Charlotte Bronte Quotes

“Do you think, because I am poor, obscure, plain and little, I am soulless and heartless? You think wrong! - I have as much soul as you, - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you!”
― Charlotte Brontë, Jane Eyre

“Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you cannot bear what it is your fate to be required to bear.”
― Charlotte Brontë, Jane Eyre

“It is in vain to say human beings ought to be satisfied with tranquility: they must have action; and they will make it if they cannot find it.”
― Charlotte Brontë, Jane Eyre

“As I exclaimed 'Jane! Jane! Jane!' a voice- I cannot tell whence the voice came, but I know whose voice it was- replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words- 'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents- as certain as I live- they were yours!" Reader, it was on Monday night- near midnight- that I too had received the mysterious summons: those were the very words by which I replied to it.
(Mr. Rochester and Jane Eyre)”
― Charlotte Brontë , Jane Eyre

“I am no bird, no net ensnares me.”
― Charlotte Brontë

“Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned.”
― Charlotte Brontë, Jane Eyre

“But afterwards, is there nothing more for me in life - no true home - nothing to be dearer to me than myself?”
― Charlotte Brontë, Villette

“...[M]y inner self moved; my spirit shook its always-fettered wings half loose. I had a sudden feeling as if I, who never yet truly lived, were at last about to taste life.”
― Charlotte Brontë, Villette

“For I too liked reading, thought of a frivolous and childish kind; I could not digest or comprehend the serious or substantial.”
― Charlotte Brontë, Jane Eyre

“I seem to have gathered up a stray lamb in my arms: you wandered out of the fold to seek your shepherd, did you, Jane?”
― Charlotte Brontë, Jane Eyre

“More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte—my old friends—with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me.”
― Catherine Lowell, The Madwoman Upstairs

“[Charlotte Brontë] once told her sisters that they were wrong - even morally wrong - in making their heroines beautiful as a matter of course. They replied that it was impossible to make a heroine interesting on any other terms. Her answer was, 'I will prove to you that you are wrong; I will show you a heroine as plain and as small as myself, who shall be as interesting as any of yours.”
― Elizabeth Gaskell, The Life of Charlotte Brontë

“Who told you I was called Carl David?" "A little bird, Monsieur." "Does it fly from me to you? Then one can tie a message under its wing when needful.”
― Charlotte Brontë, Villette

“Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present.”
― Jane Eyre

“I have no objection whatever to your representing me as a little eccentric, since you and your learned friends would have it so; only don't set me on in my fury to burning hearthrugs, sawing the backs off chairs, and tearing my wife's silk gowns... Had I been numbered amongst the calm, concentric men of the world, I should not have been as I now am, and I should in all probability never have had such children as mine have been.”
― Patrick Brontë

“The Brontë sisters have a renewed hold upon our imagination. They were gifted, well-educated, especially self-educated, and desperate. Their seriousness and poverty separated them forever from the interests and follies of respectable young girls. It was Charlotte’s goal to represent the plight of plain, poor, high-minded young women. Sometimes she gave them more rectitude and right thinking than we can easily endure, but she knew their vulnerability, the neglect they expected and received, the spiritual and psychological scars inflicted upon them, the way their frantic efforts were scarcely noticed, much less admired or condoned.”
― Elizabeth Hardwick, Seduction and Betrayal: Women and Literature

“This night is not calm; the equinox still struggles in its storms. The wild rains of the day are abated; the great single cloud disparts and rolls away from heaven, not passing and leaving a sea all sapphire, but tossed buoyant before a continued, long-sounding, high-rushing moonlight tempest. The Moon reigns glorious, glad of the gale, as glad as if she gave herself to his fierce caress with love. No Endymion will watch for his goddess tonight. there are no flocks out on the mountains; and it is well, for to-night she welcomes Aeolus.”
― Charlotte Brontë, Shirley

“Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more.

Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends.

The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season.

Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.”
― Charlotte Brontë

“Have you heard from his lordship lately?” I asked.

“Oh no! About six months ago I had indeed one little note, but I gave it to Macara by mistake, and really I don’t know what became of it afterwards.”

“Did Macara express hot sentiment of incipient jealousy on thus accidentally learning that you had not entirely dropped all correspondence with the noble Earl?”

“Yes. He said he thought the note was very civilly expressed, and wished me to answer it in terms equally polite.”

“Good! And you did so?”

