On Day 2 of our #WürthOpenAir2024 Ronan Keating, Suzi Quatro & Songs of White Lion feat Mike Tramp performed on our stage🎉 Who of you visited our Open Air this year?🙌 ▶️ Aftermovie Day 2: http://wuerth.rocks/8s7 ▶️ Aftermovie Day 1: http://wuerth.rocks/8s8 #würthopenair2024 #openair #würthopenair #festival #carmenwürthforum #würth #wuerth #wuerthgroup #würthgruppe
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Here is the fantasy in G minor from my new album by Hélène de Montgeroult The fantasy in g minor is the last piece in the 3rd volume of the Cours complet and has the influence of Mozart and the Italian opera in its improvisatory style, diversity and contrasts of Character and mood , the use of distant keys and a vague tonality and a cyclic approach as in an epic composition of the 19th century. https://lnkd.in/d9CDP7SE
Hélène de Montgeroult : Fantasy in G minor , Michal Tal - Piano
https://www.youtube.com/
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State Solo & Ensemble Festival Update: Take a moment to review the memo linked here which clarifies some commonly asked questions about accompaniment. https://conta.cc/3VUSZEh
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Introducing "Lover," my latest single that effortlessly blends captivating melodies with heartfelt lyrics. This track takes listeners on a musical journey, weaving together elements of pop/singer-songwriter to create an unforgettable experience. With its infectious rhythm and relatable themes of love and connection, "Lover" is a must-add to any playlist that craves a fusion of emotion and sound. https://lnkd.in/g9Hb8Rr5
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In a time of rising challenges and complexities, education is the most essential transformative power for a better future for all.
🎻Introducing #EAIE2024's closing keynote speaker, Zhang Zhang! A world-renowned classical violinist and humanitarian, Zhang will take us on a musical journey as we close off an inspiring week in Toulouse. Psst...early-bird registration ends tomorrow: https://lnkd.in/eTb6aMyE
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One of our featured operas in 2024 will be Menotti's brilliant work The Consul, last produced by HSOF in 2008! Learn more about in this article: https://lnkd.in/esJB5P_4
Menotti’s The Consul
https://halifaxsummeroperafestival.com
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The Paradox of Promoting Western Sydney's Orchestral Talent: A Journey to the City for Concerts As a professional dedicated to fostering orchestral training opportunities and promoting orchestral concerts in Western Sydney with West Phil, I find myself in a paradoxical situation. Despite the rich cultural tapestry and immense talent in Western Sydney, I am compelled to journey to the city to stage concerts. This scenario, while a logistical necessity, points to a larger issue - the absence of a venue that adequately represents and serves the diverse and vibrant community of Western Sydney. One can’t necessarily begrudge plans underway for a 1350-1400 seat lyric theatre at the Riverside Theatre, which can “support Parramatta’s aspiration and trajectory to becoming a great global and cultural city…” and “sets a number of ambitious goals for its future, including providing flexible performance spaces, offering an expanded artistic program for a diverse community; and crafting an iconic and distinctive architectural landmark for Western Sydney.” However, there remains a glaring gap. Western Sydney, home to over 2.5 million people and representing the geographical heart of a much larger “Sydney”, lacks an acoustically suitable and available venue for a concert grand piano to perform alongside a full-size symphony orchestra. The irony is palpable - the region pulsates with musical potential and audience enthusiasm but its talents are often showcased in venues far removed from their local roots. The need is clear. We require a space not just for the local populace but for the entire city, a venue that is not beholden to the needs of slot machines (yes… I said it, and to be sure I’m not referring to the Riverside!) but in the interests of cultural and artistic enrichment. This need is not merely about physical space; it is about respecting and nurturing the artistic soul of Western Sydney. It's about creating a venue where local talents can perform in their community, for their community. As we appreciate and look forward to the development of the Riverside, let us also advocate for a venue that meets the specific needs of orchestral performances. Might sound like an odd plea when institutions in Australia associated with “high art” attract the lion’s share of an already diminutive pool of arts funding. However, traditional Western forms of music and music-making are not only the preserve of the Sydney “East”. I find it hard to overlook the sight of so many music cases – violins, flutes, cellos, guitars etc. – being lugged by legions of children traipsing to and from their schools and music lessons just west of the “Latte Line” each weekday. #WesternSydney #CulturalDevelopment #SymphonyOrchestra #MusicEducation Sydney Eisteddfod Music Teachers' Association of NSW Western Sydney University Western Sydney Leadership Dialogue
WestPhil 2024 Concert Season https://wix.to/kmReJnv
Soloist Alexander Gavrylyuk
shoutout.wix.com
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practice session 🤪🤪 This could have been better 😁😁Strumming into the week with a dedicated guitar practice session 🎸🎶 Putting in the work to perfect those chords and melodies! #GuitarPractice #MusicianLife #PracticeMakesPerfect #GuitarSkills #MusicMonday #Dedication #PassionForMusic #StrummingAlong #NeverStopLearning"
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My article on articulations of Amazigh indingeity through themes of land, homeland, and resources in the Amazigh genre of Tazenzart (Sun Rays), which emerged in the Souss region in the 1970s and remains one of the most populat musical expressions of Amazigh identity. https://lnkd.in/g3cgsf9M
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I believe in the power of Equality in Leadership, Communication and Diversity, and I am passionate about performing arts! #peoplefirst
What fantastic news to begin 2024! Fewer than 5% of lead actors in British TV are Black. The Creative Diversity Network has interviewed over 30,000 individuals, who collectively made over 600,000 contributions to British TV productions broadcast between August 2018 and July 2019. Researchers found that people who identify as Black, East Asian, or other ethnic groups (BAME) are making more contributions onscreen than off-screen. Over the last three years, the overall proportion of onscreen contributions of BAME groups to United Kingdom programs have increased from 21.8 percent to 22.7 percent. Despite this encouraging result, the survey pointed out that people identifying with Mixed, Black and other ethnic groups are more likely to appear in a supporting, rather than a lead role. I would encourage you to support black UK actors, tackle structural and systematic racism onscreen and off-screen. Source: https://lnkd.in/eF_UsxZX...
Fantastic news...The #BOLTAwards nominees for the Best Performer in a Musical or Play are Good luck to our ambassador Tosh Wanogho-Maud and all the nominees. 👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿👏👏🏽👏🏻👏🏿
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Partnerships Manager for Smart Compliance. Providing an end to end AML solution for estate agents, to ensure HMRC compliance & at no cost to the agent. Regional Advocate/Rep for WiEA & WiRP. Dance enthusiast 😊
I've seen alot of posts, and spoken to a fair few in the industry who had a pretty tough week last week for one reason or another. So in the words of my FAVE musical #Hamfam "Rise up, when you're living on your knees, you Rise Up." We go again this week. 💪👊 #estateagents #estateagency #coneyancing #conveyancers #suppliers #weriseup #workingtogether #partnership #propertyindustry #wegotthis
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