Timeline for The relation between voices in piano pieces
Current License: CC BY-SA 4.0
6 events
| when toggle format | what | by | license | comment | |
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| Jun 5 at 10:17 | comment | added | phoog | @user98606 in the original there is no G on the second beat, nor is there a rest. You have G and E on the first beat with the E tied to an E on the second beat, and then you have G on the third beat. I checked the manuscript sources (not in Bach's hand) and they are similar but not identical. Both of them have only E on the second beat, however (along with the A in the bass). | |
| Jun 5 at 9:29 | comment | added | user98606 | I think he made it last a half note to make it look less complicated as the G repeats in a quarter note | |
| Jun 4 at 18:44 | comment | added | phoog | The term used to cancel "div." is typically "unis." | |
| Jun 4 at 16:06 | comment | added | user98606 | So my question was the same thing you did ( it's okay to look at 2 voice as one for example tenor 2 voices in tenor ? ( i want to see the relation between the voices and how they move into each other | |
| Jun 4 at 6:14 | comment | added | user1079505 |
In measure 7, you made g last a half note, and it changes the harmony changes a bit: G6 A7sus A7, vs G6 Asus A7. I would think the quarter note (second version) was intentional.
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| Jun 3 at 22:52 | history | answered | Aaron | CC BY-SA 4.0 |