I am arranging a Bach piece. I know, what the challenge it is to do it. But I have been able to successfully arrange Mozart and later, Beethoven, so I think I'm ready.
But here is the challenge I am running into right now. How to realize a figured bass into full chords? I know some things about figured bass realization like:
- If you don't see any numbers, the chord is in root position
- If you see just a 6, the chord is in first inversion
- If you see a 6 and a 4, the chord is in second inversion
- 7 for root position, 6 and 5 for first inversion, 4 and 3 for second inversion, and 4 and 2 for third inversion when it comes to seventh chords
- No accidental means you just play a diatonic chord
- An accidental instead of a number means that the accidental applies to the third
- A slash through a number means to raise it a half step(so Bb becomes B, E becomes F, etc.)
- An accidental next to a number means that you apply the accidental to whatever interval above the bass the number corresponds to
- A number with a line means you suspend the note across the chord change(whether you rearticulate or tie the suspended note is up to you)
And I know some things about voice leading like:
- Avoid leaps as much as possible
- When you have to leap in a given voice, either go back in the opposite direction or form an arpeggio
- Avoid intervals greater than an octave between 2 consecutive voices unless necessary
- Never leap by an augmented or diminished interval, ever
- Resolve tendency tones(so 4 to 3, 7 to 6 if 7 isn't the leading tone, 2 to 3, 7 to 1 if 7 is the leading tone)
- Avoid unequal fifths in the outer voices(perfect fifth becoming a tritone for example)
- No PPI's(parallel perfect intervals)
- If you have to string together dissonances, no more than 4 before a resolution, preferably fewer
- Parallel thirds and sixths are okay but if you have 4 or more in a row, they start sounding dependent
- No tritones or other augmented or diminished intervals between outer voices unless a diminished 7th chord is specifically called for. It will just sound too dissonant to be acceptable
How do I go from these figured bass and voice leading rules and a bass line with figures to full 4 part chords? Is there a shortcut to finding a solution for any bass line and figures?