All Questions
10
questions
3
votes
4
answers
584
views
The relation between voices in piano pieces
I've been trying to understand how to identify the voices within the harmonic progression they form, after learning counterpoint and SATB harmony.
But when I'm investigating the relation between ...
- 409
1
vote
2
answers
146
views
What is the music theory term for the study of the role and rhythm of each voice in multi voice compositions?
I’m looking for the for the study of the role and rhythm of each voice in multi voice composing. For example “lead part/voice/melody or supporting part/voice/melody”. By rhythms what I mean is the ...
- 994
3
votes
1
answer
176
views
Are the rules of voice leading and the rules of counterpoint ever at odds with one another?
I was practicing composing in an SATB setting. I had the chords voiced the way I wanted to, but there was not much rhythmic interest (everything in whole notes). So, I began subdividing the notes ...
- 1,396
1
vote
2
answers
361
views
Allowed hidden parallel octaves [duplicate]
I have read that hidden direct octaves between two voices are not always forbidden, but that there are some circumstances in which they are acceptable. As I have understood it, the following general ...
- 760
6
votes
1
answer
1k
views
Counterpoint with more than 4 parts
In Rachmaninoff Prelude in B Minor Op. 32 No. 10 I've noticed that not all voices are 4 parts. In fact I've noticed that in 19th century and 20th century music there's more than 4 parts in a harmony. ...
- 61
7
votes
3
answers
5k
views
Can the leading note resolve down?
Would like to ask if the leading tone in chord V (G) could resolve downwards to Eb (fifth of chord I)?
I’ve somehow recall reading that the rule (leading note MUST resolve to tonic) only applies to ...
- 71
6
votes
2
answers
4k
views
Are consecutive 3rds allowed in harmony?
In harmony, is it okay if there are consecutive 3rds in ii-V progression in two different bars?
1
vote
3
answers
2k
views
What determines if counterpoint is good or bad?
I am currently reading through the Complete Musician and the current subject is second species counterpoint. I've written about 5 or 6 counterpoints so far in first and second species.
That said ...
user45241
3
votes
3
answers
806
views
What is the purpose of voice-crossing here?
I'm starting to work through Fux's Gradus ad Parnassum. For the two-voice, first-species, Phrygian-mode, lower-voice exercise (p. 36 on the first Google result for "Fux Gradus"), Aloys says that he ...
- 353
11
votes
3
answers
1k
views
Are minor sevenths allowed in baroque counterpoint?
Are minor sevenths allowed in baroque counterpoint? I ask because in the first measure of Bach's Invention No. 1 the upper voice and lower voice have an interval of a minor seventh (the upper voice ...
- 1,169