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Sima B. Moussavian

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Sima B. Moussavian

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Born
in Munich, Germany
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Influences
Charles Bukowski, Charles Bronson, ETA Hoffmann, Shakespeare, Novalis, ...more

Member Since
February 2022

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Born with a defect that is breathing words, Sima B. Moussavian has been a German ghostwriter and novelist since 2010. Her short stories were published in several German magazines. Since 2021 she has been publishing her work simultaneously in German and (as she would put it, not exactly perfect) English. She maintains a deeply passionate love hate relationship to Ireland, where she has been living part time since 2016. Although her writing has mostly been inspired by the beauty of the uncanny in modern works of authors like Charles Bukowski and Charles Bronson, her heart is black and beating for dark romanticism. Oh, and for Friedrich Nietzsche, of course. Whose in all the world isn't?
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Sima B. Moussavian In college, I wrote my theses on conceptual semantics in Russian, and up to now I'm entirely impressed by the idea that the grammatical structure and …moreIn college, I wrote my theses on conceptual semantics in Russian, and up to now I'm entirely impressed by the idea that the grammatical structure and concepts behind the word meanings of our native language highly influence the way we see the world. Every language has words which have no equivalent in other languages and are untranslatable. But not only that: even words with what they call an equivalent in other languages don't trigger the same associations and emotions in different linguistic communities, especially words we use for invisible things do not. Take soul, for example. We like to conceptualise it as a place/room/space. But how big is it for speakers of two different languages? In Russian, for example, "dusha" as the equivalent of "soul" contains and represents way more than what we mean by it. It is often said that "dusha" is - just like the Russian landscape - unbearably wide and spacious which is why it can never be filled. Speaking of "dusha", Russians would instantly associate it with a deep yearning, an endless nostalgia that never goes away. However, when we mention "soul" in English, we wouldn't from the start think of the lack that is implicit in the Russian term. What I'm at the start of, is a multi-lingual novel which is developing around differences like those, and that means it will have a few narrators, each of them from another country. The parts are going to be written in the native language of the narrator. All of them have been through the same situations, but they perceived them entirely differently. By this I want to demonstrate how much language shapes our perception and, with it, the reality we live in. It is a major project, though, and might take a few years. (less)
Sima B. Moussavian Definitely Michael Ende's "Neverending story", so I could tickle Falkor's head. …moreDefinitely Michael Ende's "Neverending story", so I could tickle Falkor's head. (less)
Average rating: 4.7 · 290 ratings · 1 review · 6 distinct worksSimilar authors
Tomorrow death died out: Wh...

4.70 avg rating — 290 ratings — published 2022 — 3 editions
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Barter Deals: Memories come...

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As the moon began to rust

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More books by Sima B. Moussavian…

The Death of Marta Lotter

They are both screw-ups. That is about everything that they have in common. Apart from it, they would have had no reason to ever speak: they don’t like the same people, not the same movies, not the same music. Grunge rock horror kind of girl meets hip-hop stand-up type of guy, and that this combination is painful at best, has been common knowledge ever since those grunge rap days, meaning they sho Read more of this blog post »
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Published on October 28, 2022 06:08 Tags: novel-preview, work-in-progress

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As the moon began to rust by Sima B. Moussavian
“It's always the same with relationships: As if they were a fancy sheepskin jacket, you get yourself one to stay warm on cold winter nights and show it off a bit. At first, it fits you perfectly until suddenly it becomes too loose, too tight, too long, too wide and from then on you don't look after it anymore. You stop taking care of it, throw up all over it on the next binge, and when you wake up in the morning the whole house smells of wet sheep and stomach acid. That's how, sooner rather than later, it ends up in the old clothes container and even though you promise yourself that next time you'll buy the expensive care product that the saleswoman with the fake smile has tried to sell you, you still won't do it, because it sounds like effort and who would put any into something they'll end up losing anyway?”
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Sima B. Moussavian
As the moon began to rust by Sima B. Moussavian
“He had spat her on the street like a chewed out chewing gum but stumbled into her again every now and then and for some reason she just kept sticking. Maybe a little less each time it happened, but if she was going to be stuck on him much longer she would only ruin his brand-new shoes.”
Sima B. Moussavian
As the moon began to rust by Sima B. Moussavian
“That is the biggest problem with the truth: When you don't lock it in, it escapes you and, like a stray, it may be taken in by someone else.”
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Sima B. Moussavian
More of Sima's books…
Quotes by Sima B. Moussavian  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Does anyone ever recognize themselves when they look back? When they see who they used to be at some point in their life, or do the things that you remember always feel like something unknown, strange? Does the caterpillar know it will become a butterfly? Do maggots suspect that at some stage they'll grow wings and once they are flying, would they recognize themselves when looking at a maggot in the trash?”
Sima B. Moussavian, Tomorrow death died out: What if the future were past?

“Maybe that’s what’s immanent to humanity: they strive to know and when they do they still make nothing of it. They come to know and know, but refuse to learn and have to make the same mistakes all over again. Can you really blame them? They are only human, after all, and the world must end twice before they learn a lesson.”
Sima B. Moussavian, Tomorrow death died out: What if the future were past?

“No matter what you have heard: the line between life and death is not definite. Not like a wall, thick and hard to break, but constantly moving and volatile. It isn’t actually a line: not visible to the eye, but as hard to define as the water passage where the tide meets a river current. Standing at the shore, can anyone determine where the river ends and the sea begins and standing in life, can anyone determine when exactly they start to die?”
Sima B. Moussavian

“The things you seek and those you need are almost never the same.”
Sima B. Moussavian

“Anger is a disease. You catch it when you are at your weakest and once you are suffering from it, you are highly contagious.”
Sima B. Moussavian

“I was too young to imagine what truth really meant and too old to believe that one day it would always win. Truths are no shining key to help you open the doors to better places. They are a burden: a curse that lies upon you until you impose it on someone else.”
Sima B. Moussavian, Tomorrow death died out: What if the future were past?

“My hands would touch the weathered rock behind me: rugged but smooth on the edges it would feel and I would be wondering how long it would be until the elements would succeed in grinding it down, in wearing it off so the sea would finally get to take it away. Millions of years, I’d be thinking, with my fingers in the brittle cracks that the continuously freezing and melting water had left on its surface and thinking this, I would have to remind myself that I would still be there to see it. I would still be there, once everything around me would be gone. There, in a dead and invariable wasteland and these would be the moments when it would hit me like rockfall: the futility of eternity”
Sima B. Moussavian, Tomorrow death died out: What if the future were past?

“How do survivors feel? Relieved and grateful, perhaps. As excited about their saved life as if it were a gift that the rustling fingers feverishly unwrap from its packaging on Christmas morning and whatever is underneath: you are happy. This is how it should be when you have survived the worst. Far from the crippling horror we were feeling.”
Sima B. Moussavian, Tomorrow death died out: What if the future were past?




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