Genres Of Music During Spanish Time
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The document summarizes music genres and forms from the pre-Spanish and Spanish periods in the Philippines. It describes that pre-Spanish music was simple with two-note melodies and recitative styles. Examples included dal-lot, pamulinawen, and dung-aw. During the Spanish period, sacred music became more conservative while secular forms like kumintang, awit, and balitaw emerged and were influenced by Spanish musical traditions. The kundiman was a traditional love song and serenade, while the harana was a courting tradition where men would sing love songs to women.
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Genres Of Music During Spanish Time
- 2. Genres of Music During Spanish Influence/Period
- 3. The Music of Spain has a vibrant and long history which has had an important impact on music in Western culture. Historical Background Although the music of Spain is often associated with traditions like flamenco and the acoustic guitar, Spanish music is in fact incredibly diverse from region to region.
- 5. Pre-Spanish Period Music Filipinos are said to be musical peoples. In most cases, singing is accompanied by dancing. They used bamboo canes, palm leaves and bark of trees to write their songs and a piece of sharp stick or iron for their pen.
- 6. Functions of their Music Religious Social life Pre-Spanish Period Music
- 7. Characteristics of their Music Mostly simple two note music Recitative Pre-Spanish Period Music
- 8. EXAMPLES of Music During Pre-Spanish Period
- 9. Dal-lot It is the traditional Ilokano pre-wedding, wedding and post-wedding chant. During the rendition, the male party serves the Ilokano drink basi or the Ilokano chew, gawed ken bua (mamaen) It is a song sung by farmers during wedding, baptismal and others parties accompanied by Kutibeng (guitar).
- 10. Pamulinawen Pamulinawen is a love song
- 11. Pamulinawen It is believed that it was created by an Ilocano troubadour of pre-Hispanic times who was inspired by the sweetness of an Ilocana. The maiden might have been resplendent with character traits cherished by the women of Ilocandia and for this reason the troubadour must have called her “Pamulinawen” which according to the text of the song is the sweetest and most illustrious names among Ilocanos of old.
- 12. Dung-aw is a song requesting a dead person to be good in his next life. Dung-aw The Dungaw or Dung- aw is an old-fashioned tradition of poetry and Ilocano. It is a poem sing. It is sung as a lament someone dies. In this poem speaks of the goodness of who died when he was alive.
- 13. Ordinary songs (diyuna, talindaw) Street songs (indulamin, suliranin) Sorrow (dalit, umbay) Wedding (ihiman) Rowing (tigpasin, kalusan) MUSICS ACCORDING TO THEIR CATEGORY:
- 14. MUSIC ACCORDING TO THEIR CATEGORY: Lullaby (hele-hele, hili, oyayi, iyaya) Success (baling kungkong, dapayanin, hiliran, sambotani, tagumpay) House (tingad) General merry making (kalipay) Counting (urukay)
- 16. Spanish Period Music More conservative style of sacred music. Minor key at the beginning shifts to a major key in the 2nd-half Kundiman. Canto Ilocano, monophonic unmeasured style notated utilizing note shapes different from the neumes of Gregorian chant (composition of the Kirial). Canto de Oregano, simple polyphonic settings in to two or more vocal portraying. Religiosity and Musicality – salvation of self- expression CHARACTERISTICS:
- 17. •Figured Chant Music •Measured Plainsong •1795 (Golden Age of Sacred Music) •Passion Song Musical Forms Sacred Music
- 18. Musical Forms 1. Tagulaylay Counterpart of “lamentation” 2. Palimos Song for begging
- 19. Kumintang originated in Balyan, Batangas a. Kumintang of the conquest b. Kumintang of the Balayan c. Kumintang with which the Awits are accompanied 3. Kumintang Musical Forms
- 20. • “La Tagala” -- Jose Estella • “Amihan” -- Antonio Molina • “Auras de Terruno” -- Juan S. Hernandez • “Pagdilidli” Lucino Sacramento Examples of Kumintang
- 21. The song is a kind of narrative poem consisting of verse had four a piece each stanza, each verse has 12 syllable, and the traditional end match individually Musical Forms 4. Awit
- 22. • “Awit” -- F. Santiago • “Ang Ulila” -- Antonio Molina • “Batingaw na Pilak” -- Antonio Molina • “Recuerdo de Filipinas y Sus cantares” --Diego Perez Examples of Awit
- 23. •Visayan Balitaw •Tagalog Balitaw •Dansa Menor 5. Balitaw Examples of Balitaw: •“Hating-gabi”-- Antonio Molina • “Sampaguita”-- Dalores Paterno •“Ay, Ay, Kalisud”-- Visayan Folksong Balitaw Mayor Musical Forms
- 24. 6. Kundiman Kundiman came from the words “kung hindi man” It is a genre of traditional Filipino love songs. The lyrics of the Kundiman are written in Tagalog. The melody is characterized by a smooth, flowing and gentle rhythm with dramatic intervals. Kundiman was the traditional means of serenade in the Philippines. Musical Forms
- 25. 7. Harana Harana originated from the Spanish Era here in the Philippines. This is how the men court the women from before. Musical Forms A man accompanied by his friends would visit a woman and sing to her love songs to make her fall in love with him. The man is usually accompanied by his friends to give him moral support and also help him with the songs he will use to serenade the woman.
- 26. There are variations of the Harana. Musical Forms “Tapat” is from Ilocos, this serenading is started by the man and the woman answers back also with a song. This will go on until the two agree on their relationship.
- 27. Examples of Harana Songs •"Walay Angay" •"Ay Kalisud“ • "No Duaduaem Pay“ •"Silayan’ Musical Forms
- 28. The End!!! Hope You Like and Understand it!!!!!
- 29. Leader: Teresa D. Balsomo Assistant Leader: John Mark B. Boctot Secretary: Marnice C. Buenafe Members: Katrina Jerica D. Bernal Elmie Rose Betache Jessie Ray G. Buot Kent Philip P. Blanco Apryllohne Maxilom Keith Mikho Barbon Group 2 Thank you very much!!!