All Questions
Tagged with counterpoint baroque-period
11
questions
4
votes
2
answers
436
views
Is partimento a good way to learn how to write a Baroque trio sonata in the style of Corelli?
Who I am:
I am 16 years old and I play violin. I am a music student and I consider myself to have a very good ear and understanding of music theory. My piano-playing is however not very good. I really ...
1
vote
0
answers
95
views
Rules for improvising intermediate notes in basso continuo
When realizing figured bass, passing notes in the bass are analyzed quite thoroughly in literature (e.g. The Art of Accompaniment from a Thorough Bass). However, I cannot find any information or rules ...
6
votes
2
answers
457
views
When realizing a basso continuo, should the realization avoid consecutive fifths and octaves with the written parts?
Many continuo manuals (both historical sources and modern treatises) are careful to point out that a continuo realization should be contrapuntally correct, i.e., one ought to avoid parallel fifths and ...
2
votes
1
answer
156
views
How did baroque composers write sequences that are both imitative and modulatory?
Still working on my Bach-style fugue. And I wonder, how did composers of that time-period come up with all those sequential episodes in their fugues?
I know that there is a certain standard ...
5
votes
1
answer
215
views
How do/did composers deal with very many contrapuntal voices?
A work that I've admired as long as I've known about it is Antonio Caldara's Crucifixus for 16 voices. YouTube video here.
It does make me wonder how a composer like Caldara (or Thomas Tallis for ...
1
vote
2
answers
228
views
How did counterpoint, harmonic rhythm, and thoroughbass interact in the late-Baroque instrumental fugal style?
It may be considered common knowledge that frequent root changes, i.e., a fast harmonic rhythm, usually cause a piece to be perceived as being more purely "harmonic" and less polyphonic in nature. (...
13
votes
3
answers
2k
views
Parallel Fifths in Pachelbel's Canon in D?
The other day, I was watching a scrolling score of Pachelbel's (in)famous Canon in D on Youtube, when I noticed something interesting. In the excerpt below, shouldn't the the circled notes in the 1st ...
3
votes
2
answers
496
views
How to realize the figured bass of the second movement of BWV 1014?
I am planning a performance of the second movement of Bach's violin sonata BWV 1014 in B Minor. The beginning of second mvt, Allegro is shown below.
As you can see there are some figured bass below ...
4
votes
1
answer
262
views
Is there a standard non-Fux counterpoint method?
The OP for this question refers to a rule for second-species counterpoint which isn't mentioned in Fux's Gradus ad Parnassum. The answer confirms it, and adds yet another rule, referring to "strict ...
3
votes
3
answers
819
views
Counterpoint without a leading tone?
In minuet in A minor by Johann Krieger, it doesn't have a major 7th going to the octave, but it has the fifth going to the tonic and the tonic playing an octave above on both notes. Is this a common ...
1
vote
0
answers
56
views
Confusing passage from The Study of Counterpoint [duplicate]
Here is the passage:
Joseph: I wanted to write a sixth here. But when I studied singing, I learned that fa leads down and mi leads up. Since the progression moves upward from the sixth into a third I ...