7 in the key of D?

I'm trying to understand function of a chord in Miguel Llobet's arrangement of Canço del Lladre. I marked my interpretation of the chords in the excerpt below. The chord symbols in parenthesis are ...
user1079505's user avatar
4 votes
2 answers
242 views

Db - Ab - Abb - Fb: What is this chord?

In Chopin's Nocturne in Bb minor, Op. 9, No. 1, m. 19, b. 4-6, we have a left-hand arpeggio comprising, in order, Db2 - Ab2 - Db3 - Abb3, while the right hand plays Fb. This harmony sits between Db ...
Aaron's user avatar
  • 91.3k
2 votes
2 answers
95 views

How to determine if a song is in F#Aeolian or D Lydian or Ab Locrian

Hello how are you? :) delighted to be here in my first post, I am a graduate of Sound Engineering and I am currently studying modern harmony in a self-taught way, I have been able to understand the ...
abulubulu's user avatar
5 votes
2 answers
504 views

what's the role of Ebmaj7 on this Ebmaj7 D7#9 Gm9 progression?

I'm trying to understand this chord progression: Ebmaj7 D7#9 Gm9 Ebmaj7 F#dim7 Gm9 Bb13 I know from D7#9 to Gm9, that's a V-i. But where's the Ebmaj7 coming from? Does it come from the relative major ...
Juan Luis's user avatar
  • 501
1 vote
3 answers
227 views

Harmonisation when ascending with melodic minor

I've just learned that baroque music often uses the melodic minor when ascending but the natural minor when descending. But what I don't understand is how the harmonisation is since I assume ascending/...
Daarwin's user avatar
  • 501

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