Joshua reynolds

Explore the extraordinary artistry of Joshua Reynolds and his profound impact on the world of painting. Discover his iconic portraits and learn about his enduring legacy in the art world.
At the National Portrait Gallery in London, you will find the Portrait of Mai (Omai), circa 1753-80, painted by Sir Joshua Reynolds around 1776. Reynolds's depiction of Mai, the first Polynesian to visit Britain, marks the first British painting to portray a person of colour with dignity and grandeur. Known as “Omai” in England, Mai (ca. 1753-1779) was a native of Raiatea, an island now part of French Polynesia, who travelled from Tahiti to England with Captain James Cook. He spent the years ... William Hogarth, Thomas Gainsborough, National Gallery Of Ireland, George Romney, Joshua Reynolds, Castle Howard, L'art Du Portrait, Dante Gabriel Rossetti, John Everett Millais

At the National Portrait Gallery in London, you will find the Portrait of Mai (Omai), circa 1753-80, painted by Sir Joshua Reynolds around 1776. Reynolds's depiction of Mai, the first Polynesian to visit Britain, marks the first British painting to portray a person of colour with dignity and grandeur. Known as “Omai” in England, Mai (ca. 1753-1779) was a native of Raiatea, an island now part of French Polynesia, who travelled from Tahiti to England with Captain James Cook. He spent the years…

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Guide London
Sir Joshua Reynolds, P.R.A. (Plympton 1723-1792 London) | Portrait of Elizabeth Falconer, Mrs. Stanhope, as Contemplation, three-quarter-length, in a white satin dress, before a draped curtain | 18th Century, Paintings | Christie's 18th Century Portraits, 18th Century Women, Joshua Reynolds, 18th Century Paintings, 18th Century Costume, Denver Art Museum, Master Drawing, Miss Kitty, Historical Women

Portrait of Elizabeth Falconer, Mrs. Stanhope, as Contemplation, three-quarter-length, in a white satin dress, before a draped curtain

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Ferdaws Radhouan
For a century and more readers have found an awful fascination in watching Lily Bart, the heroine of Edith Wharton's House of Mirth. William Hogarth, Reynolds Paintings, Jean Antoine Watteau, George Romney, Waddesdon Manor, Era Victoria, The House Of Mirth, Joshua Reynolds, Tableaux Vivants

In the tableaux vivants scene of Edith Wharton's House of Mirth, Lily Bart's posture announces that she is herself as a work of art. She stands on display, showing what she has, and the moment at which she is most herself is also the one in which she most becomes a thing, an object consumed by those eyes, and consumed perhaps in other ways as well. For art is often sold. Lily has here turned herself into a commodity, and poses as if she’s up for auction. The scene works to literalize the…

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your coat lady