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3 votes
1 answer
328 views

ii-ii6-I progression

I've heard this progression many times and in many ways over the course of my life, but I can't seem to assign a name to it or find out any further information about it or its history. It goes as ...
Edward Kirby's user avatar
2 votes
2 answers
57 views

When to use sixth in continuo according to Bianciardi?

From Bianciardi's Breve Regola (http://www.bassus-generalis.org/bianciardi/bianciardi.html): "But because some notes don’t have a fifth above, a sixth is used in its place; this happens in those ...
volvo's user avatar
  • 21
5 votes
1 answer
1k views

How does one resolve the conflict between Renaissance theory of Cadences and the contradictions against it in Bach Chorales?

A level pupil. Made the mistake of learning Renaissance cadence voicing way before starting A-level harmony course. There's a conflict of interest between the cadential progressions of the renaissance ...
Ridiculable Pupil's user avatar
0 votes
0 answers
44 views

History of Tetrachords [duplicate]

I posted a similar question not too long ago and it was suggested that I look into tetrachords and I quickly understood why, but now I have questions about tetrachords. For what reason are diatonic ...
Lecifer's user avatar
  • 994
2 votes
1 answer
104 views

How did western music label and calibrate around C Major as having no sharps/flats rather than A Major? [duplicate]

This is purely academic/speculative, but wouldn't it have made more sense and been easier to learn if Western music were based on A Maj, rather than C Maj, as having been the one designated to have no ...
humanliberty1's user avatar
4 votes
2 answers
444 views

Why is the solo/featured instrument in so many Baroque-era concerti silent during the slow movement?

Is the reason the soloist is often silent during a Baroque-era concerto simply to provide a break from all the virtuosity often required within the outer movements? Or is it to allow a string soloist ...
Tom Korbuszewski's user avatar
2 votes
0 answers
67 views

Consonant vs. Dissonant Major Thirds: Historical Process and Significance of Tuning System

In the comments to the question Why is the fourth against the bass considered a dissonance?, I wrote A 5:4 third was considered dissonant until musical tastes changed and declared it consonant. To ...
Aaron's user avatar
  • 91.3k
2 votes
0 answers
54 views

Why is G the lowest note of the Gamut? [duplicate]

The Gamut made use of the seven letters of Saint Gregory: A, B, C, D, E, F, and G. It represents the twenty notes of “true music” (musica recta), from low G to high e2. Why was the lowest note in ...
Giovanni's user avatar
  • 981
2 votes
0 answers
59 views

Shostakovich style (5th, 10th) [closed]

During my music education I was more focused on classical styles of western composers up until times of Beethoven. Namely, I understand the structure and some ideas behind music by Vivaldi, Bach, ...
SBF's user avatar
  • 142
3 votes
3 answers
1k views

VII-i cadence in a minor key

I have read many people claiming that this cadence is actually a disguised V-vi in the relative major. But as a pianist and composer I do not feel this way at all. For a concrete example, here is a ...
user21820's user avatar
  • 286
6 votes
1 answer
257 views

How did we move from using syllables (ut, re, etc) to refer to intervals to using syllables to refer to notes?

My understanding of syllables used in solmization is when Guido d'Arezzo created syllables ut, re, mi, fa, sol, la, it was a mean to refer to intervals in any hexachord built on :2:2:1:2:2: intervals ...
mins's user avatar
  • 377
5 votes
3 answers
792 views

what is the oldest use of 9th chords in western music and when did they become popular

From page 752, of Laitz's The Complete Musician 4th edit. ''(...) By continuing the process of stacking thirds, these composers added another third above the seventh, creating a ninth chord; by adding ...
Orhan Torun's user avatar
1 vote
0 answers
125 views

Did percussion instruments communicate spoken words in click languages?

There are a number of click languages in Africa where 'clicks' function as part of their language. It seems like it would be possible to communicate some words with percussion instruments (maybe a ...
nanotek's user avatar
  • 403
11 votes
2 answers
784 views

Why do notes have stems?

How is it that stems became a part of standard music notation? I was genuinely unable to find an answer to this anywhere on the internet - I couldn't even find an instance of anyone asking the ...
srcs's user avatar
  • 61
1 vote
3 answers
298 views

what is a "rhythmic gesture"?

Per Wikipedia, taken originally from Winold, 1975, chapter 3, among the general characteristics of music from the common practice period is "rhythmic gestures of a limited number of rhythmic ...
brainchild's user avatar

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