Skip to main content

Questions tagged [harmony]

For questions about the "vertical" aspects of music and how to build and study them.

16 questions with no upvoted or accepted answers
5 votes
3 answers
261 views

Is there another name for a suspension that creates a chord in the given key?

Here's a progression of a German 6th chord to V in C minor: But that creates parallel perfect fifths between the alto and bass(Ab-G, Eb-D). Since I'm lazy, instead of fixing that, I cover it up with ...
OprenStein's user avatar
  • 1,626
3 votes
0 answers
68 views

Why does Schoenberg think of "'semi-contrapuntal treatment' of the accompaniment" as a way of adapting a motive's melody to changes in its harmony?

Schoenberg says that the melody of a motive may be adapted to changes in the harmony "[b]y transposition," "[b]y addition of passing harmonies," or "[b]y 'semi-contrapuntal' ...
Noah J's user avatar
  • 277
3 votes
3 answers
299 views

Why does this vi-ii-V-I progression evoke a sense of ii-V-I-vi?

Could someone assist me in analyzing the chord progression found in 'Save My Soul, Not My Ship' by Enjoy? A brief caveat with regard to the title: please note that my analysis of the progressions may ...
286642's user avatar
  • 1,396
3 votes
0 answers
89 views

Roman numeral analysis: how to notate tonic root anticipation / triple suspension V7 I742 I?

Sometimes in a cadence between V7 and I there's a moment when an anticipated tonic root in the bass given on top of suspended 7^2^4^ from the V7 (triple suspension?). Two examples: Beethoven op 10 no ...
Vitaly Pavlenko's user avatar
2 votes
0 answers
79 views

Was this chord substitution chart part of a larger harmony system?

I recently rediscovered in my files several photocopied sheets of chords similar to the one below. A friend (deceased in 2014) gave them to me many years ago. There are a total of 11, covering keys ...
Theodore's user avatar
  • 2,993
2 votes
1 answer
207 views

What is this harmony in this pokemon battle theme?

Fair warning: I'm more-or-less a complete neophyte when it comes to music theory. I Bede's theme from Pokemon Sword/Shield, there's a piano riffing in a descending manner in the harmony in a really ...
chausies's user avatar
  • 345
2 votes
0 answers
105 views

What are the acceptable ways to traditionally resolve dissonance?

This is a follow up to my previous question, about a seemingly unresolved "suspension" in Bach's Prelude in C major, bar 21: In the next bar, it resolves to this chord: If we block the ...
OprenStein's user avatar
  • 1,626
2 votes
1 answer
308 views

Chord progression convenience depending on the harmonic rhythm

I am reusing a harmonic progression I wrote a few years ago, in a different context than the original. Here there is the new passage: The first two bars are around Dm (dorian). There is a modal ...
Kikolo's user avatar
  • 163
1 vote
0 answers
54 views

Four part writing: How to treat the 7th over static harmony?

My example: The harmony in bar 28 is C sharp half dim 7. On the off beat of beat 2, I have root C sharp (repeated harmony note- tenor part [alto clef]), sounding at the same time as the 7th B (aux ...
EdB123's user avatar
  • 751
1 vote
0 answers
162 views

How to go about writing a second countersubject?

I have written a subject and countersubject. Here is how I went about writing the countersubject: 1st iteration: Restricted to D, G, and A(answer is is D major), all quarter notes 2nd iteration: A ...
Caters's user avatar
  • 6,614
0 votes
0 answers
70 views

Vocal harmony: Optimizing for the parameters of an upcoming project

Since my last question got such a comically bad reception, I'll eliminate what are apparently hot button issues to reframe the core concept more clearly and hopefully elicit specific answers. I have ...
gregorio's user avatar
0 votes
0 answers
34 views

Changing the harmony of a motive ''by additions at the end,'' according to Schoenberg

Schoenberg says that the harmony of a motive may be changed ''[b]y additions at the end'' (Fundamentals of musical composition, page 10). He cites examples 25c-i to illustrate what he means (see ...
Noah J's user avatar
  • 277
0 votes
0 answers
80 views

Composing romantic pieces

I am a fan of the organist Wolfgang Seifen. Recently, he played a piece which fascinated me: An arabesque in the style of German romanticism. (Hear it) Being myself interested in improvisation, I did ...
user7427029's user avatar
0 votes
0 answers
158 views

Harmony Lines for Pentatonic Melodies

I found this great video on harmonizing pentatonic melodies. By harmonize in the case I mean creating second lines to go with a melody, rather than finding a suitable chord progression. ...
Robin Andrews's user avatar
0 votes
0 answers
103 views

Using the primary dominant as a secondary dominant to the same tonic?

This came up when a user on Musescore by the name of Tortualex gave me suggestions for my C minor piano sonata after I told him that I wanted to be innovative with it like how Beethoven was more than ...
Caters's user avatar
  • 6,614

15 30 50 per page