Today, it is a pleasure to welcome Tony Riches back to History…the Interesting Bits, with an article about the story behind his new novel, Frances: Tudor Countess. Frances Walsingham was the daughter of Queen Elizabeth’s spymaster, Francis Walsingham who married three times, including the soldier-poet, Sir Philip Sidney and, later, Robert Devereux, Earl of Essex
So, over to Tony…
Frances – Tudor Countess: The History Behind the Book
The origins of my latest book can be traced to my birth in Pembroke, Wales, close to the medieval castle where Henry Tudor was born. I couldn’t find any books which brought his story to life, and was inspired to write the Tudor Trilogy, where Henry is born in the first book, comes of age in the second, and becomes King of England in the third.
The success of the Tudor Trilogy led to the idea of following the dynasty in a continuous thread to the end, with the death of Queen Elizabeth I. I enjoy studying the real history to understand the social, political and economic context, and like to offer readers an historically authentic ‘immersive’ experience.
Over the past ten years I’ve built an extensive reference collection of books on everything Tudor and Elizabethan, from medicine to recipes, childbirth to government, as well as numerous biographies of key players in the story of the Tudors. All this research provides the backdrop within which the real lives and relationships of my chosen subjects develop and evolve.
For my second trilogy I decided to write about the reign of Henry VIII as the ‘Brandon Trilogy’, from the perspective of his youngest sister, Mary, his best friend, Charles Brandon, and the woman who some say could have become his seventh wife, Katherine Willoughby.
This took me to the Elizabethan era, and the decision to explore the enigmatic queen through three of her favourite men, Drake, Essex and Raleigh. Each saw her very differently, as Drake was in awe of her, Essex was like the son she never had, and Raleigh became captain of her guard.
I found that most of what I thought I knew about these men was wrong or missing vital details. I discovered Drake strived to understand and help liberate enslaved people. The heroic failure of the Essex rebellion was more about his lack of emotional intelligence than political ambition, and Raleigh’s colonisation of the New World was conducted from the comfort of his home through the courageous sacrifices of others.
I also realised I would need to make the Elizabethan books a series of six, rather than a trilogy, and explore the complexity of Queen Elizabeth through the eyes of three of her ladies. I had plenty to choose from, but found the most interesting were Penelope, eldest daughter of the queen’s nemesis, Lady Lettice Knollys, Frances, the only surviving child of the queen’s spymaster, Walsingham, and one of her ‘Gentlewomen’, Bess Raleigh.
One of my favourite historical sources for the Elizabethan series is “The Elizabethan Court Day by Day” by Marion E. Colthorpe. A rich and varied collection of research, this is where I discovered such details as the queen’s chambers being infested with fleas, which accumulated at the windows, the lists of participants in Accession Day jousts, and actual menus for royal banquets. Most importantly, this resource enabled me to cross-check events on any day at the Elizabethan court with other sources to ensure historical accuracy.
Of the many biographies I’ve studied, an unexpected source I found useful was Daphne du Maurier’s work on Francis and Anthony Bacon, who became important advisors to Frances in her struggle to understand and influence events at court. I also collected the works of the late Professor David Loades, particularly on the lives of William and Robert Cecil, who provide a connection between the books of the Elizabethan series.
To anyone looking for a deeper understanding of the Elizabethan world, I also recommend Liza Picard’s Elizabeth’s London: Everyday Life in Elizabethan London and The Time Traveller’s Guide to Elizabethan England by Ian Mortimer. There are plenty of well-researched books about the great events of the period, such as the Spanish Armada, but I was keen to develop a sense of how my subjects lived from day to day, what they wore, what they ate, and most importantly, how they thought about their world.
When I set out on this ‘journey’ to tell the story of the Tudors I had no idea how much I would learn about fascinating women such as Frances Walsingham, who witnessed the key events of the Elizabethan era first-hand, yet is so little known – until now.
To Buy the book:
Frances – Tudor Countess is new from Amazon in the United Kingdom and United States in eBook and Paperback, and an audiobook edition will be produced this year:
About the Author:
Tony Riches is a full-time UK author of best-selling Tudor historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Wars of the Roses and the lives of the Tudors. For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook, Twitter @tonyriches and Bluesky: https://bsky.app/profile/tonyriches.bsky.social. You can find out more about his research on his popular podcast series, ‘Stories of the Tudors’
Signed, dedicated copies of all my books are available through my online bookshop.
Coming on 15 June 2024: Heroines of the Tudor World
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.
Two cousins. On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.
King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops or direct from Pen & Sword Books, bookshop.org and Amazon. Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell – and Tony Riches. We discuss a wide range of topics in medieval history, from significant events to the personalities involved.
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Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
We have another fabulous guest post to celebrate Women’s History Month 2024. Laura Adkins is visiting History … the Interesting Bits to talk about my favourite of Henry VIII’s six queens, Katherine (or Kateryn, as she would have written it) Parr.
Over to Laura…
A Fairy Step-mother – Kateryn Parr
Kateryn Parr
Although she only had one biological child, two of Kateryn Parr’s marriages would bring her five stepchildren whom she loved dearly as if they were her own.
Katheryn first foray into motherhood was when she became stepmother to Lord Latimer’s teenage son and daughter. It is more than likely that Latimer, when looking for a wife, was after someone who could be a mother to his children and be present in their lives as he was away a lot. He may have seen those motherly qualities in Kateryn. It would be his daughter, Margaret, 9 years old at the time of her father’s marriage to Kateryn, who would grow close to her new stepmother.
Margaret’s own mother had died in 1527 and her first stepmother died in 1530. This led to Kateryn becoming the only mother figure in the young girl’s life, and at an impressionable age. Kateryn would fill the role of mother, treating Margaret as if she were her own, even after Latimer’s death. Kateryn not only had a legal duty to the two teenagers at this time but a sense of parental duty and love.
Margaret’s father had been strongly Catholic, therefore, his children would have been Catholic. However, times were changing and in Margaret’s will there are curtain wordings which give an indication that she was more inclined towards the reformed religion. Could Kateryn have played a role in this? We do not know for certain, but Kateryn would certainly have been aware of Margaret’s beliefs and most likely had some impact on it. The only thing that would separate the two was Margaret’s death at the young age of 21, in 1545. In her will Margaret thanks Kateryn for ‘the godly education and tender love and bountiful goodness which I have ever found in her highness’. Kathryn had provided a mother figure for Margaret during her short life. She had provided the young girl with companionship when an alternative could have been a very lonely existence. Throughout her marriage to Henry, she was then able to bring her stepdaughter into court life and provide her with connections which she may never have had initially.
