James rosenquist pop art

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James Rosenquist. F-111 (detail). 1964–65. Oil on canvas with aluminum, 23 sections. 10 x 86' (304.8 x 2621.3 cm). Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). © 2011 James Rosenquist/Licensed by VAGA, New York Oldenburg, James Rosenquist, Claes Oldenburg, Mass Culture, Florida Artist, Vintage Pop Art, Pop Art Movement, Robert Rauschenberg, Jasper Johns

Exhibition. Jan 25–Jul 30, 2012. James Rosenquist began to paint the 86-foot-long F-111 in 1964, in the middle of one of this country’s most turbulent decades. Inspired by advertising billboards and by earlier mural-scaled paintings, such as Claude Monet’s Water Lilies, he designed its 23 panels to wrap around the four walls of the Leo Castelli Gallery at 4 East 77th Street in Manhattan, where it would be displayed the following year. Rosenquist took as his subject the F-111 fighter bomber…

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Tanya Rodionov
James Rosenquist. The Friction Disappears. 1965 | The Fricti… | Flickr Papercut Collage, James Darcy, Richard Hamilton, James Rosenquist, Pop Art Collage, Claes Oldenburg, Observational Drawing, Photography Collage, Soap Bubbles

The Friction Disappears represents the effortless flow of pictures and information in our culture, where unrelated or contradictory ideas overlap one another. Rosenquist painted the car in the same hot hue as the canned spaghetti simply because he liked the color. The tiny electrons orbiting the globe on the car door are like the paths of ideas and images crisscrossing in the modern world. Rosenquist compares the uncanny combinations that result to "two soap bubbles colliding and coming…

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Andre Sampson