Leading visual effects studio delivered 266 shots for director Brad Peyton’s sci-fi adventure; film stills and concept art help illustrate the work on full CG environments, set extensions, spaceships, digital doubles, and FX simulations for epic battle sequences.
Markerless mocap solution enables real-time creation of 3D digital experiences in virtual production, sports, gaming, retail and event activations, and broadcast TV.
Dwayne Johnson and Chris Evans star in the upcoming comedy adventure where after Santa Claus – Code Name: RED ONE – is kidnapped, the North Pole's Head of Security must team up with the world’s most infamous bounty hunter in a globe-trotting, action-packed mission to save Christmas.
Pre-configured Disguise studio control stacks for projects of all sizes include ROE LEDs, camera tracking, comprehensive creative and technical support, and training in one seamless solution.
The project was announced by Wang Changtian, founder and CEO of Enlight Media, at a forum organized within the Shanghai International Film Festival.
The ‘Lovecraft Country’ director parts ways with the Marvel Studios film about the half-human, half-vampire Eric Brooks, who seeks revenge for the death of his mother; the movies is still supposedly slicing into theaters November 7, 2025.
New team headed by Tim Kilgour will work on graphics and titles for high-end TV and film.
Produced at Carnegie Mellon University, Moshe Mahler’s animated short documentary ‘The Art of Weightlessness’ awarded Best in Show at the Oscar-qualifying Computer Animation Festival.
Program displays latest in computer graphics, highlights intersection of art and technology, and illustrates advancements in art, language, and contemporary media art; runs July 28 – August 1 at the Colorado Convention Center.
Mel Brooks will return to produce the film alongside Gad; Josh Greenbaum directs from a script by Benji Samit, Dan Hernandez, and Gad.
The ‘I Am Mother’ helmer joins writer Dave Callaham on the upcoming franchise installment, set to continue the story of Godzilla, Kong, and the remaining pantheon of infamous Titans
The actress joins Dwayne Johnson, who reprises his role as the beloved Maui, in the oceanic adventure heading to theaters July 10, 2026 — production kicks off this Summer.
On heels of signing joint venture with DNEG to launch DNEG 360 division, the company announced its choice for cloud and technology platforms to scale global visualization, virtual production and content creation services.
VFX Supervisor Wojciech Zielinski talks about adding depth, breadth, and grit to the 2,596 visual effects shots produced for the second season of the hit Paramount+ sci-fi series, adapted from one of the most popular video game franchises of all time.
Supermajority of in-house Visuals Effects workers at Apple Studios have signed authorization cards to unionize with the International Alliance of Theatrical Stage Employees.
New release includes advanced AI Tools for VFX artists and content creators including time warps, automatic face detection, a new colorize effect, Particle Illusion updates, and faster speeds.
Acclaimed Polish production and animation studio employs real-time workflow to accelerate the creation of 3D assets for animatics, previs and performance capture.
‘Sweet Tooth’ creator Jeff Mickle looks back on the challenges and triumphs of producing the post-apocalyptic fantasy drama series, whose third and final season is now streaming on Netflix.
The action-adventure series, based on the popular Japanese game franchise from SEGA, streams worldwide October 25.
While plot details remain a mystery, sources state the project is a prequel to the revolutionary 2006 film, with Zack and Deborah Snyder in talks to return to the franchise.
Internal email reveals July 5 closure date, attributing the decision to the industry-wide decline in production following the SAG-AFTRA strikes in 2023.
The live-action film will be based on Violet Karim’s Webtoon webcomic that follows Sophie, a pop star who tragically dies and is transported to Hell, only to be resurrected by her number one fan - the Grim Reaper.
Trojan Horse was a Unicorn’s free 12-week program provides mentorships, support and a platform to promote a new generation of talent; application deadline is July 8.
The show, previously referred to as ‘Tales of Dunk and Egg’ and based on George R. R. Martin’s novella ‘The Hedge Knight,’ is set a century before ‘Game of Thrones,’ and follows the exploits of two unlikely heroes.
Day-long symposium at the 2024 Annecy Festival tackled emerging industry innovations, the power of community in the evolving animation landscape, and how to support gender equity in animation.
