‘No Songs Tomorrow’ Compiles the Best of 1980s Darkwave
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
No Songs Tomorrow, a new compilation from Cherry Red Records, offers a new perspective on darkwave, coldwave, and other ethereal delights from the 1980s.
Gabriel Birnbaum takes many aspects of rock, folk, and indie music that everyone is familiar with and subtly rearranges them in ways we never thought possible.
Cicadastone’s Future Echoes is a gleeful, rip-roaring, endlessly entertaining beat-down of everything sensitive or delicate in our homogenized society.
For two nights in Los Angeles, queer indie-pop trio MUNA put on a joyous homecoming concert ten years of dreaming in the making.
The combined forces of composer/vocalist/violinist Caroline Shaw and accomplished ensemble Sō Percussion continue to thrill and amaze.
Rising Appalachia’s harmonies on “I Need a Forest Fire” are downright mesmerizing, as they deliver a zeitgeisty performance for one of 2024’s top tracks.
In June’s best metal, Crypt Sermon offer hooks in doom form, Insect Ark stay on the experimental path, and Ulcerate offer despair with technical death metal.
From marketing manipulation to all-out psychological warfare, Stories Are Weapons clarifies how our world – and worldview – is seldom our own.
KOKOKO!’s Butu is full of heat and movement, from the traffic sounds that start the opening track “Butu Ezo Ya” to the final claps of razor-sharp “Salaka Bien”.
Blues singer/guitarist Rory Block reaches back to her youth for inspiration in this tribute to Bob Dylan, choosing tunes that “touched her heart and soul”.
The 50 best albums of 2024 offer sublime music as major artists return with new work and brilliant new sounds bubble up from the underground and worldwide.
Dirty Three continue their long career of making organic, meditative post-rock jazz that always humbly approaches a single moment, without pretense or distraction.