Did Adorno think the effects of mass culture were uniform, or universal? In what way are its effects always the same?
The intellectual enjoying a detective novel is meant to "escape his own ego, seeking happiness in his identification with the unarticulated mob"; he is "delivered up to others" "disintegrating" so that he becomes comic and a worthless comic at that (as he "takes the side of those who laugh").
So says The Philosophy of New Music in drawing a parallel to Stravinsky's ballet Petrushka and its "fairground scene" orchestra. Without second guessing the answer, I wondered whether standardised responses to mass culture disintegrate everyone who engages in it, if the above is a standardised response, etc..