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Questions tagged [counterpoint]

Questions relating to the uses, history, types, or analysis of counterpoint.

2 votes
1 answer
140 views

Question on the definition of a dissonant passing/neighbor tone?

I am currently trying to teach myself counterpoint following Jacob Gran's videos. When I was analyzing my exercises today, I thought of this question. If the first two notes of a dissonant neighbor(or ...
4 votes
2 answers
436 views

Is partimento a good way to learn how to write a Baroque trio sonata in the style of Corelli?

Who I am: I am 16 years old and I play violin. I am a music student and I consider myself to have a very good ear and understanding of music theory. My piano-playing is however not very good. I really ...
4 votes
0 answers
139 views

Exceptions to exposed 8ves/5ths?

I was recently approached by a student, who swore that they had read that exposed (i.e. outer voice hidden) 8ves/5ths were permitted between different inversions of the same chord. He said he came ...
3 votes
2 answers
309 views

Dissonances with bass versus in upper voices. 4-part harmony

Working through "Guide to practical harmony" of Tchaikovsky in chapter 9 about the inversions of diminished and augmented triads, we read that the first inversion of the diminished triad is consonant ...
1 vote
3 answers
2k views

What determines if counterpoint is good or bad?

I am currently reading through the Complete Musician and the current subject is second species counterpoint. I've written about 5 or 6 counterpoints so far in first and second species. That said ...
3 votes
1 answer
163 views

What does this counterpoint rule mean?

I'm using a Musescore extension called Counterpoint Analyzer 0.4, and I am not sure what one of the warning messages refers to. Please see numbers 1 and 2 in the following: Any thoughts as to what ...
2 votes
1 answer
129 views

What does Hindemith's Rule 20 mean? (The Craft of Musical Composition, book 1: Exercises in two-part writing)

Paul Hindemith's Rule 20 in his The craft of musical composition: Book 2: Exercises in two-part writing has two paragraphs: Paragraph One: If the last tone of the model is approached from a fifth ...
2 votes
1 answer
140 views

How to identify this Bach Fugue [closed]

I'm trying to identify this fugue subject attributed to J.S. Bach in "Treatise on the Fugue" by Andre Gedalge (page 363 here: https://s9.imslp.org/files/imglnks/usimg/5/59/IMSLP243942-...
2 votes
1 answer
131 views

Six questions about Rule 21 in Hindemith's Craft of Musical Composition, book 2: Exercises in two-part writing [closed]

I am a musician reading Hindemith's Craft of Musical Composition, book 2: Exercises in two-part writing by myself. I have some questions about Rule 21. Three images of Hindemith's rule 21: https://www....
2 votes
2 answers
195 views

Bar 48: A3+B4 and B3+A4 - ODE TO JOY Symphony no. 9, opus 125 Extract from a piano transcription by Franz Liszt

In Bar 48 of the fourth movement - "Ode to Joy", Symphony no. 9, opus 125, in this extract from the piano transcription by Franz Liszt, there are three counterpoint melodies, marked in the ...
8 votes
2 answers
586 views

Why does species counterpoint not consider harmonic function?

From what I understand, harmonic function came later but since most modern harmony textbooks teach harmony using functional harmony, shouldnt species counterpoint also be adapted to include harmonic ...
1 vote
0 answers
45 views

How to play the 1/32-notes rhythmically relative to the base voice in Leiki Ueda's "Chronicles of Narnia"? [duplicate]

I am trying to figure out how to play the following 1/32 notes (in green) in Leiki Ueda's rendition of "The Chronicles of Narnia – The Battle". My intuition would be to start them on the ...
3 votes
1 answer
54 views

First Species of Counterpoint rule involving the next to last bar

In Alfred Mann's The Study of Counterpoint, there is a passage that explains a rule basically restricting the interval of the last bar to a minor third if the cantus firmus is in a lower register, or ...
1 vote
0 answers
95 views

Rules for improvising intermediate notes in basso continuo

When realizing figured bass, passing notes in the bass are analyzed quite thoroughly in literature (e.g. The Art of Accompaniment from a Thorough Bass). However, I cannot find any information or rules ...
4 votes
1 answer
100 views

Is it possible to write a phase-shifted pattern that obeys the rules of classical counterpoint?

Is it possible to write a phase-shifted pattern in the style of Minimalist phased looping on Gibson Echoplex Digital Pro that obeys all the classical counterpoint rules? Each note of the pattern will ...

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