Animation introduction
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The document discusses the process of animation including pre-production, production, and post-production. It covers skills needed for 2D and 3D animation like drawing and use of software. Frame rate, file organization, storyboards, audio recording and editing, sound design, and final composite are some key aspects covered. The document provides information on these topics with the aim of introducing the field of animation.
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Animation introduction
- 1. Animation Introduction G. Udhaya Sankar NSIC
- 2. Skill needed Draw 2D (x, y) 3D (x, y, z) G. Udhaya Sankar , NSIC
- 3. Software • Pencil2d • ToonZ • Maya • Aurora VFX • Flash • Maya VFX … … .. G. Udhaya Sankar , NSIC
- 4. Start Animation • Pre-Production – design and story • Production – make with the frame and dimension. • Post-Production – Title cards, audio, and copyrights. G. Udhaya Sankar , NSIC
- 5. 3D & 2D-animation • Frame Rate • Time versus Footage • DPI versus Pixels • Scenes • File Organization - Layout • Story and Storyboards • Revised Storyboards • Audio Recording and Editing • Music and Sound Design • Final Composite G. Udhaya Sankar , NSIC
- 6. Frame Rate • Film runs at 24 frames per second G. Udhaya Sankar , NSIC
- 7. Time versus Footage G. Udhaya Sankar , NSIC
- 8. DPI versus Pixels • NTSC -640 pixels wide by 480 pixels high. • LED TV- A 13-inch TV has 720 pixels across the screen and a 42-inch TV has 720 pixels. • HDTV - much higher at 1920 ¥ 1080 G. Udhaya Sankar , NSIC
- 9. DPI versus Pixels G. Udhaya Sankar , NSIC
- 10. DPI versus Pixels G. Udhaya Sankar , NSIC
- 11. DPI versus Pixels G. Udhaya Sankar , NSIC
- 12. Scenes • Scene numbering is different in animation than it is in live action. • In live action, once you are in a location you can turn the camera layer or frame in any direction. • Computer-generated animation (CG) breaks down scenes as in live action. G. Udhaya Sankar , NSIC
- 13. Scenes G. Udhaya Sankar , NSIC
- 14. Scenes G. Udhaya Sankar , NSIC
- 15. Scenes G. Udhaya Sankar , NSIC
- 16. Scenes G. Udhaya Sankar , NSIC
- 17. File Organization – Layout • BACKGROUNDS Scan your rough layouts and paint the background in your computer. • ORGANIZATION Number your animation drawings according to the frame number . The more information you can track during production, the easier it is to make adjustments. G. Udhaya Sankar , NSIC
- 18. File Organization – Layout G. Udhaya Sankar , NSIC
- 19. File Organization – Layout G. Udhaya Sankar , NSIC Title Card
- 20. Story and Storyboards G. Udhaya Sankar , NSIC
- 21. Story and Storyboards G. Udhaya Sankar , NSIC
- 22. Story and Storyboards G. Udhaya Sankar , NSIC
- 23. Story and Storyboards G. Udhaya Sankar , NSIC
- 24. Story and Storyboards G. Udhaya Sankar , NSIC
- 25. Story and Storyboards G. Udhaya Sankar , NSIC
- 26. Story and Storyboards G. Udhaya Sankar , NSIC
- 27. Revised Storyboards G. Udhaya Sankar , NSIC
- 28. Revised Storyboards G. Udhaya Sankar , NSIC
- 29. Revised Storyboards G. Udhaya Sankar , NSIC
- 30. Revised Storyboards G. Udhaya Sankar , NSIC
- 31. Revised Storyboards G. Udhaya Sankar , NSIC
- 32. Revised Storyboards G. Udhaya Sankar , NSIC
- 33. Revised Storyboards G. Udhaya Sankar , NSIC
- 34. Revised Storyboards G. Udhaya Sankar , NSIC
- 35. Revised Storyboards G. Udhaya Sankar , NSIC
- 36. Audio Recording and Editing G. Udhaya Sankar , NSIC Add dialogues for the lip moments Dubbing artist Record and compile with music
- 37. Music and Sound Design • Once your studio is prepped for recording, you can record to any device that will accept audio. • Cool Edit Pro, Sound Forge , Adobe Premiere. G. Udhaya Sankar , NSIC
- 38. Music and Sound Design G. Udhaya Sankar , NSIC
- 39. Final Composite G. Udhaya Sankar , NSIC
- 40. Final Composite G. Udhaya Sankar , NSIC
- 41. Final Composite G. Udhaya Sankar , NSIC
- 42. Final Composite G. Udhaya Sankar , NSIC
- 43. Final Composite G. Udhaya Sankar , NSIC
- 44. Final Composite G. Udhaya Sankar , NSIC
- 45. Home work G. Udhaya Sankar , NSIC
- 46. Home work G. Udhaya Sankar , NSIC