Mary I, Queen of England
Of Latimer’s eldest child, John, things would be slightly different; however not as a result of Kateryn’s parenting. John was 14 years old when Kateryn and his father married, an age where he would have already established his own views, thoughts and personality. The young boy had been without a mother figure through puberty and his adolescent development. We know, from Kateryn’s own words, that things had been a bit more difficult between stepmother and son than with Kateryn and Margaret. His father did not leave his properties to John, nor appoint him executor of his will. That his father did not have much faith in his sensitive, sulking and lying teenager gives an indication that John was maybe a bit more of a handful than most. And given what he went on to do later in his life (arrested for attempted rape of one of his servants in 1557 and murder in 1563) one can quite believe his upbringing was not an easy task for Kateryn. There must have been some mutual fondness for one another, as when she became queen, she gave his wife a place as one of her ladies-in-waiting. Also, the fact that his aggressive nature came to the surface after her death shows that maybe she had some influence on his nature.
On her marriage to Henry VIII in 1543, Kateryn found herself a stepmother once more, this time to two daughters and a son. These royal children would be familiar to Kateryn and were all at various stages of their lives. Mary was only four years younger than her new stepmother; Elizabeth Tudor was 9, the same age that Margaret had been when Kateryn entered her life and Edward who was approaching the age of 6. Kateryn had a real impact on all three of Henry’s children, so much so that it helped shape their future as monarchs and for Elizabeth as a woman. All three have left in their own words their affection for Kateryn, the first of Henry’s wives that they all accepted and most likely loved.
It was through her love for her stepchildren and not a power play which made Kateryn try to reunite them with their father. She wanted to reconcile the broken family and bring happiness back to the court. She knew such love and happiness growing up and sadness with the loss of her father and wanted to try and assist her stepchildren to have some happiness like she did. Henry had both Mary and Elizabeth re-established in the line of succession, something which Kateryn at least had some part in. It would be at Ashridge in August 1543 where the three Tudor children, Kateryn and their father would stay together for the first time.
Edward VI, King of England
During her role as regent all three of the royal children would stay at the court, with their stepmother. It would be Elizabeth’s longest stay since she was a baby and one which most historians agree had a huge impact on her. Here both Mary and Elizabeth witnessed a woman governing and imposing her authority on her male counsellors. And not just a woman from afar but their stepmother, one who loved them and could and most likely help guide and mentor them, preparing them for their potential futures as powerful women in a world of men.
With Mary, the relationship was more of close friendship. Kateryn was not stupid to try and push herself as stepmother to Mary. She used her new position as queen to try and help Mary, not only to restore her in the line of succession but also to reunite her with her father. The two bonded over their love of fashion, jewellery and music. This friendship had already been established when Kateryn was a lady in Mary’s household after the death of Latimer. Mary would also see Kateryn as another female of learning and virtue and held her stepmother in high regard. The Spanish ambassadors wrote that Kateryn has behaved affectionately towards her [Mary] and go on to thank Kateryn for the kindness shown to the princess. Even their opposing religious beliefs did not seem to hinder their relationship. Kateryn had nothing but love for Mary. and it was through this love which brought her, for the first time in over a decade, some sense of peace, happiness and a form of stability.
For Elizabeth and Edward, her role was ever more impressionable. Edward’s mother, Jane Seymour had died when he was only a few days old. The next two of Henry’s wives were in and out of his life so quickly the young boy barely had time get to know them. A boy who had only had one parent in his life, the distant albeit slightly affectionate Henry. Edward lacked someone who showed him love and affection. It seems he grew with a fence up from female affection. When Kateryn came along, she wanted to knock down the fence and show the boy that it is ok to love and that he was loved and displays of affection were allowed. And she succeeded. From an early stage he was referring to her as his dearest mother and signing himself as her most abundant son. This young boy, who was a secretive cold and judgmental child who showed genuine fondness for very few people had grown attached to his new stepmother and finally had a mother whom he could love and who would love him in return.
For Elizabeth, Kateryn appeared at the time when she was needed the most. The stepmother and daughter were most likely the closest of the Tudor children. Elizabeth was at an age when she needed guidance and understanding; she also needed a mother’s love and someone who could match her growing intelligence. It would be Kateryn who also brought William Grindle onboard to teach Elizabeth, which led to the future queen’s love of the humanist principles. The earliest surviving letter of Elizabeth’s in existence is one she had written to her stepmother, dated 31 July 1544 . She despairs of not seeing Kateryn’s illustrious presence for a whole year and appeals to Kateryn’s clemency to speak to the king on her behalf so she can join them at court. Here Elizabeth feels she can approach her stepmother without repercussions and that her stepmother loved her greatly. She wanted to be not only with the king but Kateryn too at court.
Elizabeth would always sign her letters to Kateryn as ‘Your most obedient daughter and most faithful servant…’ Kateryn had captured the young princess’s heart and interest.
Elizabeth was a bright and intelligent child and noticed what was going on around her. She would not fail to miss the authority of her new stepmother and how she wielded her own power whilst keeping the right balance of femininity, and without, most of the time offending Henry or the men around her.
Elizabeth I, Queen of England
After the death of Henry, Kateryn set up her home at Chelsea, along with Elizabeth. It would be at Chelsea where Elizabeth and Kateryn’s relationship was tested to its limit, nearly severing the close ties these two had for good. Kateryns forth husband, Thomas Seymour began to grow an unhealthy interest in Elizabeth. He started to enter her bedchamber in the early morning before she was dressed and wearing only her undergarments. Her governess, Kat Ashley had tried to dissuade him from doing so and even approached Kateryn herself. There was even an occasion where Kateryn held Elizabeth in a supposed playful jest while Thomas cut Elizabeth’s gown to shreds. Not appropriate behaviour from either of them. It was eventually evident to Kateryn that Elizabeth had feelings for Thomas. Because of his lust for her stepdaughter and for reasons of propriety, Kateryn sent Elizabeth away from Chelsea. Kateryn had by this time found out she was pregnant; she wanted Thomas to only have eyes for her and knew the implications that could happen should word get out of what was going on, and under her own roof. It had to stop, and more importantly she needed it to stop for the love she bore Elizabeth as her stepmother, even though she was hurt by Elizabeth’s actions. Although this flirtation with Thomas and the danger it had put them in had been a huge thrust of the knife at Kateryn, her love for Elizabeth did not wane. Within weeks Kateryn had written to Elizabeth, and she had written back. Both were declaring their love for one another, with Kateryn missing her young charge.
Kateryn approached the role of motherhood with all her heart and passion for her stepchildren as if they were her own flesh and blood. Lord Latimer certainly saw something in her when he chose her to be his wife, he wanted not only a companion but a mother to John and Margaret. Kateryn’s involvement with Henry’s children’s lives was accepted, encouraged and appreciated by the king. He may have even finally enjoyed playing happy families after all the turmoil of the previous few decades. Her warmth and affection assisted her in persuading him to place his daughters back into the line of succession. For Mary it was a little different as she had experienced it from her biological mother, but this love had been torn from her when she needed it most. Maybe Kateryn had helped bring back those cherished memories to her. Kateryn was able to provide her stepdaughters with a female role model, who they could look up to and learn from. Particularly as two of her stepdaughters were of royal blood who might one day become queens. This mother’s love she provided would have certainly made an impact on how they approached womanhood and their confidence that they could perform their role as queen.
