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Tagged with species-counterpoint voice-leading
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Is the treatment of accented 5ths and octaves in 3rd species counterpoint the same as between soprano and bass in 4 part writing?
Here in this image from my textbook "Harmony and voice leading" there are several very useful examples of accented and unaccented octaves and 5ths in third species Counterpoint. It shows ...
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Is there a rhythmic counterpart to voice leading? Is counterpoint supposed to fulfill this role?
I have been studying voice leading and I feel like rhythm is unaddressed in voice leading theory.
Here's an example of the types of voice leading rules I'm referring to:
Resolve 7->1 in a V chord ...