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1 vote
1 answer
200 views

2nd species counterpoint in 3 parts, is it ok?

If someone would be willing to point out errors I'm making with this species, before I continue on to the others, I'd be grateful https://flat.io/score/61d7e420658ae700133b1e72-c?sharingKey=...
Jack999's user avatar
  • 233
3 votes
2 answers
124 views

What are some strategies one could use to put as many suspensions as possible in a chord progression?

I ask this question in the context of strict (florid) tonal counterpoint as taught, for example, by Albrechtsberger and many later writers. Fux in his Gradus ad Parnassum recommends putting many ...
Kim Fierens's user avatar
  • 2,347
6 votes
2 answers
457 views

When realizing a basso continuo, should the realization avoid consecutive fifths and octaves with the written parts?

Many continuo manuals (both historical sources and modern treatises) are careful to point out that a continuo realization should be contrapuntally correct, i.e., one ought to avoid parallel fifths and ...
Kim Fierens's user avatar
  • 2,347
4 votes
2 answers
436 views

Is partimento a good way to learn how to write a Baroque trio sonata in the style of Corelli?

Who I am: I am 16 years old and I play violin. I am a music student and I consider myself to have a very good ear and understanding of music theory. My piano-playing is however not very good. I really ...
xavier richardson's user avatar
3 votes
1 answer
176 views

Are the rules of voice leading and the rules of counterpoint ever at odds with one another?

I was practicing composing in an SATB setting. I had the chords voiced the way I wanted to, but there was not much rhythmic interest (everything in whole notes). So, I began subdividing the notes ...
286642's user avatar
  • 1,396
1 vote
3 answers
265 views

What is wrong about this counterpoint?

I am using a counterpoint rules plugin on MuseScore, and I am having trouble understanding the issues with my music. I am wondering if I am doing something wrong or if I am not interpreting the ...
286642's user avatar
  • 1,396
1 vote
1 answer
245 views

how do I add voices to compound species lines?

Update, TLDR: given multiple semi-written lines of music, which line should be deemed the cantus firmus before working on the counterpoint of the other lines? Given a "free" (?) soprano ...
286642's user avatar
  • 1,396
2 votes
2 answers
418 views

Four part Writing: When must a perfect fourth be resolved?

A bit confused at the moment regarding when a perfect fourth is classed as a consonance, and when it is classed as a dissonance. I have read here on Stack Exchange, that perfect fourth intervals are ...
EdB123's user avatar
  • 751
2 votes
2 answers
867 views

sharp ii dim 7th: How to use?

Still here and working on part-writing. I have used a sharp ii dim7th chord, straight after iihalfdim7- leading to V. Is this actually the right place to put it in terms of chord sequence/harmonic ...
EdB123's user avatar
  • 751
3 votes
4 answers
199 views

Are certain 4 part writing rules contradictory?

I am told that I cannot double the 3rd when constructing a 4 part triad but at the same time I am told that the only note that can be omitted is the 5th. So in a triad, if I omit the 5th, then all I ...
user avatar
2 votes
2 answers
210 views

Four part writing: How to voice augmented 6th chords?

I have recently started adding augmented 6th chords to my part writing. As far as I can tell, I have not broken any harmonic rules in the displayed voicing, yet it does not sound right to me. Just ...
EdB123's user avatar
  • 751
3 votes
3 answers
506 views

Four part writing: How to voice diminished 7th chords?

I am currently doing part writing, and have come into a bit of a conundrum. I want to use a sharp 4 dim 7 (Fsharpdim7), to link up my IV chord (FM) to my V7 chord (G7). I know that 7ths should usually ...
EdB123's user avatar
  • 751
6 votes
2 answers
865 views

Four part writing problem: tripled root solution. what is best practice here?

I have hit a problem with this chord change in my four part writing. We are in A minor. The VI chord is in first inversion, so A must be in the bass. (I have made a mistake in the figure. the VI ...
EdB123's user avatar
  • 751
2 votes
2 answers
708 views

How to think about this moment from BWV 816

I've been tasked by a textbook I'm going through to make a harmonic analysis of the G major "Gavotte" from BWV816, "The French Suite" specifically minding a handful of questions ...
Valarien's user avatar
  • 341
1 vote
2 answers
361 views

Allowed hidden parallel octaves [duplicate]

I have read that hidden direct octaves between two voices are not always forbidden, but that there are some circumstances in which they are acceptable. As I have understood it, the following general ...
Quaerendo's user avatar
  • 760

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