About the Author:
Ever since being inspired by her history teacher in secondary school and the 1997 movie Titanic, Laura has had a passion for history, especially medieval and Tudor eras. She writes her blog the Local History Blogger which focuses on her home county of Essex, England. In her past jobs, she has been fortunate to work in historic locations such as the Tower of London and Banqueting House, Whitehall where she gave public talks on its history and talks on the Tudors and Stuarts. Her other passion in life is her daughter who now joins Laura on her history trips and outings. When she is not exploring Laura enjoys reading and adding to her growing collection of books. Katheryn Parr: Henry VIII’s Sixth Queen is her first book.
To Buy the Book:
Laura’s book Kateryn Parr: Henry VIII’s sixth queen is now available in Hardback from Pen and Sword.
1. Kateryn Parr – after Master John, c.1545. Oil on panel. The original portrait was initially thought to be of Lady Jane Grey and was only recently attributed to be Kateryn. Public domain image, via Wikimedia Common
2. Queen Mary Tudor – Anthonis Mor, 1554. Oil on panel. Public domain image, via Wikimedia Commons
3. King Edward VI – Workshop of Master John, c.1547. Public domain image, via Wikimedia Common
4. The young Princess Elizabeth – attributed to William Scrots, c.1546-1547. Oil on oak panel .Public domain image, via Wikimedia Commons
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My Books:
Signed, dedicated copies of all my books are available through my online bookshop.
Out Now!Women of the Anarchy
Two cousins. On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.
Coming on 15 June 2024: Heroines of the Tudor World
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.
King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops or direct from Pen & Sword Books, bookshop.org and Amazon. Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and Elizabeth Chadwick, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
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Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
It is an absolute pleasure to welcome novelist and historian Judith Arnopp to History…the Interesting Bits today. Judith’s new book, How to Dress Like a Tudor, is one I have been excited to get my hands on ever since I heard she was writing it. The Tudors had a special talent for sumptuous gowns and bright, vibrant colours. They knew how to steal the show!
So, here’s Judith to give you a little taster of her research.
The Evolving Tudor Image: fabric as power
We have all become so familiar with royal Tudor images that we no longer really see them. One glance tells us who they are. We think we know them. They exude power, majesty and the iron fist of mastery.
Earlier portraits of the Plantagenet kings, and even the early portraits of Henry VII are very different to that of his son and grandchildren. But it was Henry VII, the first ‘Tudor’ king who began to develop the ‘Tudor’ brand.
The Tudors were the new kids on the block; nobody could foresee what sort of King Henry would make and his popularity depended very much on that of his wife, Elizabeth of York. Yorkist propaganda demeaned his claim to the throne, declaring that his mother’s line was illegitimate; that Lancaster had stolen the crown in 1399.
Henry, realising he needed to reinforce his hold on the country, embellished his family history to create an impressive Tudor dynasty. He stressed the royal connection of his mother, Margaret Beaufort, and her descent from John of Gaunt and, to strengthen his claim further, he legally removed the stigma of bastardy from the family. He reiterated the royal descent of his grandmother, Katherine of Valois and, more surprisingly, claimed descent from the ancient Welsh King Cadwaladr, and King Arthur. To further cement his link to Arthur he named his first-born son in his honour and embellished the round table at Winchester with the Tudor rose.
With the blood of both York and Lancaster flowing in the veins of his two sons and several daughters, the Tudor line looked set to continue but Arthur’s sudden death in 1502 taught Henry that a king can never have too many sons. He lost no time in teaching his remaining son, later to become Henry VIII, the finer points of kingship. He stressed the importance of his role, the unreliability of the fickle populace, and the crucial need for strong male heirs to perpetuate the dynasty. The importance of heirs was a lesson young Henry never forgot, and one he fought hard to achieve for the rest of his life.
The blooming of the Renaissance and the introduction of men like Holbein to the royal court helped to reinforce this new Tudor image and during Henry VIII’s reign new style of royal portraiture began.
I think of them as ‘power portraits’ that were loud declarations of Tudor permanence and dominance.
The one with which we are most familiar was painted by Holbein the younger after 1537, at a time when Henry was at the height of his power. He had freed himself from Anne Boleyn, and the Pope, and Jane Seymour had finally provided the son and heir he’d been craving.
Everything in this portrait is designed to impress and I certainly succeeds; we cannot take our eyes from the breadth of shoulder, the sumptuous quality of his clothes, his immovable stance, the potent codpiece, and the unflinching expression in his eye. The portrait exudes wealth, power and uncompromising control. It is an unspoken challenge.
Edward VI, and Mary I also used art to illustrate their power but it was Elizabeth, arguably the greatest Tudor of them all, who exploited royal portraiture to the full. The queen was very aware of the power of image and iconography. Encouraged by her adviser, John Dee, her portraits became more and more extreme. In every image she is majestic and fabulously dressed, her tiny frame all but
obliterated by satin, velvet, lace and jewels. In looks, Elizabeth resembled her great grandmother, Margaret Beaufort and her grandfather, Henry VII but by nature she was very much like her father.
Elizabeth’s portraits are perfect examples of Renaissance iconography. Every item represents a characteristic, not of the woman within but of the nature of her reign. It is all there; virginity, wisdom, power, world domination, military genius, and the all-seeing eye of queenship.
In The Armada Portrait c.1588 Elizabeth’s femininity is eclipsed by her magnificent clothing. She has so much padding, she appears every bit as broad and powerful as her father.
If Elizabeth’s grandfather and father had coveted England and parts of France, Elizabeth cast her ambitious eye farther – to the New World. Her hand rests on a globe and just in case the viewer should forget who wears it, the crown of England is just above. If you look closely her famously long white fingers are covering the Americas and, behind her are commemorations of the Spanish fleet being driven onto a rocky shore by a storm that became known as the ‘Protestant wind,’ inferring God’s approval in England’s victory over Spain. Elizabeth is proclaiming herself as the saviour of her people; the mother of her expanding empire; a victorious, virgin queen, blessed by God.
These are the things she wanted the world to see and believe. Her private, inner feelings were none of our concern and so they turned their faces into masks – a blank page, devoid of personality yet replete with majesty.
The portraits of the Tudors reveal so much about that far off world. Holbein in particular is invaluable to anyone studying the period. It is solely due to Holbein’s sketches taken at the court that we know exactly what was going on behind the gabled hoods of Catherine of Aragon and Jane Seymour. A particular favourite sketch of mine is of a woman on a settle which shows her sons dressed in replica garments of adult men. His sketches provide a behind the scenes glimpse of life at court, something the formality of the finished portraits don’t convey.
One of the best parts of writing How to dress like a Tudor for Pen and Sword books was the chance to closely examine the court portraits, and the informal sketches of the royal painters and trace the evolving fashions, styles, fabrics of the era. The Tudors were the new icons, monarchs to be worshipped, feared and respected and their portraits a shield, concealing every vestige of human frailty from common view.
