Questions tagged [species-counterpoint]
In Western pedagogy, counterpoint is taught through a system in which students progress through several "species" of increasing complexity.
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Is there a rhythmic counterpart to voice leading? Is counterpoint supposed to fulfill this role?
I have been studying voice leading and I feel like rhythm is unaddressed in voice leading theory.
Here's an example of the types of voice leading rules I'm referring to:
Resolve 7->1 in a V chord ...
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Counterpoint question: "2 quarter notes at the beginning of the measure cause the melody to lag." Fux Palestrina Counterpoint
A question that has been nagging me for a long time regarding counterpoint is the idea of avoiding "2 quarters at the beginning of the measure as the melody tends to lag." as per Johann Fux. ...
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what are the options for the penultimate measure in the 3rd species counterpoint
Mr. Fux says:
Then, Mr. Fux does:
In Gradus ad Parnassum (Mann's translation).
Is the last one a mistake? There's nothing written in the book that it's a mistake.
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Is the treatment of accented 5ths and octaves in 3rd species counterpoint the same as between soprano and bass in 4 part writing?
Here in this image from my textbook "Harmony and voice leading" there are several very useful examples of accented and unaccented octaves and 5ths in third species Counterpoint. It shows ...
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