The project, which was set in ‘The Batman’ universe, was described by Matt Reeves as, ‘like a horror movie or a haunted house that is Arkham.’
Stripped of their powers, the Hargreeves siblings must fend for themselves… in the fourth and final season, members of the Umbrella Academy must come together one last time, risking the shaky peace they’ve secured… to finally set things right; streaming August 8.
The studio created 309 VFX shots on Netflix’s live-action adaption, a faithful homage to the popular Nickelodeon animated classic, now streaming.
Kathryn Hahn claws her way back as 'WandaVision's infamous Agatha Harkness in Marvel Television’s upcoming, thrice renamed, and campy-fun looking live-action series premiering September 18 on Disney+.
The Emmy Award-winning visual effects veteran will help oversee the company’s team of VFX supervisors while promoting ongoing studio growth.
The VFX studio created 137 shots for the Netflix sci-fi drama, including replicating the vastness of the Neutrino Observatory and breathing life into a photoreal chimpanzee animation.
The Baroque Works are coming for Luff and crew; Daniel Lasker joins the cast as Mr. 9 alongside Camrus Johnson as Mr. 5, Jazzara Jaslyn as Miss Valentine, and David Dastmalchian as Mr. 3.
The project, penned by Chris Mundy, Damon Lindelof, and Tom King, follows Green Lanterns Hal Jordan and John Stewart in a mystery that will ‘weave back and forth between the films and the television shows’ of the DCU.
The scripted series will be a faithful adaptation of the original wizarding world novels by J.K. Rowling, with each season portraying the events from one of the seven books.
The project was announced by Wang Changtian, founder and CEO of Enlight Media, at a forum organized within the Shanghai International Film Festival.
The ‘I Am Mother’ helmer joins writer Dave Callaham on the upcoming franchise installment, set to continue the story of Godzilla, Kong, and the remaining pantheon of infamous Titans
VFX Supervisor Wojciech Zielinski talks about adding depth, breadth, and grit to the 2,596 visual effects shots produced for the second season of the hit Paramount+ sci-fi series, adapted from one of the most popular video game franchises of all time.
The action-adventure series, based on the popular Japanese game franchise from SEGA, streams worldwide October 25.
While plot details remain a mystery, sources state the project is a prequel to the revolutionary 2006 film, with Zack and Deborah Snyder in talks to return to the franchise.
The show, previously referred to as ‘Tales of Dunk and Egg’ and based on George R. R. Martin’s novella ‘The Hedge Knight,’ is set a century before ‘Game of Thrones,’ and follows the exploits of two unlikely heroes.
HBO’s ‘Game of Thrones’ prequel series, based on George R.R. Martin’s ‘Fire & Blood,’ gets a third season pickup, announced ahead of last Sunday's Season 2 premier; watch on HBO and Max.
VFX supervisor Chris MacLean talks about the stunning visuals – 3,215 shots in all - that depict the worlds, characters, ships, and creatures of the hit sci-fi series, based on Isaac Asimov’s famed Hugo Award-winning sci-fi trilogy about Dr. Hari Seldon’s mathematical ‘psychohistory’ predictions; now streaming on Apple TV+.
Creators and co-showrunners Geneva Robertson-Dworet and Graham Wagner, and VFX supervisor Jay Worth, discuss how they integrated 50’s B-Movie Sci-Fi, Spaghetti Western, and Future War tones and designs into their darkly satirical hit series adaptation of Bethesda’s best-selling video game, now streaming on Prime Video.
Premiering globally July 12, the live-action family series, a coming-of-age story from Barry L. Levy, follows 12-year-old Ben who, while surviving middle school and adjusting to a newly blended family, discovers he has also super powers – he can shapeshift!
The show, in development with animation and VFX studio Floating Rock, follows a genetically-engineered samurai dinosaurs in a postapocalyptic Japan.
The company delivered 97 shots for the popular action-adventure sci-fi series’ second season, including futuristic set extensions, full CG city environments, hologram inserts, and destruction FX simulations for battle scenes, vehicles, and crowds.
VFX Supervisor Erik Winquist and Animation Supervisor Paul Story talk apes, plates, solvers, water, and other constituents of their heroic work on 20th Century Studios’ all-new action-adventure, ‘Kingdom of the Planet of the Apes.’
The fourth and final season of the hit series, which will follow the Hargreeves siblings after a complete reset of their timeline, premieres globally on the streamer August 8.
The project will follow Green Lanterns Hal Jordan and John Stewart in a mystery that will ‘weave back and forth between the films and the television shows’ of the DCU.
The untitled ‘WandaVision’ spinoff, which will star ‘Avengers’ franchise actor Paul Bettany, is set for a 2026 release.