How to Dress like a Tudor doesn’t just examine the clothing of royalty but of courtiers, commoners, children, monks and fools.
About the Author:
Judith Arnopp writes historical fiction set during the late medieval and Tudor period. Her usual focus is on the women who lived close to the monarch, women like Margaret Beaufort, Elizabeth of York and Mary Tudor but more recently has been writing from the perspective of Henry VIII himself. Her books are on Kindle, Audible and Paperback. You can find her fiction books here: http://author.to/juditharnoppbooks
She also writes non-fiction, her work featuring in many anthologies and online magazines. Her latest non-fiction, How to Dress like a Tudor published by Pen & Sword Books is available now. http://mybook.to/howtodress
Judith is a founder member of a reenactment group The Fyne Company of Cambria, and began making Tudor costumes for herself, her husband, John, and other members of the group. It was this that inspired How to Dress like a Tudor and she hopes to write more non-fiction Tudor history in the future. You can find Judith on Facebook, Twitter, Linked-in, Goodreads, Bluesky, Instagram,webpage
Illustrations
Eliz I The Armada Portrait Wikimedia commons [[File:Elizabeth I (Armada Portrait).jpg|Elizabeth I (Armada Portrait)]]
Henry VIII After Hans Holbein the Younger, Public domain, via Wikimedia Commons
Edward VI Attributed to William Scrots (active 1537-1553) [1], Public domain, via Wikimedia Commons
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My Books
Christmas is coming!
Signed, dedicated copies of all my books are available through my online bookshop.
Coming 15 January 2024:Women of the Anarchy
On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.
Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady. Nicholaa de la Haye was the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…
Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
As always, it is a pleasure to welcome my dear friend Toni Mount to History… the Interesting Bits. Toni has just written an informative and highly entertaining book, How to Survive in Tudor England, and she is here today to tell us about what went in to publishing a book in Tudor times.
Over to Toni…
Creating Books in the Sixteenth Century
A Printing Press in the sixteenth century
I’ve been really busy this year, working on three books, all at the same time, each one at a different stage of production. I’m just completing the final proofs: text and images, and compiling the index for a popular history book – a fun guide to living in the Dark Ages – my next Sebastian Foxley medieval murder mystery is with the publisher and a third book is being researched. With so much scribing and checking going on, I thought this would be an opportunity to think about how my experiences of writing, printing and publishing might compare to those of a sixteenth-century author. What sort of books would they write? How would they write them? What were the new requirements of the printing press as opposed to books written by hand?
What sort of books would they write?
Some of the answers may surprise you. Religious subjects were to the fore around the time of the Reformation and would continue to be but self-help instruction books were extremely popular. Tales with a moral were reckoned most educational. History books tended to retell Classical events, such as the Siege of Troy, the founding of Rome and the Punic Wars fought between Romans and Carthaginians, as well as stories of the Roman emperors. The heroic exploits of Alexander the Great were retold as were those of King Arthur and his Knights of the Round Table in various guises. Science books were appearing too. With the advent of the printing press, scholarly treatises were no longer limited to a few hand-written copies but could be widely disseminated as printed editions. Since they were usually written in Latin as the universal language of academia and the Roman Catholic Church, they could be read – if not always understood – across Europe and the Americas. Novels, as such, were not yet recognised but obviously romantic stories of heroes and heroines, along with collections such as Chaucer’s Canterbury Tales and Boccaccio’s Decameron remained popular as ever. Poetry was also published.
One of the most popular religious books of the second half of the sixteenth century was Foxe’s Book of Martyrs. Originally published in London by John Day in 1563 under the title Actes and Monuments, it was written by John Foxe, a Protestant, giving an account of those who had suffered martyrdom at the hands of the Roman Catholic Church, particularly in England and Scotland, giving maximum coverage to those burnt at the stake during Mary Tudor’s reign. Now that Elizabeth was on the throne, the book became so popular it went through four editions and numerous reprints, including an abridged version known as the Book of Martyrs, before Foxe died in 1587. Long after his death, the book continued to influence anti-Catholic sentiments and was virtually compulsory reading for those of the Protestant faith in England.
A first edition of Foxe’s Book of Martyrs, 1563
Thomas Tusser [1524-80] was a farmer who fancied himself a poet. He wrote an instruction book for his fellow farmers – husbandmen – and their wives, all in rhyme. First published in 1557, A Hundreth Good Pointes of Husbandrie was enlarged and republished in 1573 as Five Hundred Points of Good Husbandry, being reprinted numerous times. It’s a fascinating book about country life and customs in the Tudor era and the source of information for some of my articles for this magazine. My favourite Tusser couplet is:
A respite to husbands the weather may send,
But housewife’s affairs have never an end.
How true.
Moral tales were regarded as educational and could also be fun to read. Aesop’s Fables were a perennial favourite, as were the adventures of Reynard the Fox, author unknown, but they date back to the eleventh century in France. The year 1481 saw the first printed edition of The History of Reynard the Fox to come from the Westminster press, just five years after William Caxton had set up the first ever printing business in England. Subsequent reprints appeared in 1489 and, after Caxton’s death, more were produced by Richard Pynson in 1494, 1500, 1506 and 1525. In fact, there were twenty-three editions of Reynard published in England in the sixteenth and seventeenth centuries, so Caxton had found a runaway bestseller.
Reynard, the anti-hero, relies on brains rather than brawn to get the better of his enemies, often having others do his dirty work. For example, in taking Tybert the Cat to the farmer’s barn where he can feast on mice, Reynard is well aware of the trap set by the farmer to catch him, after he stole some hens recently. Of course, it’s Tybert who gets trapped. But the Fox’s cleverness extends to the subtleness of a lawyer and the honeyed tongue of a courtier, saying all the right things, not only arguing his way out of trouble but to promoting his own cause at the king’s court – lessons to be learned for the would-be courtier perhaps.
One of the first scientific books was written by Robert Recorde, a Welsh mathematician living in England. Recorde was the first ‘popular science’ writer and, although he knew Greek and Latin, he taught and wrote in English so anyone who was literate could understand his work. In 1542, his text book on arithmetic, The Grounde of Artes, first introduced the plus, minus and equals signs [+, -, =] that make the writing of equations so much quicker. He read Nicolaus Copernicus’ ground-breaking book De Revolutionibus, published in 1543, that put the Sun, not the Earth, at the centre of the universe for the first time. Recorde gave the theories a lot of thought, noting his favourable conclusions in The Castle of Knowledge, published in 1551, agreeing that the new ‘heliocentric’ universe fitted the calculations more nearly and made more sense. In 1551, he published The Pathway to Knowledge, the first geometry book in English.
