Questions tagged [harmony]
For questions about the "vertical" aspects of music and how to build and study them.
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Vocal harmony: Optimizing for the parameters of an upcoming project
Since my last question got such a comically bad reception, I'll eliminate what are apparently hot button issues to reframe the core concept more clearly and hopefully elicit specific answers.
I have ...
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Which approach to 3 part harmony would the greatest percentage of people find pleasing?
I'm looking for algorithmic rules that take a melody and accompanying chords as input, then output the version of tight 3 part parallel harmony that the greatest percentage of untrained casual ...
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Would writing my main vocal part (lyrics) to a drone help me stay in key, and without limiting pitch variation?
By drone typically I mean one note, though from my understanding a drone could be one note, two notes, a chord or even 6 notes usually played on string instruments such as the tanpura or guitar. I’m ...
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Is this a V7sus2/V7 chord in bach?
When i was playing this prelude from bach i came across a new chord that i don't usually see in 18th century pieces
Also another question - in writing counterpoint in bach style it looks like two ...
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can anyone help me in writing a quartet
hi i've been doing some analyzing and after learning counterpoint and 4 part harmony and studying a little about forms today for the first time i wrote a period to turn in into a ternary or a simple ...
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Analyzing harmony
I'm trying to analyze this simple exercise from schubert but i can't really find the harmonic function here beside the satisfying voice leading that i hear when i play it
I wanna write such a piece ...
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moving into parallel compound intervals counterpoint
in strict counterpoint and i'm talking about fux's book
is having 2 parallel perfect intervals with contrary motion still wrong?
because in fux book only contrary and oblique motion are acceptable for ...
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why does V/iii to IV work?
i was writing chords when I came up with this progression:
IV-V-I-V/vi-IV-V-I
i understand why the V/vi-IV works--because there is only a one note difference between vi (which V/vi usually resolves to)...
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What is the value in analysing chords as if they were made up of stacked triads?
To my ears chords each have their own quality and how they sound (and what feelings they might evoke) depends on the context. In general plain majors are strong/simple while minors are sad, but add2 ...
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The relation between voices in piano pieces
I've been trying to understand how to identify the voices within the harmonic progression they form, after learning counterpoint and SATB harmony.
But when I'm investigating the relation between ...
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Waltz in e minor by Ferdinando Carulli [closed]
I started learning a bit of classical guitar 2 years back. I only learnt and retained this piece, so forgive me for having no music knowledge, and I apologize if my question is ill phrased but are ...
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Is a “minor Seventh Chord” basically just a combination of a “minor Triad” and its Relative “Major Triad”?
Is a minor Seventh Chord basically just a combination of a “minor Triad” and its Relative “Major Triad”, (or a combination of a Major Triad and its Relative minor Triad)?
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What does "prevailing harmony" mean?
While I was reading up on passing tones, I encountered this example:
Example 15–7 presents an expansion of a C-major chord over two beats: the lower voice leaps down from the third of the chord to ...
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Why does this major-key folk song sound sad?
This is an old Scottish folk song. Why does it sound so sad, even though it is in a major key, and doesn't use any of the typical tricks songwriters use to make major keys sound sad (i.e. IV-iv-I)?
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Ballade Pour Adeline: How to understand the dyads?
I am listening to Ballade pour Adeline for piano and specifically to this version on YouTube.
After the quick introductory arpeggio, the main part starts with a dyad of G and E played with the right ...
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