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Let me clarify the question. I've had this happen numerous times, so I need to find a way to solve this 'problem'. I'll start with the default scene, everything deleted. Blank slate. Create a 'round cube' primitive. Give it a multiresolution modifier. Go into Sculpt mode. Start sculpting on it. Eventually, I realize I have a good head-ish mesh for something. But.. I've already made major changes to the mesh, in sculpt mode. Now, I want to give the head a body. But, every method I've tried just.. flat out fails. Using the grab brush eventually pulls out really thin shapes that just turn into ugly reversed normals and jaggy edges that I can never fully fix without just undoing the entire operation. Adding geometry by adding more primitive objects, causes them to get affected by the modifier so when in sculpt mode they look horrible, and they do not join to the original shape, leaving a gap between what should be a connected head and neck/body. What am I missing?

Using the Clay strips brush to build it up doesn't work, it runs out of resolution too quickly and Blender does not have a re-dynamesh option like Zbrush does, once you've begun sculpting. Which is to say, I know there's the multiresolution modifier, but applying it farther just subdivides the ENTIRE mesh, which often produces unwanted results wherever you are not trying to work. So really.. what can I do in this situation? A lot of times the inspiration strikes to make something and I have to just get it into Sculpt mode as quickly as possible to get my idea out.. so I don't often have the luxury of going and blocking out an entire figure.

EDIT: I guess it helps to add, I =cannot= use Dynamic Topology sculpting, on account of the models being intended for use with bone-based animations. Triangle-covered surfaces don't tend to deform properly with bones!

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  • $\begingroup$ Assuming I'm understanding your situation correctly, how about merging your newer anatomy into your older anatomy with a Boolean, and then using Dyntopo again to blend the transition? $\endgroup$
    – Mentalist
    Commented Mar 1, 2017 at 14:58
  • $\begingroup$ It's most likely that you're searching for dyntopo. Using more or less high poly mesh for animation is not something that is convenient / used / flexible / render times friendly. You will need to lower amount of geometry regardless if you have sculpted some details and this is often done with retopology. And if it's being done the topology of the high poly doesn't really matter. $\endgroup$
    – Mr Zak
    Commented Jun 5, 2017 at 21:19

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The standard way to get a clean mesh suitable for animation is to start out with dyntopo on the subdivided cube, and to sculpt the major forms with it. Afterwards retopo over it using good edge flow and even(ish) quads. Use tri and 5-poles when necessary. You can use large chunk quads, and extra tools, like 'Contours', to do it quickly. Afterwards you can subdivide/shrinkwrap for more geometry. Then you use multires levels to sculpt medium/fine details.

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  • $\begingroup$ this is the correct workflow, what OP is trying to do won't work because it is not the purpose of the multires modifier. You'll have to bite the bullet and go through the whole process. $\endgroup$
    – Firewill
    Commented Jul 6, 2017 at 10:23
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Have you tried applying the multires modifier when you are happy with it? Then adding your primitives by joining (with all my desired mesh objects I wish to join selected I use Ctrl+J to join them together)?

I enable dynotopo once I join my meshes to each other.

Depending on how rough/fine you want your sculpt to be at this point, will depend on how you set dynotopo's value. I personally like to use 5 or 6px.

I then lighten up the influence of my brush by setting it to near 0.0 with Shift+F and then dragging my mouse away from the center and click when I'm at my desired value.

Then I lightly cover my transition points between my sculpt and my primitives with my sculpt brush (If this is slightly above 0.0 it will seem like it is not doing much, however you are adding mesh density).

Then I hold Shift and go back over and smooth the transitions.

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  • $\begingroup$ Since your last edit to the question, it sounds like you need a templated mesh with good topology. I would personally still use this approach, and then shrink wrap the "template" onto it. $\endgroup$
    – Rick Riggs
    Commented Apr 6, 2017 at 16:06

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