John Waters Takes You on a Comical Tour of His Apartment (1986)

We inter­rupt our reg­u­lar­ly sched­uled pro­gram­ming to bring you this: John Water giv­ing a tour of his 1980s apart­ment. High­lights of the tour include: his col­lec­tion of por­traits of mur­der­ess­es (prefer­ably mur­der­ess­es who have since found reli­gion), an elec­tric chair, a witch­es’ broom, fake pieces of meat found in var­i­ous rooms … well, you get the pic­ture. Enjoy!

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Boing Boing

Relat­ed Con­tent 

John Waters’ RISD Grad­u­a­tion Speech: Real Wealth Is Life With­out A*Holes

An Anti, Anti-Smok­ing Announce­ment from John Waters

John Waters Talks About His Books and Role Mod­els in a Whim­si­cal Ani­mat­ed Video

Artist Makes Astonishing Armor for Cats & Mice

As a child, Jeff De Boer, the son of a sheet met­al fab­ri­ca­tor, was fas­ci­nat­ed by the Euro­pean plate armor col­lec­tion in Calgary’s Glen­bow Muse­um:

There was some­thing mag­i­cal or mys­ti­cal about that emp­ty form, that con­tained some­thing. So what would it con­tain? A hero? Do we all con­tain that in our­selves?

After grad­u­at­ing from high school wear­ing a par­tial suit of armor he con­struct­ed for the occa­sion, De Boer com­plet­ed sev­en full suits, while major­ing in jew­el­ry design at the Alber­ta Col­lege of Art and Design.

A sculp­ture class assign­ment pro­vid­ed him with an excuse to make a suit of armor for a cat. The artist had found his niche.

Using steel, sil­ver, brass, bronze, nick­el, cop­per, leather, fiber, wood, and his del­i­cate jew­el­ry mak­ing tools, DeBoer became the cats’ armor­er, spend­ing any­where from 50 to 200 hours pro­duc­ing each increas­ing­ly intri­cate suit of feline armor.  A noble pur­suit, but one that inad­ver­tent­ly cre­at­ed an “imbal­ance in the uni­verse”:

The only way to fix it was to do the same for the mouse.

“The suit of armor is a trans­for­ma­tion vehi­cle. It’s some­thing that only the hero would wear,” De Boer notes.

Fans of David Petersen’s Mouse Guard series will need no con­vinc­ing, though no real mouse has had the mis­for­tune to find its way inside one of his aston­ish­ing, cus­tom-made cre­ations.

Not even a taxi­dermy spec­i­men, he revealed on the Mak­ing, Our Way pod­cast:

It’s not an alto­geth­er bad idea. The only rea­son I don’t do it is that hol­low suit of armor like you might see in a muse­um, your imag­i­na­tion will make it do a mil­lion things more than if you stick a mouse in it will ever do. I have put armor on cats. I can tell you, it’s noth­ing like what you think it’s going to be. It’s not a very good expe­ri­ence for the cat. It does not ful­fill any fan­tasies about a cat wear­ing a suit of armor.


Though cats were his entry point, De Boer’s sym­pa­thies seem aligned with the under­dog — er, mice. Equip­ping hum­ble, hypo­thet­i­cal crea­tures with exquis­ite­ly wrought, his­tor­i­cal pro­tec­tive gear is a way of push­ing back against being per­ceived dif­fer­ent­ly than one wish­es to be.

Accept­ing an Hon­orary MFA from his alma mater ear­li­er this year, he described an armored mouse as a metaphor for his “ongo­ing cat and mouse rela­tion­ship with the world of fine art…a mis­chie­vous, rebel­lious being who dares to com­pete on his own terms in a world ruled by the cool cats.”

Each tiny piece is pre­ced­ed by painstak­ing research and many ref­er­ence draw­ings, and may incor­po­rate spe­cial mate­ri­als like the Japan­ese silk haori-himo cord lac­ing the shoul­der plates to the body armor of a Samu­rai mouse fam­i­ly.

Addi­tion­al cre­ations have ref­er­enced Mon­go­lian, glad­i­a­tor, cru­sad­er, and Sara­cen styles — this last per­fect for a Per­sian cat.

“I mean, “Why not?” he asks in his TED‑x Talk,Village Idiots & Inno­va­tion, below.

His lat­est work com­bines ele­ments of Maratha and Hus­sar armor in a ver­i­ta­ble puz­zle of minus­cule pieces.

