Questions tagged [harmony]
For questions about the "vertical" aspects of music and how to build and study them.
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What seventh chords belong to the minor mode in actual practice after allowing the conventional alterations?
Fig. 85 on p. 115 of Roger Sessions' Harmonic Practice (1951) illustrates the triads capable of being sounded in the minor mode once one has permitted (1) lowering the second degree in the II chord, (...
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Can anyone give me examples of early uses of the dominant seventh chord?
It is well known (since Fetis) that the first appearance of the unprepared seventh in the dominant seventh chord is in Monteverdi's madrigal "Cruda amarilli". That sets the origin of this ...
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Can a monophonic melody have harmony?
I'm analysing a piece from the Traditional Songs of the Maori by Margaret Orbell and Mervyn McLean.
Can such a piece with a monophonic melody have harmony?
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Alternative to passing chord harmonization in closed position
I'm not entirely satisfied with the way I've harmonized the third beat of these trumpet parts, highlighted in the screenshot, for this big band transcription. (The trumpets are playing on their own ...
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Why chords make melody sound different?
I am learning to harmonize melodies. I put basic triads under the melody notes. Sometimes, they work well. Sometimes, the chords just make the melody sound different. I can’t find solution to it.
For ...
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Do flamenco guitarists use distinctive chords?
Classical guitarist here. Does flamenco guitar use distinctive chords (other than, say, the major, minor, augmented, and diminished triads and seventh chords), or is it just the favored modes, chord ...
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What's it called when harmony moves in the same intervals as the melody?
What's it called when the harmony moves in the exact same intervals as a melody, even if it is chromatic? Here's an example:
My apologies, I would do actual notation but I am not currently able to.
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Why does it sound so weird? (Beethoven quartet)
Why does the first A# of the tetrachord of fugal development in op. 131, no. 7, m. 114 cello sound so weird? Is it because of the false relation with B?
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What is the name of this music instrument? [closed]
I want to know which instrument is it for the music of raymans especially this
at the beggining, this who do the main melody ... a violin ? A midi synth in a computer ...
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Using iv/x to tonicize a key?
Because V/x is so popular and useful, would iv/x have a good function as well? I’ve found that V and iv have very similar effects in terms of tension toward the tonic. Also, would V+/x be ...
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Why is the key typically the first and/or last note (or chord) of a song?
Is there a strategical reason when composing for the key to commonly be the first and/or last note (or chord) of a song?
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Term for a harmony that's always above the melody, but just enough to be in chord?
Is there a term for a harmony that always resembles the next-closest note above the melody that is in chord (not just in key)?
A friend of mine always does that when improvising a harmony and she ...
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The root of augmented triad according to Hindemith
In Hindemith's book The craft of musical composition. Book 1, Theoretical part, he says that (p. 97)
The lower tone of a third or a seventh (in the absence of any better interval) is the root of the ...
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Why does Cmaj7 and Emaj7 sound good (or a name to describe this progression)?
I have an extremely limited understanding of theory, and from what I currently understand, chords will sound good together if they share a common key/scale (e.g. for C major scale, the chords that ...
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Three consecutive dissonances in verset fugue
I've been playing from a collection of versets (fugues) by Gottlieb Muffat.
https://imslp.org/wiki/72_Versetl_sammt_12_Toccaten_(Muffat%2C_Gottlieb)
The versets are arranged by the old Church tones ...
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