Robert Recorde’s The Ground of Arts [1542]
Towards the end of the Tudor period, William Gilbert, a physician in London for many years who served as Queen Elizabeth’s doctor, spent much of his time studying rocks as England’s first geologist. He was particularly fascinated by ‘lodestones’ that occur naturally as permanent magnets. Gilbert published his discoveries in his book De Magnete [About Magnets] in 1600. The book, written in Latin, soon became the standard text on magnetic phenomena throughout Europe. In it, Gilbert discussed and disproved the folktales about lodestones – that their effect was reduced if diamonds or garlic were nearby and that they could cure headaches. He replaced such odd ideas with proper physical laws of magnetism: that the north and south poles of a magnet attract each other but like poles repel.
Poetry, often of epic lengths, was far more popular in Tudor times than with today’s audience. Whereas Thomas Tusser wrote his practical instruction book in rhyming couplets, Edmund Spenser’s epic in six books, TheFaerie Queene, was very different, composed in ‘Spenserian stanzas’, a form the poet invented specially. TheFaerie Queene is a romance, taking elements from Arthurian legend, including a female knight, The Roman de la Rose and other medieval sources. Yet Spenser explains that his epic poem is full of ‘allegorical devices’ and intended ‘to fashion a gentleman or noble person in virtuous and gentle discipline’, so this too is an instruction book of sorts. The author presented the first three books to Queen Elizabeth in 1589 and was rewarded by her majesty with the very decent pension of £50 a year for life, so it was well worth the effort. Whether the queen ever read it – or perhaps Spenser read excerpts aloud to the court – we don’t know but it’s quite widely read today, often being a ‘set book’ in schools.
How would they write them?
Throughout the Tudor period, as well as for centuries before and since, the original work would have to be written out in long hand with pen and ink, occasionally on parchment but increasingly on paper. It is actually easier to make corrections on parchment because the ink can be scraped off the surface layer but it’s far more difficult with paper because the ink soaks right in. All corrections, re-writes and edits had to be copied out again which makes me ever grateful for my computer. Love poems were often exquisitely written in the final version and given as gifts to the beloved. Surprisingly, the idea of the typewriter was thought up in the mid-seventeenth century when an anonymous Englishman applied for a patent for just such a machine, supplying a full description, drawings and diagrams of his invention. Nothing ever came of it at the time, as far as we know, but more recently, the device was constructed from the diagrams and it worked! What a boon that would have been to authors and poets.
Tudor scribes copying from exemplars
With medieval manuscripts, all the text, any artwork, images or decoration would be done by hand on the page but, of course, the process had to be repeated for every subsequent copy. This meant each book was unique and expensive to produce so the spreading of ideas and knowledge was slow. The printing press, first invented in c.1440 by the German goldsmith, Johannes Gutenburg, and brought to England in 1476 by William Caxton [see above], made the mass production of books a possibility. Gutenburg also came up with the idea of making hundreds or even thousands of individual letters out of little squares of lead alloy – all reversed mirror images – and punctuation.
What were the new requirements of the printing press as opposed to books written by hand?
Just as today, the publisher/printer would require a perfect copy of the final manuscript of the book to work from. I simply attach my – hopefully – faultless final document to an email to the publisher and click ‘send’. The Tudor author would have taken his completed hand-written manuscript to the publisher, having kept at least one other perfect copy for himself, if he was wise. This was a good idea because a few manuscripts that were used as printers’ copies have survived to the present and they are scribbled with annotations and notes for the setting of the type and other parts of the process. The author’s pristine manuscript is gone forever if he didn’t have a second copy.
If illustrations are to be included in my books, I simple email a set of high resolution images, including photographs or downloaded pictures and diagrams. One thing I have to consider that a Tudor author wouldn’t need to bother about is the minefield of copyright on downloads. Early printed books – sometimes referred to as incunabulae – most often used woodcuts as a means of illustrating the text and the printer would have no qualms about using the same woodcut in a completely different work, if it served the purpose.
Movable type
A Tudor printing press was a hefty machine, often taller than a man. Gutenburg had copied the idea from the grape presses used in wine-making. The tiny individual metal letters or ‘type’ were set up by a compositor, in reverse order, right to left, into the required lines of text. Several lines were arranged at once in a wooden frame known as a galley. Once the galleys were composed, they would be laid face up in a large frame [a forme] and this was placed onto a flat stone [the bed or coffin]. The text was then inked using two ball-shaped pads with handles. The balls were made of dog skin leather – because it has no pores – and stuffed with sheep’s wool. The ink was applied to the text evenly. A damp sheet of paper was held in one frame [the tympan] by small pins: damp so the type ‘bit’ into the paper better. The sheet was then sandwiched between the tympan and another paper- or parchment-covered frame [the frisket] to fix it so it could not move, curl up or wrinkle.
The two frames with their paper sandwiched were then lowered so the paper lay on the surface of the inked type. The whole bed was rolled under the platen using a handle to wind it into place. Then came the part of the process that required the most muscle power: screwing down the platen, using a bar called the ‘devil’s tail’, so the inked type and woodcuts pressed against the paper, making a perfect impression. The bar was supposed to spring back, lifting the platen, the bed rolled out, the frames lifted and the printed paper released, all text and images now appearing the right way round.
That would complete the process for a poster but, to make a book, this sheet of pages had to be turned over and printed again, this time with the text for the alternate pages. The sheets would then be cut up and assembled in the correct order. I have printed little eight-page booklets and the logistics of getting the double-sided pages printed correctly required a bit of thinking. For an A5 booklet, pages 8 and 1 have to be printed side by side, in that order, on an A4 sheet which is then turned over and pages 2 and 7 printed on the other side. Pages 6 and 3 are then printed with 4 and 5 on the reverse. I’m sure there must be computer algorithm for this these days but imagine trying to work that out with eight or sixteen pages on a sheet to produce the 1,500 pages of Foxe’s Book of Martyrs.
Foxe’s book had the additional complication of being illustrated with over sixty woodcut impressions and was, at the time, the most ambitious publishing project undertaken in England. Earlier, I mentioned that previous woodcuts were often reused but Foxe’s subject matter was entirely new so every woodcut was made especially. Like the type, woodcuts also had to be made as reverse images, carved from a single block of fine-grained wood. The image also had to be ‘negative’ in that the parts cut away would appear white on the page, the ink only adhering to the raised wood remaining to give the dark lines of the picture. When Foxe’s book was finished, compiled and bound, ready for sale, it was said to weigh as much as a small infant. Well, I always think of my books as my ‘babies’ and, even with modern technology, they take at least as long to produce, from conception until I hold the final product in my hands.
If you wish to read about many interesting characters, places, clothing, food and pastimes of the sixteenth century, my new book How to Survive in Tudor Englandis published on 30th October 2023.
About the book:
Imagine you were transported back in time to Tudor England and had to start a new life there, without smart phones, internet or social media. When transport means walking or, if you’re lucky, horse-back, how will you know where you are or where to go? Where will you live and where will you work? What will you eat and what shall you wear? And who can you turn to if you fall ill or are mugged in the street, or God-forbid if you upset the king? In a period when execution by be-heading was the fate of thousands how can you keep your head in Tudor England?