See more of Jeff De Boer’s cat and mouse armor on his Insta­gram.

Relat­ed Con­tent 

What’s It Like to Fight in 15th Cen­tu­ry Armor?: A Sur­pris­ing Demon­stra­tion

Cats in Medieval Man­u­scripts & Paint­ings

A Record Store Designed for Mice in Swe­den, Fea­tur­ing Albums by Mouse Davis, Destiny’s Cheese, Dol­ly Pars­ley & More

- Ayun Hal­l­i­day is the Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine and author, most recent­ly, of Cre­ative, Not Famous: The Small Pota­to Man­i­festo. Fol­low her @AyunHalliday.

Carl Sagan Explains Evolution in an 8‑Minute Animation

Bio­log­i­cal evo­lu­tion: nev­er has a phe­nom­e­non so impor­tant so lent itself to such clear, under­stand­able, ele­gant expla­na­tions. But just as evo­lu­tion itself pro­duces a seem­ing­ly infi­nite vari­ety of life forms, so the human under­stand­ing of evo­lu­tion has pro­duced count­less edu­ca­tion­al and enter­tain­ing kinds of illus­tra­tions by which to explain it. In the video above, astronomer-astro­physi­cist-cos­mol­o­gist Carl Sagan, no stranger to demys­ti­fy­ing the once seem­ing­ly unfath­omable phe­nom­e­na of our uni­verse, shows how evo­lu­tion actu­al­ly works with eight min­utes of crisp ani­ma­tion that take us from mol­e­cules in the pri­mor­dial soup, to bac­te­ria, to plants and polyps, to lam­preys, to tur­tles, to dinosaurs and birds, to wom­bats, to baboons and apes, to us. Then he goes back and does the whole four bil­lion-year evo­lu­tion­ary jour­ney again in forty sec­onds.

This con­cise les­son con­cerns itself not just with how we human beings came about, but how every­thing else came about as well. That wide-angle view of real­i­ty won a great deal of acclaim for Sagan’s Cos­mos: A Per­son­al Voy­age, the 1980 tele­vi­sion series on which the seg­ment orig­i­nal­ly appeared. Though most of its orig­i­nal broad­casts on life, the uni­verse, and every­thing still hold up as well as this clip on evo­lu­tion, a 21st-cen­tu­ry suc­ces­sor has late­ly appeared in the form of Cos­mos: A Space­time Odyssey, host­ed by astro­physi­cist Neil deGrasse Tyson, doubt­less the most suit­ed heir to Sagan’s tra­di­tion of enthu­si­asm and rig­or in pub­lic sci­ence com­mu­ni­ca­tion. For a more extend­ed treat­ment of evo­lu­tion, see also our post from ear­li­er this week on deGrasse Tyson’s episode on the sub­ject, in which he spends an entire hour on his equal­ly fas­ci­nat­ing expla­na­tion of what, up to and includ­ing you, he, and I, nat­ur­al selec­tion has so far come up with.

Note: An ear­li­er ver­sion of this post appeared on our site in 2014.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Where Did Human Beings Come From? 7 Mil­lion Years of Human Evo­lu­tion Visu­al­ized in Six Min­utes

Richard Dawkins Explains Why There Was Nev­er a First Human Being

550 Mil­lion Years of Human Evo­lu­tion in an Illus­trat­ed Flip­book

Free Online Biol­o­gy Cours­es

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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DIY Air Purifiers for Teachers: Free Designs & Step-by-Step Instructions Online

If you’re a teacher return­ing to the class­room, you may want some extra COVID pro­tec­tion. Thank­ful­ly, some researchers and prac­ti­tion­ers have cre­at­ed “a design for an in-room air puri­fi­er which can remove a sig­nif­i­cant amount of COVID-19 virus from the air.”

“The design involves mak­ing a ‘box’ out of four 20” MERV-13 fil­ters (the ‘sides’ of the box), a 20″ box fan (the ‘top’ of the box), and a card­board (the ‘bot­tom’ of the box’). Air flows in through the fil­ter sides, remov­ing par­tic­u­lates of the sizes that can trans­port COVID-19 par­ti­cles, and then flows out through the fan at the top.” These devices can be built from parts avail­able at Home Depot, Wal­mart and oth­er big box stores, and assem­bled in about 30–60 min­utes. Total cost runs $70-$200. Find designs and a step-by-step instruc­tions here. And read more about the puri­fi­er at NPR.

