I have a couple of questions about the following passage:
Kant explained that through a free-play between intuitive imagination and conceptual understanding, especially if mediated by feeling, we can be moved by the beauty of a work of art and come closer to the essence of nature.4 This vision of the Sublime can be discerned in many of Turner’s paintings and in the astonishing vistas of wild American territory in the Hudson River School paintings of Thomas Cole and Frederic Edwin Church, although there is an element to the latter which suggests that they express not simply wonder at the overwhelming beauty of the landscape but a desire to control and own it, indicative of the confident expansion of the New World, and, indeed, of other parts of the world, in the nineteenth century.
Does here "latter" refer to "Thomas Cole and Frederic Edwin Church's paintings" in comparison with Turner's paintings?
What does "confident expansion" man here?