All these questions and many more are answered in this new guide book for time-travellers: How to Survive in Tudor England. A handy self-help guide with tips and suggestions to make your visit to the 16th century much more fun, this lively and engaging book will help the reader deal with the new experiences they may encounter and the problems that might occur.
Enjoy interviews with the celebrities of the day, and learn some new words to set the mood for your time-travelling adventure. Have an exciting visit but be sure to keep this book to hand.
About the author:
Toni Mount researches, teaches and writes about history. She is the author of several popular historical non-fiction books and writes regularly for various history magazines. As well as her weekly classes, Toni has created online courses for http://www.MedievalCourses.com and is the author of the popular Sebastian Foxley series of medieval murder mysteries. She’s a member of the Richard III Society’s Research Committee, a costumed interpreter and speaks often to groups and societies on a range of historical subjects. Toni has a Masters Degree in Medieval Medicine, Diplomas in Literature, Creative Writing, European Humanities and a PGCE. She lives in Kent, England with her husband.
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye
In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…
On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.
Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
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Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
Crime and Punishment in Tudor England: From Alchemists to Zealots tells the story of the enactment of law and its penalties from Henry VII to Elizabeth I.
The sixteenth century was remarkable in many ways. In England, it was the century of the Tudor Dynasty. It heralded the Reformation, William Shakespeare, the first appearance of bottled beer in London pubs, Sir Francis Drake, and the Renaissance. Oh, and the Spanish Armadas―all five of them! Yes, five armadas and all failures.
It was a watershed century for crime and punishment. Henry VII’s paranoia about the loyalty of the nobility led to military-trained vagrants causing mayhem and murder. Henry VIII’s Reformation meant executions of those refusing to take the Oath of Supremacy. State-controlled religion―summed up through the five reigns as Roman Catholic; Anglo-Catholic; Protestant; Roman Catholic, and Sort of Protestant but I don’t mind so long as you swear the Oath of Supremacy―became an increasingly complex, not to say confusing, issue for ordinary people.
Although primary sources are rare and sometimes incomplete, the life of criminals and the punishments meted out to them still fascinates.
Read about: John Daniell and how he tried to blackmail the Earl of Essex. The Stafford insurrection of 1486, the first serious opposition to the new king. The activities of con-man extraordinaire, Gregory Wisdom, and many more.
Crime and punishment didn’t start with the Tudors and this book summarises judicial practices built on tradition from the Roman occupation. It covers often gory details―what happens to the body when it is beheaded, burned, boiled, or hanged?
Arranged in alphabetical order of crimes, it recounts tales of blackmail, infanticide, kidnapping, heresy, and sumptuary laws. Told with occasional low-key humour, the book also includes Tavern Talk, snippets of quirky information.
Dip into it at your pleasure.
I have to admit, Crime and Punishment in Tudor England: From Alchemists to Zealots by April Taylor is one of the best non-fiction books I have had the pleasure of reading this year. I have always had a fascination for the law – I was even considering it as a career at one stage, until I realised I couldn’t stand the 9 to 5 lifestyle. Give me shift work and odd hours any day! So, I have been looking forward to this book ever since I heard April was writing it.
Opening with a fabulous history of the development of England’s legal system, Crime and Punishment in Tudor England explains not only the crimes committed, but also the various legal processes under different monarchs and at different social levels. Every crime imaginable is covered, from infanticide to treason. And so are the punishments and the reasons behind them; and how often such punishments were intended to fit the crime – or to shame the perpetrator. Every part of the criminal justice system is analysed, from religious offenders to witchcraft, from capital punishment to torture, prison condition and labour camps. Crime and Punishment in Tudor England also looks into the influences on crime, such as the impact of economic and social conditions, in a century of religious and political upheaval throughout Europe.
I do have to warn you: this book is not to be read while eating, unless you have a strong stomach. April Taylor includes descriptions of the various methods of execution, including beheading, hanging, burning and the particularly gruesome method of boiling alive!
Boiling to Death
Boiling to death was not often used in Tudor England to be fair, although it was the designated punishment for coiners on the continent. The method is self-explanatory. The offender would be put into a large container which might be filled with water, oil, molten lead, wax or sometimes wine, heated to boiling point.
The most famous victim was Richard Roose, cook to the Bishop of Rochester, John Fisher. It was established that Roose had decided to poison his master and guests by serving them pottage for dinner. Fisher was known to be abstemious and did not partake of the pottage, and nobody can blame him since it sounds less than appetising.
Pottage was a kind of thick porridge that peasants relied on for centuries as a staple food. For them, it would consist of grains and vegetables, boiled in a pot and often kept simmering for hours or days to make sure it was safe to eat. If rich households ate it, often meat or fish was added, but if you can imagine a kind of hearty soup full of heaven knows what that has been boiled to extinction, you have an idea of what pottage was like.
This case became something of a political ‘hot potato’(even though nobody had yet encountered one in 1531 in England). Sixteen of Fisher’s guests became ill, one of them, a man called Curwen, died. The rest of the poisoned pottage was given to the poor, at which point Alice Trypptt also died from eating it.
Bishop Fisher had been Margaret Beaufort’s confessor and it was he who had taught the young Henry VIII the tenets of theology. However, and here is the political bit, at the time Roose conducted his ‘jest’, thinking the powder he had put in the pottage was a laxative that would make his fellow servants ill, Bishop Fisher was a vocal opponent of Henry VIII’s marriage to Anne Boleyn. Moreover, there were rumours that the Boleyn family had engineered the poisoning. Obviously they all liked pottage.
The Spanish ambassador, Chapuys, and Thomas More, neither of whom were sympathetic to Anne, told Henry of the rumours accusing her, to which Henry is alleged to have answered that she was blamed for everything.
Henry decided he must act with speed to make sure any such rumour was quashed and that neither his beloved’s character nor her family were sullied (a bit of a non-starter since she was already known as the ‘goggleeyed whore’ by the majority of the population who adored Katherine of Aragon).
Back to Henry. He immediately told Parliament he wanted a bill passing that any servant found guilty of poisoning or attempting to poison their master or mistress should be attainted for high treason and executed.
Henry was quite clever in some ways. Because he made the crime one of high treason, it meant there was no need for prior judicial process or a jury to determine the guilt or otherwise of the defendant. This was not to be the first time Henry dispensed justice with the tenets of common law.
While some of the more sensational and high profile cases are discussed – such as Anne Boleyn and Catherine Howard – April also introduces cases far less familiar to the reader. Encompassing murder, fraud, blackmail and all manner of crimes, April Taylor presents a fascinating insight into Tudor crimes, ably supported by actual – and fascinating – case studies. Theses case studies not only demonstrate the nature of crimes and their punishment, but also the changing attitudes to crime, and the shifting emphasis on punishments, from the dawn of the Tudor period to the royal dynasty’s demise in 1603.
