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View of “The World Made Wondrous: The Dutch Collector’s Cabinet and the Politics of Possession,” 2023–24, Los Angeles County Museum of Art. Center: Giovanni Benedetto Castiglione, Noah’s Sacrifice After the Deluge, 1650–55.
on site
GUILTY PLEASURES
“The World Made Wondrous”
Carson Kreitzer and Matt Gould’s Lempicka, 2018, in a production directed by Rachel Chavkin. Performance view, Longacre Theater, New York, March 2024.
THEATER
BRUSH WITH A BARONESS
Tamara de Lempicka on Broadway
View of “Martha Jungwirth: Herz der Finsternis” (Heart of Darkness), 2024, Galleria di Palazzo Cini, Venice.
1000 WORDS
MARTHA JUNGWIRTH
Talks about her painting process 
Tesfaye Urgessa, The Strange Host, 2022, oil on canvas, 90 1⁄2 × 78 3⁄4".
CLOSE-UP
EYE TO EYE
Tesfaye Urgessa’s The Strange Host, 2022
Tania Candiani, Desminar (Demining), 2024, six-channel interface, computers, Wi-Fi network, macro lens, iPhone 12, machine learning algorithm, Open CV, custom terrain synth, transformed metal detector, metal base, six studio monitors, HD projector, artist book in display case. Installation view, Fragmentos, Espacio de Arte y Memoria, Bogotá. Photo: Juan Fernando Castro.
CLOSE-UP
PROWLING THE PAVEMENT
Tania Candiani’s Desminar (Demining), 2024
Sylvester Mubayi, The Great Spirit, 1973, serpentine stone. Installation view, National Gallery of Zimbabwe, Harare, 2024. Photo: Nicole du Preez.
CLOSE-UP
SCHOOL OF ROCK
Sylvester Mubayi’s The Great Spirit, 1973
Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
Saj Issa, Plein Air Performance, 2024, HD video, color, sound, 4 minutes 35 seconds.
SUMMER 2024
VOL. 62, NO. 10
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