ANIMATIONWorld Magazine

For story artist Rebecca McVeigh and lead editor Maurissa Horwitz, staying focused on the film’s emotional rhythm and character arcs means countless iterations, tough choices, and frequent cuts that are essential to getting the best version of the director’s vision up on screen.

CG animation producer Shelley Smith and VFX supervisor Freddy Chaleur discuss how DNEG Animation perfected the not very Shakespearean process of staying on model while animating the extreme poses of a furry cat, based on iconic 2D comic designs, that can eat an entire pizza in one bite.

For production designer Jason Deamer and animation supervisors Dovi Anderson and Evan Bonifacio, finding the right look, and energy level, for a frenetic character in constant motion was a considerable challenge; the highly anticipated sequel to Pete Docter’s Oscar-winning 2015 ‘Inside Out’ hits theaters June 14.

Trever Stewart is taking over the commercial division of the venerable Portland animation studio, and has moved its half-acre facility completely to the metaverse, and is letting festival attendees – with priority on portfolio reviews – don headsets and tour the 3D digital world and creative universe his prolific team now calls home.