Crime and Punishment in Tudor England also highlights various miscarriages of justice, including where officials accused innocent victims with the aim of appropriating their goods and property. There are some truly harrowing tales, such as the youngest felon executed in the Tudor era – a girl of the tender age of 11 – and the general treatment of children who fell foul of the criminal justice system. It makes you happy to be living in the 21st century!
April Taylor has managed to cram so much information into Crime and Punishment in Tudor England: From Alchemists to Zealots it really is an impressive tome. It is thorough and well referenced and is written in a lively, entertaining writing style, with a fair amount of wit thrown in for good measure.
I cannot recommend it highly enough. Crime and Punishment in Tudor England: From Alchemists to Zealots is a pleasure to read!
To buy the book:
Crime and Punishment in Tudor England: From Alchemists to Zealots by April Taylor is now available from Amazon and Pen and Sword Books.
About the author:
April Taylor was born in the historic county of Lincolnshire in the UK. Having caught the history bug from a young age, April has always been fascinated by the physical manifestation of times past in particularly the Tudor period. This interest deepened when she discovered one of the most important events of Henry VIII’s reign, the Lincolnshire Rebellion that led to the Pilgrimage of Grace in 1536, started eight miles from where April was born. April has always ensured her research is as meticulous as possible. During her study of the Tudors for her fictional Luke Ballard books, April was intrigued by frequent references to Henry VIII’s charisma. Choosing a career in librarianship, April honed her research skills but always leant towards the history of the area in which she lived. This led to numerous talks to schools and local groups, especially in Worcester, yet another place of historic importance in the UK. April Taylor now lives near the rugged coast of north-east England in close proximity to one of the priories that fell victim to Henry VIII’s Reformation. She frequently walks her golden retriever in local forests using that time to work through complicated plotlines. She sings in the medieval church and occupies her down-time dressmaking and cross-stitching.
My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye
In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…
On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
*
Don’t forget!Signed and dedicated copies of all my books are available through my online bookshop.
For forthcoming online and in-person talks, please check out my Events Page.
You can be the first to read new articles by clicking the ‘Follow’ button, liking our Facebook page or joining me on Twitterand Instagram.
The Tudors by Numbers is a fresh look at a well-known dynasty ― through its numbers. Take a new look at old friends by learning the complicated path to 1 possible king symbolized by 1 rose, viewing the extraordinary 42 percent of the dynasty under the rule of 2 women, and considering the impact of 4 English language translations of the Bible printed in England. The Tudors by Numbers takes you behind the scenes through a different path and reveals new ways of seeing the Tudors.
The Tudors by Numbers: The Stories and Statistics Behind England’s Most Infamous Royal Dynasty by Carol Ann Lloyd is a new way of looking at the Tudors, giving a refreshing insight into the family and the 16th century.
When you think about ‘numbers’ as they relate to the Tudor dynasty, I am sure the first thig that comes to mind is ‘Henry VIII had six wives’ and I have to admit, that’s exactly where I went as soon as I saw the title of the book. I expected Carol Ann to dwell on Henry and his wives and, perhaps, add a few more numbers in the mix to flesh out the book. I actually thought there was not much breadth to looking at numbers with regard to the Tudors.
How wrong I was!
Carol Ann Lloyd presents the Tudors in a whole new light, looking at where numbers played a prominent role in England’s most famous dynasty.
It is illuminating!
The Tudors by Numbers: The Stories and Statistics Behind England’s Most Infamous Royal Dynasty by Carol Ann Lloyd is a fun, engaging volume that will make you look at the Tudors in a different light. Written in short, easy to absorb chapters, the author guides the reader through the the Tudor era, highlighting where numbers had a significant influence on the dynasty, not just in the number of wives of Henry VII or the number of ruling queens, and not just in the years.
Did Henry VII really end the Wars of the Roses by marrying Elizabeth of York, daughter of Edward IV, and creating the Tudor dynasty?
Let’s find out. Let’s roll the numbers!
The Story of a Rose by the Numbers
The numbers tell us that the path to one single rose and the establishment of the Tudor dynasty was a long and treacherous road made up of many complications. The numbers tell us the real story of the beginning of the Tudor Dynasty. The most important number in Henry VII’s narrative is one. He based his claim and the establishment of his dynasty on there being:
•one heir to the Lancastrian claim to the throne: Henry himself
•one heir to the Yorkist claim to the throne: Elizabeth of York
•one marriage that united those two claimants
•one option for king, based on the above.
So, the question of who should be rightful king of England, which had rocked the country since 1399 when Richard II had been deposed, all came down to one man in 1485: Henry Tudor. Henry needed to tell his story. He decided to do so with red and white roses.
The white rose had a long history with Edward IV. It’s found on his manuscripts and features prominently in his genealogical roll, which was probably created to celebrate his coronation as King of England. After all, he had not inherited the throne from a royal father; instead, he had seized it from an anointed king in battle. To demonstrate the superiority of his family claim to the throne, his supporters created an elaborate genealogical roll filled with symbols to validate his divine right to the throne: three suns representing the holy trinity and white roses. Perpetuating the story that Elizabeth’s two brothers had died during the reign of Richard III, Henry recognised Elizabeth as the heir to the Yorkist claim. He seized on the white rose and passed the symbol on to Edward’s eldest daughter.
The red rose proved a trickier A few previous Lancastrians had used a gold rose, but not consistently. Henry Tudor’s Lancastrian predecessor, Henry VI, had used the antelope. Henry Tudor himself had initially used the symbol of the red dragon of Wales, associating himself with the mythical British King Cadwalladr. We don’t see any evidence of Henry using the red rose before Bosworth. But once he was king, he realised the power of symbolism and settled upon something that would allow him to put his stamp on the country forever. It was a masterstroke. The combination of the red and white rose was powerful in its simplicity and effective in its message. The king then went about carving that rose into buildings, emblazoning it on royal documents, and including it in portraits.
The Tudors by Numbers: The Stories and Statistics Behind England’s Most Infamous Royal Dynasty by Carol Ann Lloyd is a must-read for any Tudor enthusiast. All the great characters of the time are put in the spotlight, from the kings and queens to those who served them, from the likes of William Cecil, Queen Elizabeth’s right-hand man, to Thomas Cranmer, Thomas Wolsey and Thomas Cromwell, men whose careers helped to usher in the Reformation and the foundation of the Church of England. As a consequence of which, Edward VI – that much desired male heir – was the first king of England to be crowned as the supreme head of the Church of England.
Every aspect of the Tudor dynasty is examined – and the numbers rolled. If you love the story of Mary Queen of Scots, Anne Boleyn and Catherine of Aragon, you will find them here – presented in a new light.
Carol Ann Lloyd delves deep into the history of the time and uses her incredible knowledge of the dynasty in order to give the reader a fascinating insight into the Tudors. A study of the numbers highlights the great events of the period, from the dawn of the dynasty, through the pretenders who threatened Henry VII’s rule, Henry VIII’s obsession with having a male heir, to the great Elizabeth I and the twilight of the era.
