All Questions
Tagged with composition counterpoint
46
questions
3
votes
1
answer
62
views
Exposition in Bach's fugue repeats?
Analyzing Bachs first fugue in C major
I can't understand something.
I have colored all the subjects and answers in the picture and wrote their structure in the picture below but it seems that the ...
- 409
0
votes
1
answer
102
views
can anyone help me in writing a quartet
hi i've been doing some analyzing and after learning counterpoint and 4 part harmony and studying a little about forms today for the first time i wrote a period to turn in into a ternary or a simple ...
- 409
3
votes
1
answer
191
views
What is the difference between background, middle ground, and foreground?
Is the idea of structural levels background, middle ground, and foreground only studied in schenkerian analysis?
I’m still viewing the background as the simplest layer of a song, which to me would be ...
- 994
3
votes
0
answers
67
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Why does Schoenberg think of "'semi-contrapuntal treatment' of the accompaniment" as a way of adapting a motive's melody to changes in its harmony?
Schoenberg says that the melody of a motive may be adapted to changes in the harmony "[b]y transposition," "[b]y addition of passing harmonies," or "[b]y 'semi-contrapuntal' ...
- 277
4
votes
1
answer
100
views
Is it possible to write a phase-shifted pattern that obeys the rules of classical counterpoint?
Is it possible to write a phase-shifted pattern in the style of Minimalist phased looping on Gibson Echoplex Digital Pro that obeys all the classical counterpoint rules? Each note of the pattern will ...
- 12.3k
10
votes
1
answer
289
views
Rule on doubling the second rather than the fourth when using ligatures
I was going through the ligatures in 4 parts exercises from Fux's Gradus. On page 133, Aloys says, "Finally, in the sixth measure of the same example the fourth is doubled, although as a rule one ...
- 92
0
votes
3
answers
164
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How to study part-writing as a self-taught musician?
I've recently picked up Schoenberg's "Preliminary Exercises In Counterpoint" after reading most of "Fundamentals of Musical Composition" as he indicates there and in other texts ...
2
votes
1
answer
200
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Harmonic Voices Alongside Counterpoint
I'm writing a piece for a rather large ensemble:
full string section
SATB choir plus soloists
2 of oboe, bassoon, and trombone
c-g timpani
In one of the sections, the chorus sings a fugato while the ...
- 1,626
4
votes
0
answers
148
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Did Stravinsky ever work backwards?
I've always been intrigued by this little passage in Stravinsky's "Fireworks" (op. 4). It seems to me to be many things all at once, each masterfully handled. It's a nifty little canon, a ...
- 5,630
1
vote
1
answer
84
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Is/Are there standard approaches to teaching/learning fugal writing?
I am intimidated by the idea of writing fugues.
...but I would like to do it. I have in mind the style exemplified by Bach.
In a collegiate "Counterpoint" class (or book, or private ...
- 91.2k
1
vote
0
answers
181
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Writing an invention [closed]
I am an amateur piano player without systematic musical education. I love listening to and playing 18th-century contrapuntal music especially written by JS Bach. Recently I decided to deepen my ...
- 119
4
votes
2
answers
436
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Is partimento a good way to learn how to write a Baroque trio sonata in the style of Corelli?
Who I am:
I am 16 years old and I play violin. I am a music student and I consider myself to have a very good ear and understanding of music theory. My piano-playing is however not very good. I really ...
4
votes
3
answers
169
views
What is the order of operations for writing half notes against whole notes in three parts?
FYI, I am referencing The Study of Counterpoint (Alfred Mann's translation of Fux's Gradus ad Parnassum)
When writing in two voices, I understand the standard procedure to involve writing a ...
- 1,396
5
votes
1
answer
371
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Where can I find related materials in connection with Johann Joseph Fux's The Study of Counterpoint?
Allegedly, Beethoven condensed Fux's work into a "cheat sheet" version for ready reference (from the back cover of the Alfred Mann translation), and Mozart apparently annotated his own copy (...
- 1,396
1
vote
2
answers
140
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Is there a way to recognize the canonic (or generally imitative) potential in a given harmonic progression?
Suppose given a bass melody with either thoroughbass figuring or Roman numeral analysis. Is there a way to quasi-instantly recognize whether this bass melody admits of a canonic (or more generally, ...
- 2,347