All Questions
Tagged with counterpoint classical-music
10
questions
3
votes
2
answers
116
views
Problem with modal counterpoint
I'm new to counterpoint and this time i tried challenging myself by writing a counterpoint in second species in phrygian E
I'm sure there are problems with my counterpoint and wanted to see if anyone ...
2
votes
2
answers
193
views
Bar 48: A3+B4 and B3+A4 - ODE TO JOY Symphony no. 9, opus 125 Extract from a piano transcription by Franz Liszt
In Bar 48 of the fourth movement - "Ode to Joy", Symphony no. 9, opus 125, in this extract from the piano transcription by Franz Liszt, there are three counterpoint melodies, marked in the ...
2
votes
2
answers
857
views
sharp ii dim 7th: How to use?
Still here and working on part-writing. I have used a sharp ii dim7th chord, straight after iihalfdim7- leading to V. Is this actually the right place to put it in terms of chord sequence/harmonic ...
2
votes
2
answers
204
views
Four part writing: How to voice augmented 6th chords?
I have recently started adding augmented 6th chords to my part writing. As far as I can tell, I have not broken any harmonic rules in the displayed voicing, yet it does not sound right to me. Just ...
3
votes
3
answers
502
views
Four part writing: How to voice diminished 7th chords?
I am currently doing part writing, and have come into a bit of a conundrum. I want to use a sharp 4 dim 7 (Fsharpdim7), to link up my IV chord (FM) to my V7 chord (G7).
I know that 7ths should usually ...
6
votes
2
answers
856
views
Four part writing problem: tripled root solution. what is best practice here?
I have hit a problem with this chord change in my four part writing. We are in A minor.
The VI chord is in first inversion, so A must be in the bass. (I have made a mistake in the figure. the VI ...
3
votes
3
answers
883
views
What words should be used to describe "mathematically precise" music?
Imagine you are working with a fugue of Bach or any other composers, which is well-written, clever, and perfect. Such music:
Uses the minimal amount of thematic material.
Includes very clever ...
7
votes
2
answers
788
views
Why does the leading tone (G#) go to E rather than A in this example?
Why does the leading tone (G#) go to E rather than A in this example?
5
votes
3
answers
899
views
Dissonances and harmony
When I listen to Bach, Handel or Vivaldi (especially Baroque composers) every single note seems to fit there perfectly I mean pretty consonant to their location.
As I was trying to learn tonal ...
7
votes
2
answers
2k
views
Retrograde and Inverted songs
I am looking for retrograde and inverted remakes of classical pieces. Even better if they are being played simultaneously with the origina, like Pachelbel's Canon, Original Version and Retrograde ...