The Frankenstein Experiment [DVD]


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Reviewed in the United Kingdom on 26 July 2012
In 1818, Mary Shelley's horror novel Frankenstein was released and over the next 190 years, her idea has been replicated in countless films, plays, on television and in books; and the character of Frankenstein's monster has been utilised and reimagined throughout modern pop culture as well as the within the genre itself. Against that background comes The Frankenstein Experiment.

Alternatively billed as The Frankenstein Syndrome and The Prometheus Project; The Frankenstein Experiment comes with the following synopsis:
"A beautiful young stem-cell researcher (Tiffany Shepis) joins a secret research group attempting to develop a stem-cell based universal healing serum. Despite opposition from the project leaders, she quickly develops a serum that can bring the dead back to life - but with horrific results.
Distraught, Elizabeth tries to leave the project, but the project's financier (Ed Lauter) orders Marcus to hold the research team captive until their research is complete. When one of the project's security guards is murdered and then re-animated, the team must contend with a man who at first is like a child, but quickly becomes something much, much more..."

I have to admit, I thought the addition of stem-cell research to this Frankenstein tale was a nice touch with the scientists exploring cures to the ailments of mankind, albeit without government sanction; and The Frankenstein Experiment revels in its origins, paying homage at various stages throughout proceedings to the source material.

Sean Tretta both wrote and directed this film and to be honest, at first, I found most of the dialogue quite wooden and really by the numbers. However, as matters proceed, Tretta allows The Frankenstein Experiment to evolve and it all feels like it flows much better.

I don't think it can be disputed that the film is well-shot and looks like it had a significant portion of budget spent on cinematography. The effects, although basic, are fairly satisfying because they are practical and I did not catch a hint of CGI anywhere. Some of the deaths are fairly brutal and to my mind, there's enough here to sate the gorehounds out there and to warrant the film's 18 certificate and warning from the BBFC of "Contains strong gory violence, horror and very strong language".

Shepis (Night of the Demons, The Violent Kind) continues to be a loyal star of the horror genre, Patti Tindall (Machined, The Graves) puts in a convincing turn as the ice cold scientist; and Ed Lauter's (The Number 23, The Lost) screen-time is short. However, the standout performance in The Frankenstein Experiment comes from Scott Anthony Leet (Freeway Killer, Abandoned, Perfect Student). Leet is a former American Football player for the St Louis Rams and the Dallas Cowboys; and is not only physically imposing on screen but his performance as David Doyle is also menacing in a more cerebral way, more to do with Leet's delivery than his physical size.

My main issue with The Frankenstein Experiment was the direction the story took after a while. Once David (Leet) was learning at a geometric rate, he started to acquire skills such as telepathy and psychokinesis. I had no problem with this and thought it was a nice addition to this take on the Frankenstein story. My trouble with the film arose when David evolved into some sort of murderous messiah, complete with the ability to turn water into wine. I'm not a religious man by any stretch of the imagination but this too me just seemed like Tretta was trying to do too much in the space of the film's 84 minute running time when, in my opinion, had he left the story as it was before the biblical allegory, it would have been a much more solid horror tale.
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Reviewed in the United Kingdom on 10 June 2012
I tracked this film down having read the review in Dark Side magazine (a quote from which is included in Amazon's synopsis) recommending this film and I have to say it is worth a watch.

The action takes place in a secret private medical facility where brilliant minds have come together to illegally study stem cell research in the hope of developing a formula that will cure all disease. Needless to say things do not go according to plan and the team are soon learning the consequences of playing God.

As a modern take on the original Frankenstein novel the film works very well. Giving the creature the ability to speak and reason is a facet often neglected in film adaptations and too their detriment. Here the creature is able to state his case and berate his creators for his treatment. My only problem with the 'creature' here is that he is not given anywhere near enough screen time. The film itself is quite short at 84mins and too much of that is given over to the scientists, with the creature not making an appearance til half way through the film, still he does shine through when finally given the centre stage.

So why three stars? The film as a whole is too short, the ending is very convoluted, obviously laying the grounds for a sequel is fine, providing it doesn't leave you with the impression that the film has ended half way through, which this does. The other major draw back for this film is that it is a low budget piece, and it shows. Despite some nice gore scenes the film suffers for it's budget, mainly in the acting department. While the creature steals the show here the acting from the scientists is woefully bad and leaves you waiting for them to get killed off rather than sympathising with them during the final gruesome act.

On a whole then, some interesting ideas and certainly a film worth watching but probably not one you'll want to show off to your mates!
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