Relat­ed Con­tent 

DEVO Is Now Sell­ing COVID-19 Per­son­al Pro­tec­tive Equip­ment: Ener­gy Dome Face Shields

Bill Nye Shows How Face Masks Actu­al­ly Pro­tect You–and Why You Should Wear Them

MIT Presents a Free Course on the COVID-19 Pan­dem­ic, Fea­tur­ing Antho­ny Fau­ci & Oth­er Experts

Foo Fighters Perform “Back in Black” with AC/DC’s Brian Johnson: When Live Music Returns

At Sat­ur­day’s ben­e­fit con­cert, “Vax Live: The Con­cert to Reunite the World,” the Foo Fight­ers took the stage and per­formed “Back in Black” with AC/DC’s Bri­an John­son. It’s a tan­ta­liz­ing taste of the world to come, if we all do our part…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Demen­tia Patients Find Some Eter­nal Youth in the Sounds of AC/DC

1,000 Musi­cians Per­form Foo Fight­ers’ “Learn to Fly” in Uni­son in Italy

Rick Ast­ley Sings an Unex­pect­ed­ly Enchant­i­ng Cov­er of the Foo Fight­ers’ “Ever­long”

 

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Peanuts Plays Yes’ “Roundabout”

Dig­i­tal film­mak­er Gar­ren Lazar gives us a cre­ative par­o­dy video and a bad­ly-need­ed men­tal health break. Enjoy.

To watch pre­vi­ous Peanuts par­o­dies of songs by Queen, Lynyrd Skynyrd, Jour­ney & more, click here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Laugh­ingSquid

Relat­ed Con­tent

Umber­to Eco Explains the Poet­ic Pow­er of Charles Schulz’s Peanuts

The Vel­vet Under­ground as Peanuts Char­ac­ters: Snoopy Morphs Into Lou Reed, Char­lie Brown Into Andy Warhol

How Franklin Became Peanuts‘ First Black Char­ac­ter, Thanks to a Car­ing School­teacher (1968)

 

Alan Turing Will Be Featured on England’s New £50 Banknote

This week, the Bank of Eng­land announced that it will fea­ture Alan Tur­ing on its £50 ban­knote, thus com­plet­ing the polit­i­cal reha­bil­i­ta­tion of the Eng­lish math­e­mati­cian, com­put­er sci­en­tist and code break­er. The new note will go into cir­cu­la­tion in 2021. Find more at The Guardian.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

A Tur­ing Machine Hand­made Out of Wood

The Books on Young Alan Turing’s Read­ing List: From Lewis Car­roll to Mod­ern Chro­mat­ics

The LEGO Tur­ing Machine Gives a Quick Primer on How Your Com­put­er Works

The Enig­ma Machine: How Alan Tur­ing Helped Break the Unbreak­able Nazi Code

Hear the Christ­mas Car­ols Made by Alan Turing’s Com­put­er: Cut­ting-Edge Ver­sions of “Jin­gle Bells” and “Good King Wences­las” (1951)

Bryan Cranston Narrates the Landing on Omaha Beach on the 75th Anniversary of the D‑Day Invasion

75 years ago today, the Allies launched the D‑Day inva­sion in Nor­mandy, which marked a crit­i­cal turn­ing point in World War II–the begin­ning of the free­ing of Europe from Nazi con­trol. Above, actor Bryan Cranston com­mem­o­rates the anniver­sary by read­ing a let­ter that Pfc. Dominick “Dom” Bart sent to his wife. A 32-year-old infantry­man, Bart took part in the har­row­ing first wave of the mas­sive amphibi­ous assault. Below, we also hear Cranston read­ing the words of Pfc. Jim “Pee Wee” Mar­tin, describ­ing “his first taste of bat­tle as a para­troop­er in the D‑Day inva­sion.” As Cranston reads, you can watch “nev­er-before-seen restored high-res­o­lu­tion 4K footage from Oma­ha Beach.”

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Free Audio: Bryan Cranston, Break­ing Bad Star, Reads First Chap­ter of The Things They Car­ried

Bryan Cranston Reads Shelley’s Son­net “Ozy­man­dias” in Omi­nous Teas­er for Break­ing Bad’s Last Sea­son

Bryan Cranston Gives Advice to the Young: Find Your­self by Trav­el­ing and Get­ting Lost

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Open Culture was founded by Dan Colman.