Memory Quotes

“I know what you are learning to endure. There is nothing to be done. Make sure nothing is wasted. Take notes. Remember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.”
― Janet Fitch, White Oleander

“How can you just forget a person completely until the moment you see his face again?”
― Melina Marchetta, On the Jellicoe Road

“I feel as if I had opened a book and found roses of yesterday sweet and fragrant, between its leaves.”
― L.M. Montgomery, Anne of the Island

“My people are few. They resemble the scattering trees of a storm-swept plain...There was a time when our people covered the land as the waves of a wind-ruffled sea cover its shell-paved floor, but that time long since passed away with the greatness of tribes that are now but a mournful memory.”
― Chief Seattle, Chief Seattle's Speech (1854)

“Wisdom comes through suffering.
Trouble, with its memories of pain,
Drips in our hearts as we try to sleep,
So men against their will
Learn to practice moderation.
Favours come to us from gods.”
― Aeschylus, Agamemnon

“I miss that feeling of connection.
Knowing he was out there somewhere thinking about me at the same time I was thinking about him.”
― Ranata Suzuki

“Forgetfulness is a form of freedom.”
― Kahlil Gibran

“You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject...

Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)... this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire.

The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other... In this moment, everything is suspended: time, law, prohibition: nothing is exhausted, nothing is wanted: all desires are abolished, for they seem definitively fulfilled... A moment of affirmation; for a certain time, though a finite one, a deranged interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction).”
― Roland Barthes, A Lover's Discourse: Fragments

“Time moves in one direction, memory another. We are that strange species that constructs artifacts intended to counter the natural flow of forgetting.”
― William Gibson, Distrust That Particular Flavor

“If you didn't remember something happening, was it because it never had happened? Or because you wished it hadn't?”
― Jodi Picoult, Plain Truth

“He was both everything I could ever want…
And nothing I could ever have…”
― Ranata Suzuki

“There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it.

— Great Expectations (1998) directed by Alfonso Cuarón”
― Mitch Glazer

“People always talk about how hard it can be to remember things - where they left their keys, or the name of an acquaintance - but no one ever talks about how much effort we put into forgetting. I am exhausted from the effort to forget... There are things that have to be forgotten if you want to go on living.”
― Stephen Carpenter, Killer

“Memory is all we are. Moments and feelings, captured in amber, strung on filaments of reason. Take a man’s memories and you take all of him. Chip away a memory at a time and you destroy him as surely as if you hammered nail after nail through his skull.”
― Mark Lawrence, King of Thorns

“The ORDINARY RESPONSE TO ATROCITIES is to banish them from consciousness. Certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable.

Atrocities, however, refuse to be buried. Equally as powerful as the desire to deny atrocities is the conviction that denial does not work. Folk wisdom is filled with ghosts who refuse to rest in their graves until their stories are told. Murder will out. Remembering and telling the truth about terrible events are prerequisites both for the restoration of the social order and for the healing of individual victims.

The conflict between the will to deny horrible events and the will to proclaim them aloud is the central dialectic of psychological trauma. People who have survived atrocities often tell their stories in a highly emotional, contradictory, and fragmented manner that undermines their credibility and thereby serves the twin imperatives of truth-telling and secrecy. When the truth is finally recognized, survivors can begin their recovery. But far too often secrecy prevails, and the story of the traumatic event surfaces not as a verbal narrative but as a symptom.

The psychological distress symptoms of traumatized people simultaneously call attention to the existence of an unspeakable secret and deflect attention from it. This is most apparent in the way traumatized people alternate between feeling numb and reliving the event. The dialectic of trauma gives rise to complicated, sometimes uncanny alterations of consciousness, which George Orwell, one of the committed truth-tellers of our century, called "doublethink," and which mental health professionals, searching for calm, precise language, call "dissociation." It results in protean, dramatic, and often bizarre symptoms of hysteria which Freud recognized a century ago as disguised communications about sexual abuse in childhood. . . .”
― Judith Lewis Herman, Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror

“Because I might not always have you but I'll have the feeling of you for the rest of my life”
― pleasefindthis, I Wrote This For You

“When you remembered to forget, you were remembering. It was when you forgot to forget that you forgot. ”
― Ann Brashares, Forever in Blue: The Fourth Summer of the Sisterhood

“Memory is a mirror that scandalously lies.”
― Julio Cortázar, Around the Day in Eighty Worlds

“He looked at the silver pocketknife in his hand. An idea came to him – possibly the stupidest, craziest idea he’d had since he thought, Hey, I’ll get Percy to swim in the River Styx! He’ll love me for that!”
― Rick Riordan, The Blood of Olympus

“The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.”
― Tennessee Williams, The Glass Menagerie

“We do not remember days, we remember moments. The richness of life lies in memories we have forgotten.”
― Cesare Pavese

“Memory believes before knowing remembers.

[Light in August]”
― William Faulkner, Light in August

“To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which cancelled out, knowing them to be contradictory and believing in both of them, to use logic against logic, to repudiate morality while laying claim to it, to believe that democracy was impossible and that the Party was the guardian of democracy, to forget whatever it was necessary to forget, then to draw it back into memory again at the moment when it was needed, and then promptly to forget it again: and above all, to apply the same process to the process itself -- that was the ultimate subtlety: consciously to induce unconsciousness, and then, once again, to become unconscious of the act of hypnosis you had just performed. Even to understand the word 'doublethink' involved the use of doublethink.”
― George Orwell, 1984

“Remember that you own what happened to you. If your childhood was less than ideal, you may have been raised thinking that if you told the truth about what really went on in your family, a long bony white finger would emerge from a cloud and point to you, while a chilling voice thundered, "We *told* you not to tell." But that was then. Just put down on paper everything you can remember now about your parents and siblings and relatives and neighbors, and we will deal with libel later on.”
― Anne Lamott, Bird by Bird

“We’re constantly changing facts, rewriting history to make things easier, to make them fit in with our preferred version of events. We do it automatically. We invent memories. Without thinking. If we tell ourselves something happened often enough we start to believe it, and then we can actually remember it.”
― S.J. Watson, Before I Go to Sleep

“Music, when soft voices die, vibrates in the memory.”
― Percy Bysshe Shelley, The Complete Poems

“I know this much: that there is objective time, but also subjective time, the kind you wear on the inside of your wrist, next to where the pulse lies. And this personal time, which is the true time, is measured in your relationship to memory.”
― Julian Barnes, The Sense of an Ending

“Ultimate horror often paralyses memory in a merciful way.”
― H.P. Lovecraft, The Rats in the Walls

“The people you love become ghosts inside of you, and like this you keep them alive.”
― Rob Montgomery

“[HAMILTON]
I imagine death so much it feels more like a memory”
― Lin-Manuel Miranda