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3 votes
2 answers
116 views

Problem with modal counterpoint

I'm new to counterpoint and this time i tried challenging myself by writing a counterpoint in second species in phrygian E I'm sure there are problems with my counterpoint and wanted to see if anyone ...
user98606's user avatar
  • 337
2 votes
2 answers
193 views

Bar 48: A3+B4 and B3+A4 - ODE TO JOY Symphony no. 9, opus 125 Extract from a piano transcription by Franz Liszt

In Bar 48 of the fourth movement - "Ode to Joy", Symphony no. 9, opus 125, in this extract from the piano transcription by Franz Liszt, there are three counterpoint melodies, marked in the ...
wonderich's user avatar
  • 921
2 votes
2 answers
857 views

sharp ii dim 7th: How to use?

Still here and working on part-writing. I have used a sharp ii dim7th chord, straight after iihalfdim7- leading to V. Is this actually the right place to put it in terms of chord sequence/harmonic ...
EdB123's user avatar
  • 741
2 votes
2 answers
204 views

Four part writing: How to voice augmented 6th chords?

I have recently started adding augmented 6th chords to my part writing. As far as I can tell, I have not broken any harmonic rules in the displayed voicing, yet it does not sound right to me. Just ...
EdB123's user avatar
  • 741
3 votes
3 answers
502 views

Four part writing: How to voice diminished 7th chords?

I am currently doing part writing, and have come into a bit of a conundrum. I want to use a sharp 4 dim 7 (Fsharpdim7), to link up my IV chord (FM) to my V7 chord (G7). I know that 7ths should usually ...
EdB123's user avatar
  • 741
6 votes
2 answers
856 views

Four part writing problem: tripled root solution. what is best practice here?

I have hit a problem with this chord change in my four part writing. We are in A minor. The VI chord is in first inversion, so A must be in the bass. (I have made a mistake in the figure. the VI ...
EdB123's user avatar
  • 741
3 votes
3 answers
883 views

What words should be used to describe "mathematically precise" music?

Imagine you are working with a fugue of Bach or any other composers, which is well-written, clever, and perfect. Such music: Uses the minimal amount of thematic material. Includes very clever ...
Ma Joad's user avatar
  • 1,190
7 votes
2 answers
788 views

Why does the leading tone (G#) go to E rather than A in this example?

Why does the leading tone (G#) go to E rather than A in this example?
user avatar
5 votes
3 answers
899 views

Dissonances and harmony

When I listen to Bach, Handel or Vivaldi (especially Baroque composers) every single note seems to fit there perfectly I mean pretty consonant to their location. As I was trying to learn tonal ...
user20273's user avatar
  • 363
7 votes
2 answers
2k views

Retrograde and Inverted songs

I am looking for retrograde and inverted remakes of classical pieces. Even better if they are being played simultaneously with the origina, like Pachelbel's Canon, Original Version and Retrograde ...
Hans's user avatar
  • 179