“Of course. I penned an elegant billet on a sheet of rose-tinted note-paper, and sealed it with a pretty green seal bearing the device of twin hearts consumed by the same flame. Some misunderstanding must have occurred, though, for in two or three days afterwards I received it back unopened and carefully enclosed in a cover. The direction was not in his lordship’s hand-writing: Macara told me he thought it was the Countess’s.”
― Charlotte Brontë, Stancliffe's Hotel

“No; you shall tear yourself away, none shall help you: you shall yourself pluck out your right eye; yourself cut off your right hand: your heart shall be the victim, and you the priest to transfix it.”
― Charlotte Brontë, Jane Eyre

“Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit.

But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep.

He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works…

It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody.

Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality.

This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock.”
― Margaret Irwin, Bloodstock and Other Stories

“An odour of camphor and burnt vinegar warned me when I came near the fever room: and i passed its door quickly, fearful lest the nurse who sat up all night should here me. I dreaded being discovered and sent back; for I must see Helen,- I must embrace her before she died,- I must give her one last kiss, exchange with her one last word.”
― Charlotte Brontë, Jane Eyre

“Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children’s brains, but strangely impressive.”
― Charlotte Brontë, Jane Eyre

“I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you.”
― Charlotte Brontë, Jane Eyre BD

“There, you are less than civil now; and I like rudeness a great deal better than flattery. I had rather be a thing than an angel.”
― Charlotte Brontë, Jane Eyre

“Pere Silas in Villette marshals his forces with considerable skill and subtlety. Although he claims to be momentarily taken aback by the young woman to whom his customary set of routine responses does not apply, he soon divines her weak spots and engineers his temptations accordingly. Lucy's passionate nature, frustrated and mortified in her loneliness and desperate for kindness and affection, is one of his three targets. Another is her aesthetic sensibilities, which he hope to impress by way of the splendours of Roman Catholic worship. Finally, she has an extraordinarily active intellect allied to an ascetic, somewhat morbid streak and a conspicuous absence of any talent for contentment. Such people rarely attain serenity in life by their own efforts, and Pere Silas holds a key to that state: soothed by a carefully prescribed routine of good works, just arduous enough to keep her strictly occupied without exhausting her, her searching, irritable mind will surely find peace.”
― Marianne Thormahlen, The Brontës and Religion

“She picked up the book beside her. Jane Eyre. Used, bought recently in a bookshop in Camden Passage, shabby nineteenth-century binding, pages bearing vague stains, fingered, smoothed. She opened the book to the place she left it when the taxicab pulled up.

“My daughter, flee temptation.”
“Mother, I will,” Jane responded, as the moon turned to woman.

The fiction had tricked her. Drawn her in so that she became Jane.

Yes. The parallels were there. Was she not heroic Jane? Betrayed. Left to wander. Solitary. Motherless. Yes, and with no relations to speak of except an uncle across the water. She occupied her mind.

Comforted for a time, she came to. Then, with a sharpness, reprimanded herself. No, she told herself. No, she could not be Jane. Small and pale. English. No, she paused. No, my girl, try Bertha. Wild-maned Bertha. Clare thought of her father. Forever after her to train her hair. His visions of orderly pageboy. Coming home from work with something called Tame. She refused it; he called her Medusa. Do you intend to turn men to stone, daughter? She held to her curls, which turned kinks in the damp of London. Beloved racial characteristic. Her only sign, except for dark spaces here and there where melanin touched her. Yes, Bertha was closer to the mark. Captive. Ragôut. Mixture. Confused. Jamaican. Caliban. Carib. Cannibal. Cimarron. All Bertha. All Clare.”
― Michelle Cliff, No Telephone to Heaven

“I know what love is as I understand it — & if man or woman should feel ashamed of feeling such love — then there is nothing right, noble, faithful, truthful, unselfish on this earth.” -- responding to Harriet Martineau's criticism of VILLETTE.”
― Charlotte Brontë

“It was somehow fitting that the true beginning and the end of a life occurred in the same sacred house. Anne would have praised God and Emily would have laughed. On this day, their presence was fully with me, and I am sure that Charlotte—now kissing the man she loved despite everything the world had thrown at her—felt the same twined souls invisibly at her side.”
― Amy Wolf, The Misses Brontë's Establishment

“Y regresé bajo una fuerte lluvia con la ropa empapada, pero con el corazón ligero.”
― Charlote Bronte, Jane Eyre illustrated by F. H. Townsend