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3 votes
1 answer
162 views

What does this counterpoint rule mean?

I'm using a Musescore extension called Counterpoint Analyzer 0.4, and I am not sure what one of the warning messages refers to. Please see numbers 1 and 2 in the following: Any thoughts as to what ...
286642's user avatar
  • 1,396
4 votes
4 answers
326 views

Are voices that have very big pitch difference always independent and less dissonant?

Voices can be "blended" or be independent. Independent voices are very distinct, the listener can hear each voice separately. On the other hand, "blended" voices are those which ...
user11655900's user avatar
3 votes
1 answer
134 views

What interval sequences "defined" Fux's counterpoint?

Motivation When Fux laid out his rules for counterpoint, he did so primarily in terms of melodic (horizontal) movements within each voice and secondarily in terms of harmonic (vertical) relationships ...
Aaron's user avatar
  • 90.6k
3 votes
2 answers
123 views

Why might two jumps in contrary motion be avoided? [duplicate]

The goal is to write a well-constructed and easily singable melody. There is a motif in my melody that outlines a C major triad like this: E4 G4 C4 (in that order). Why might it not be wise to have ...
286642's user avatar
  • 1,396
1 vote
1 answer
245 views

how do I add voices to compound species lines?

Update, TLDR: given multiple semi-written lines of music, which line should be deemed the cantus firmus before working on the counterpoint of the other lines? Given a "free" (?) soprano ...
286642's user avatar
  • 1,396
1 vote
1 answer
225 views

In species counterpoint, is the fourth above a third a consonance or a dissonance?

I am reading Alfred Mann's translation of "Gradus ad Parnassum" and found a footnote that says that Fux considers a fourth that comes from harmonic division the of the octave (fifth-fourth) ...
Liisi's user avatar
  • 641
2 votes
1 answer
80 views

How important is consonance/dissonance in suspensions?

It’s difficult for me to really hear any (harmonic) consonance or dissonance value when two notes are heard at the same time, but do NOT begin at the same time. As a listener, I find myself more drawn ...
YoungCapone's user avatar
5 votes
4 answers
348 views

Is the bottom note of an interval favored?

I was practicing counterpoint (2nd species) and decided to experiment with ending on a perfect 5th except the top line was a C and the bottom an F. I know this isn't technically allowed in 2nd species,...
YoungCapone's user avatar
0 votes
2 answers
458 views

Interval analysis, augmented 5th or a 6th?

I am doing interval analysis as I am writing a countersubject(working on the harmony for it right now). But I have a bit of trouble here. I have 3 note choices for any given quarter note. The spot I ...
Caters's user avatar
  • 6,614
6 votes
2 answers
2k views

Are these parallel octaves?

I am writing a chorale in C flat major and I currently have a 3 chord going to a I6 chord. Stacked, the chords are EGEB to EGEC. Is this considered parallel octaves? HELP.
user18817's user avatar
4 votes
1 answer
3k views

leaps: small vs. large (learning counterpoint)

I'm reading Harmony in Context by Roig-Francoli as a first theory text to teach myself composition. In his Introduction to Species Counterpoint chapter, he mentions that the melody should consist of ...
Mark Kosmowski's user avatar
7 votes
1 answer
243 views

Are same interval leaps consented in second species counterpoint?

I've been told that, in second species counterpoint, presenting the same interval in 2 consecutive bars is an error. What then if the intervals skips in opposite directions? Like this: Is this ...
Saturnix's user avatar
  • 993
12 votes
3 answers
2k views

Are augmented fourth allowed in second species counterpoint?

I'm trying to learn counterpoint with the help of the Gradus. I think I've made many mistakes but I'm not sure if they're allowed or not. At bar 62 (upbeat) you may see an augmented fourth, used as ...
Saturnix's user avatar
  • 993
8 votes
2 answers
555 views

Why in the study of counterpoint by johan fux are minor sixths allowed but not augmented fifth?

If augmented fifths and minor sixths are enharmonically equivalent why does johan fux in his book study of counterpoint allow minor sixths but not augmented fifths if they sound the same? How does one ...
Chris Olszewski's user avatar