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A Quiet Place: Day One [4K UHD + Digital Copy]
Genre | Horror, Thriller |
Format | Digital_copy, 4K |
Contributor | Alex Wolff, Joseph Quinn, Djimon Hounsou, Lupita Nyong'o |
Language | English |
Runtime | 1 hour and 28 minutes |
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Synopsis:
Experience the day the world went quiet in this terrifying continuation of the A Quiet Place universe. When Samira (Lupita Nyong’o) ventures off to New York City, her simple trip turns into a harrowing nightmare when the mysterious creatures that hunt by sound attack. Accompanied by her cat Frodo and an unexpected ally (Joseph Quinn), Samira must embark on a perilous journey through the city that has suddenly gone silent in which the only rule is “stay quiet, stay alive”. Djimon Hounsou and Alex Wolff also star in this intensely suspenseful thriller.
Special Features:
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Product Description
Experience the day the world went quiet.
Product details
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Package Dimensions : 7.5 x 5.25 x 0.5 inches; 2.4 ounces
- Media Format : Digital_copy, 4K
- Run time : 1 hour and 28 minutes
- Actors : Lupita Nyong'o, Joseph Quinn, Alex Wolff, Djimon Hounsou
- Studio : PARAMOUNT
- ASIN : B0D7NNTKTV
- Country of Origin : USA
- Best Sellers Rank: #452 in Movies & TV (See Top 100 in Movies & TV)
- #26 in Mystery & Thrillers (Movies & TV)
- #32 in Horror (Movies & TV)
- Customer Reviews:
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Felt compelled to leave a balancing review after "tierny" posted that drivel. Screw you, Return of the Jedi is great, fight me.
Also, shame on Paramount for leaving the number one star of the movie off of the cover art for the 4k, lol.
It’s no secret to anyone that Hollywood passed the point of creative exhaustion some years back, but still keeps staggering on, putting out remakes, reboots, sequels, and prequels, to anything that might remotely have a pre-existing audience. It’s why we’re getting new installments of franchises that began in the ‘80s and ‘90s with now middle-aged actors trying to make lightning strike again playing characters they originated in their late 20s and early 30s. It’s kind of sad to watch this relentless mining of intellectual property just because a corporation owns an “asset.” What is more, it means there are very few new franchises launched these days as all the creative energy goes into trying to make dead horses get up and race again…see STAR WARS, STAR TREK, and THE TERMINATOR among many others. But one of the few original scifi series to come about in the 2010s is the QUIET PLACE films, written by actor John Krasinski, with an assist from Scott Beck and Bryan Woods, with the first two films being directed by Krasinski, in which both of them gave us a new take on the old alien invasion/end of civilization trope. Seen from the POV of a family of survivors, they told the story of how Earth has been decimated by the arrival of monstrous creatures without eyes, but incredibly enhanced hearing to make up for the lack of vision. These monsters, who are basically a huge head supported by long legs, with an equally huge mouth filled with very sharp teeth. They have the nasty disposition to kill anything they hear moving, and can strike with the speed of lightning; to survive, humans must not make a sound 24/7, or speak not above a whisper only if something like running water muffles their voices. It was a premise that made for some harrowing and suspenseful situations in the first two films, and their success guaranteed there would be a third film, which for many franchises often proves to be a bridge too far as they stretch the story until it breaks.
DAY ONE delivers on the promise of its title, though the action takes place across several days in a decimated New York City. The film opens just a few hours before a shower of meteorites descend upon a very loud NYC, and all the unsuspecting people there. That is one of the strengths of this film: we know the monsters are coming, and know what they are capable of, and fear for the people onscreen right from the beginning. The film’s main character, who we are introduced to right up front, is Samira, a young woman played by Lupita Nyong’o. She is in hospice care due to a terminal cancer diagnosis, a fate she may be resigned to, but still very angry about, and something she makes no secret to hide. When it all hits the fan, Samira, knowing her fate is not a good one no matter what happens, decides she will walk to Harlem to get a slice of pizza from her favorite place one last time. In the face of certain annihilation, it is a gesture meant to hold onto her humanity. Her only companion when she starts out is her comfort cat, Frodo, but she soon crosses paths with Eric, a British law student, played by Joseph Quinn, who is suffering from acute shock, and tags along with her. How these characters negotiate an incredibly hostile environment without making a sound, and what will be their eventual fates, is what takes up the bulk of the story. This is where the film, directed by Michael Sarnoski, really shows its strengths because you really get invested in these characters, genuinely fear for them knowing the monsters are always lurking, and really root for them. This is something another recent monster film, GODZILLA MINUS ONE, did very well also. Nyong’o and Quinn have really good chemistry playing two characters who likely would never have interacted in the normal world, but now have to depend on each other in an apocalypse. There are no mock heroics with these two, who, along with Frodo in tow, make their way through a shattered NYC without making a sound, even though more than once being required to race through streets, make their way into a flooded subway, and lurk furtively around corners to stay alive. They resist the urge to make Nyong’o a movie girl boss who learns to kick alien butt and shame all the men around her (this is not a Disney film), and Quinn is not the hapless male who must be saved by a strong woman, as both characters come to each other’s support when it is needed. The film keeps the unfolding disaster right at street level, never going outside the POV of the main characters, often blurring backgrounds to give the impression that they are seeing events through traumatized eyes. Many of the scenes are clearly meant to invoke memories of 9/11; most haunting is a sequence of survivors trudging through the streets to reach boats on the river that can evacuate them to safety, and the sight of someone pushing a loved one in a squeaking wheelchair will induce instant anxiety. The special effects to not overwhelm, which is a good thing; how many times have we seen NYC decimated in some kind of sci-fi film catastrophe—INDEPENDENCE DAY, I AM LEGEND, and CLOVERFIELD come easily to mind. And it does seem that the same people who are in charge in LEGEND are calling the shots in DAY ONE because they do blow the bridges again in just the same way. And Djimon Hounsou, always a welcome sight, shows up playing the same character from A QUIET PLACE II.
One of the best things I can say about A QUIET PLACE: DAY ONE is that it gives us a resolution which feels earned and appropriate, paying off what the rest of the film has been building toward. With three films in the can, it would surely be a good place to end this franchise, but everyone knows that is not about to happen. But by shifting the location, and introducing new protagonists, it has proven that the series still has legs. I just hope they don’t run it into the ground.
...to put in all the stops, and explore old moments. Not since they blew the Death Star up the 2nd time, has there been such a tedious bunch of doggerel.