All Questions
Tagged with counterpoint intervals
14
questions
12
votes
3
answers
2k
views
Are augmented fourth allowed in second species counterpoint?
I'm trying to learn counterpoint with the help of the Gradus.
I think I've made many mistakes but I'm not sure if they're allowed or not.
At bar 62 (upbeat) you may see an augmented fourth, used as ...
8
votes
2
answers
555
views
Why in the study of counterpoint by johan fux are minor sixths allowed but not augmented fifth?
If augmented fifths and minor sixths are enharmonically equivalent why does johan fux in his book study of counterpoint allow minor sixths but not augmented fifths if they sound the same? How does one ...
7
votes
1
answer
243
views
Are same interval leaps consented in second species counterpoint?
I've been told that, in second species counterpoint, presenting the same interval in 2 consecutive bars is an error. What then if the intervals skips in opposite directions?
Like this:
Is this ...
6
votes
2
answers
2k
views
Are these parallel octaves?
I am writing a chorale in C flat major and I currently have a 3 chord going to a I6 chord. Stacked, the chords are EGEB to EGEC. Is this considered parallel octaves? HELP.
5
votes
4
answers
350
views
Is the bottom note of an interval favored?
I was practicing counterpoint (2nd species) and decided to experiment with ending on a perfect 5th except the top line was a C and the bottom an F. I know this isn't technically allowed in 2nd species,...
4
votes
4
answers
327
views
Are voices that have very big pitch difference always independent and less dissonant?
Voices can be "blended" or be independent. Independent voices are very distinct, the listener can hear each voice separately. On the other hand, "blended" voices are those which ...
4
votes
1
answer
3k
views
leaps: small vs. large (learning counterpoint)
I'm reading Harmony in Context by Roig-Francoli as a first theory text to teach myself composition. In his Introduction to Species Counterpoint chapter, he mentions that the melody should consist of ...
3
votes
2
answers
123
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Why might two jumps in contrary motion be avoided? [duplicate]
The goal is to write a well-constructed and easily singable melody. There is a motif in my melody that outlines a C major triad like this: E4 G4 C4 (in that order). Why might it not be wise to have ...
3
votes
1
answer
136
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What interval sequences "defined" Fux's counterpoint?
Motivation
When Fux laid out his rules for counterpoint, he did so primarily in terms of melodic (horizontal) movements within each voice and secondarily in terms of harmonic (vertical) relationships ...
3
votes
1
answer
163
views
What does this counterpoint rule mean?
I'm using a Musescore extension called Counterpoint Analyzer 0.4, and I am not sure what one of the warning messages refers to.
Please see numbers 1 and 2 in the following:
Any thoughts as to what ...
2
votes
1
answer
80
views
How important is consonance/dissonance in suspensions?
It’s difficult for me to really hear any (harmonic) consonance or dissonance value when two notes are heard at the same time, but do NOT begin at the same time. As a listener, I find myself more drawn ...
1
vote
1
answer
227
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In species counterpoint, is the fourth above a third a consonance or a dissonance?
I am reading Alfred Mann's translation of "Gradus ad Parnassum" and found a footnote that says that Fux considers a fourth that comes from harmonic division the of the octave (fifth-fourth) ...
1
vote
1
answer
245
views
how do I add voices to compound species lines?
Update, TLDR: given multiple semi-written lines of music, which line should be deemed the cantus firmus before working on the counterpoint of the other lines?
Given a "free" (?) soprano ...
0
votes
2
answers
458
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Interval analysis, augmented 5th or a 6th?
I am doing interval analysis as I am writing a countersubject(working on the harmony for it right now). But I have a bit of trouble here. I have 3 note choices for any given quarter note. The spot I ...