All Questions
Tagged with counterpoint species-counterpoint
22
questions
4
votes
1
answer
101
views
Fourth species counterpoint treating fourth
I'm so confused why does in fux book he treats the P4 as a consonance and leaps from it instead of resolving it down to a third( measure 7 )
Also how common is going above the cantuse firmus in ...
0
votes
1
answer
20
views
moving into parallel compound intervals counterpoint
in strict counterpoint and i'm talking about fux's book
is having 2 parallel perfect intervals with contrary motion still wrong?
because in fux book only contrary and oblique motion are acceptable for ...
3
votes
2
answers
117
views
Problem with modal counterpoint
I'm new to counterpoint and this time i tried challenging myself by writing a counterpoint in second species in phrygian E
I'm sure there are problems with my counterpoint and wanted to see if anyone ...
2
votes
0
answers
116
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Counterpoint question: "2 quarter notes at the beginning of the measure cause the melody to lag." Fux Palestrina Counterpoint
A question that has been nagging me for a long time regarding counterpoint is the idea of avoiding "2 quarters at the beginning of the measure as the melody tends to lag." as per Johann Fux. ...
0
votes
2
answers
128
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In Organum and Species Counterpoint why is one of the voices always in whole notes?
Edit: It was pointed out to me that counterpoint spawned from the Organum style of music. For more context, here’s information from two sources I just read. “Two styles of Organum existed during this ...
3
votes
1
answer
163
views
What does this counterpoint rule mean?
I'm using a Musescore extension called Counterpoint Analyzer 0.4, and I am not sure what one of the warning messages refers to.
Please see numbers 1 and 2 in the following:
Any thoughts as to what ...
3
votes
1
answer
54
views
First Species of Counterpoint rule involving the next to last bar
In Alfred Mann's The Study of Counterpoint, there is a passage that explains a rule basically restricting the interval of the last bar to a minor third if the cantus firmus is in a lower register, or ...
10
votes
1
answer
289
views
Rule on doubling the second rather than the fourth when using ligatures
I was going through the ligatures in 4 parts exercises from Fux's Gradus. On page 133, Aloys says, "Finally, in the sixth measure of the same example the fourth is doubled, although as a rule one ...
2
votes
0
answers
87
views
what are the options for the penultimate measure in the 3rd species counterpoint
Mr. Fux says:
Then, Mr. Fux does:
In Gradus ad Parnassum (Mann's translation).
Is the last one a mistake? There's nothing written in the book that it's a mistake.
4
votes
2
answers
101
views
what was a skip according to fux and what is it in general
I wonder what a skip actually is for Fux. Because, in Gradus he says a reversal is needed after a skip but then he does something like that:
To clarify, I've no problem with how it sounds, it sounds ...
2
votes
1
answer
140
views
Question on the definition of a dissonant passing/neighbor tone?
I am currently trying to teach myself counterpoint following Jacob Gran's videos. When I was analyzing my exercises today, I thought of this question. If the first two notes of a dissonant neighbor(or ...
2
votes
1
answer
118
views
Is there something wrong with this counterpoint practice?
I've been studying 16 century counterpoint through a book myself.
I just got into 3 voice 3 species and its a little confusing.
This is a part of a 16 centrury counterpoint practice I did.
I'll like ...
5
votes
2
answers
213
views
the cadence in 3rd species counterpoint with 3 voices in the Phrygian mode
When the Cantus Firmus is in the 1st or 2nd voice, the bass is suppose to play the 5th note of the mode in the 2nd last bar. In the case of E Phrygian, the 5th degree is B which has however a ...
1
vote
1
answer
200
views
2nd species counterpoint in 3 parts, is it ok?
If someone would be willing to point out errors I'm making with this species, before I continue on to the others, I'd be grateful
https://flat.io/score/61d7e420658ae700133b1e72-c?sharingKey=...
4
votes
3
answers
169
views
What is the order of operations for writing half notes against whole notes in three parts?
FYI, I am referencing The Study of Counterpoint (Alfred Mann's translation of Fux's Gradus ad Parnassum)
When writing in two voices, I understand the standard procedure to involve writing a ...
7
votes
1
answer
257
views
How to evaluate a counterpoint?
I am currently studying counterpoint in order to prepare my first year in a Faculty of music. I have diverse resources at my disposal like The Complete Musician (Laitz) in addition to online resources....
1
vote
1
answer
245
views
how do I add voices to compound species lines?
Update, TLDR: given multiple semi-written lines of music, which line should be deemed the cantus firmus before working on the counterpoint of the other lines?
Given a "free" (?) soprano ...
2
votes
2
answers
111
views
Sequences in Music
I am doing second species counterpoint and this exercise gives me all the bottom notes and only the first 4 eighth notes. The exercise says:
Where a sequence occurs in the given voice, use one in the ...
3
votes
1
answer
403
views
Is there a rhythmic counterpart to voice leading? Is counterpoint supposed to fulfill this role?
I have been studying voice leading and I feel like rhythm is unaddressed in voice leading theory.
Here's an example of the types of voice leading rules I'm referring to:
Resolve 7->1 in a V chord ...
1
vote
1
answer
227
views
In species counterpoint, is the fourth above a third a consonance or a dissonance?
I am reading Alfred Mann's translation of "Gradus ad Parnassum" and found a footnote that says that Fux considers a fourth that comes from harmonic division the of the octave (fifth-fourth) ...
12
votes
3
answers
2k
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Are augmented fourth allowed in second species counterpoint?
I'm trying to learn counterpoint with the help of the Gradus.
I think I've made many mistakes but I'm not sure if they're allowed or not.
At bar 62 (upbeat) you may see an augmented fourth, used as ...