The Tudors by Numbers: The Stories and Statistics Behind England’s Most Infamous Royal Dynasty by Carol Ann Lloyd is an enjoyable read and a valuable edition to the library of any Tudor enthusiast. I cannot recommend it highly enough!
To buy the book:
The Tudors by Numbers: The Stories and Statistics Behind England’s Most Infamous Royal Dynasty by Carol Ann Lloyd is now available on Amazon.
About the author:
Carol Ann Lloyd turned an obsession with the Tudors into a speaking and writing career. She shares her love of history with Smithsonian Associates, Royal Oak Foundation, Agecroft Hall, Folger Shakespeare Library and other organizations. She holds degrees in Literature and Education and hosts a popular podcast, British History: Royals, Rebels, and Romantics. She also offers workshops about using Shakespeare strategies to improve communication skills and is a member of National Speakers Association.
My Books
Signed, dedicated copies of all my books are available through my online bookshop.
Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye
In a time when men fought and women stayed home, Nicholaa de la Haye held Lincoln Castle against all-comers, gaining prominence in the First Baron’s War, the civil war that followed the sealing of Magna Carta in 1215. A truly remarkable lady, Nicholaa was the first woman to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…
On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
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It is a pleasure to welcome author Tony Riches to History…the Interesting Bits today. Tony is a fabulous storyteller who has just released the final book in his Tudor Adventurers series.
We have had Sir Francis Drake, the Earl of Essex and now we have the remarkable story of Sir Walter Raleigh. Tony is here to tell us a little bit about his research in Raleigh: Tudor Adventurer.
Researching the life of Sir Walter Raleigh
Tudor adventurer, courtier, explorer and poet, Sir Walter Raleigh has been called the last true Elizabethan.
My books aim to be as factually accurate as possible, with the creative use of fiction reserved for breathing life into my characters, and adding a sense of the places where they lived. I like to spend the summer months visiting actual locations and tracking down primary sources. In the research for my new book, Raleigh – Tudor Adventurer, I also studied Raleigh’s surviving letters and papers.
Public Domain letter from Sir Walter Raleigh to Lady Elizabeth (Bess) Raleigh, endorsed: “Sir W. Rawley to his wiefe.”
Raleigh was a prodigious letter writer, but his personal archive was scattered widely, with many of his papers thought to be lost. Fortunately, the late Tudor historians, Joyce Youings and Agnes Latham discovered over two hundred of Raleigh’s letters, and Agnes Latham also collected Raleigh’s poetry, adding her invaluable commentary.
As well as offering me an authentic sense of Raleigh’s ‘voice’, these letters were a great help in sorting out the often confusing timeline of events. I was of aware of Raleigh’s tendency to exaggerate, flatter and posture in his writing, but there is no better way to develop an understanding of his motives. Here is an example of a surviving letter from Raleigh to his wife, Bess, which shows how difficult they can be to transcribe.
The next main source of information on Raleigh’s life was the fascinating Folgerpedia resource, ‘The Elizabethan Court Day by Day,’ created by Marion E. Colthorpe. This searchable archive provided me with access to a wealth of invaluable details, and clues for deeper research. The archive began as an investigation into the people and places visited by Queen Elizabeth I on her ‘progresses’, and the entertainments presented before her. It gradually expanded to trace the whereabouts of the queen on every day throughout her long reign, what she was doing, often what she was saying, and who her companions were.
Raleigh’s cell in the Tower of London (author’s photo)
Finally, my travels have taken me to rural Devon and Dorset, and in Raleigh’s footsteps across the sea to Ireland, where I visited the city of Cork and the harbour of Youghal, where he was briefly Mayor and had a house named ‘Myrtle Grove. I also visited the Tower of London and the cell where Raleigh was imprisoned.
My research has revealed Sir Walter Raleigh’s strengths and weaknesses, as a courtier and failed politician, soldier and poet, a man ready to speak up for the poor and to honour his debts. My hope is that my new book, Raleigh – Tudor Adventurer, will help readers see beyond the myths and half-truths, and have a better understanding of the man who has been called the last true Elizabethan.
Tony Riches is a full-time UK author of Tudor historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his new Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Brandon trilogy, (about Charles Brandon and his wives). For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook and Twitter @tonyriches
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Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US,Bookshop.org and Book Depository.
In 1485 England was a small kingdom, the whole country consisted of a population of less than 3 million people, with 60,000 living in the capital, London.1 The Wars of the Roses was very much a recent trauma in the national memory. The country was a predominantly rural society, with local loyalties to local landowners – such as the Percies in Northumberland – taking precedence over national considerations. Noticeable regional differences varied in speech, diet, cloth, farming methods, the shape of church towers, and even the veneration of the saints. In Tudor Lincolnshire the Fens were yet to be drained, few roads were well-maintained and even they could be treacherous in heavy rains. Lincoln itself had been effected by the decline in the wool trade, and with a shrinking population, its size and prosperity were also decreasing.
A distinction was also rising among the aristocracy of the county and that of the royal court. In the regions, the minor nobility served the king as sheriffs, escheators and justices of the peace, or representing their county in parliament. The greater aristocracy, however, were looking for positions and influence at court; for themselves and their families. The Tudor court was a micro-world in itself. It set the standards in manners for the whole country. Service to the monarch was the primary concern. Most courtiers were related to each other, marriages were negotiated between the prominent families and service to the queen was the highest position a lady could aspire to.
At first glance you would think there was very little interaction between the nobility of Lincolnshire and the Tudor court. However, as we delve deeper we can see that, not only was there movement between the court and the county, it was not only one-sided, but fluid and travelling in both directions. When looking at this over the Tudor period – of over a hundred years of history – we notice the subtle changes in the interactions between the county and royal court, not only based on the progress of the time, but also the personalities involved and their personal experiences.
For some ladies, marrying into a member of the Lincoln aristocracy was a way of getting away from the glare of the court. For Elizabeth (Bessie) Blount, lady-in-waiting to Katherine of Aragon, a former mistress of Henry VIII and the mother of his illegitimate son Henry Fitzroy, Duke of Richmond, it was the chance at a normal life. Born in 1500, Bessie Blount married Gilbert Tailboys in 1519, following her affair with Henry VIII and just months after the birth of the king’s son. The marriage was probably arranged by Henry as a ‘reward’ for Bessie. The couple settled on Gilbert’s family estates at Kyme in Lincolnshire. And despite being far from court, Bessie was not forgotten by the king. She continued to receive Henry’s favour, with various grants between 1522 and 1539 and New Years’ gifts throughout her life; in 1532 Henry sent her a gilt goblet with a cover weighing over 35 ounces.2
Effigy of Elizabeth Blount
Bessie and Gilbert had three children together, Elizabeth, George and Robert, before his death in 1530. Gilbert Tailboys had settled part of his Lincolnshire estates on Elizabeth, giving her an annual income of £200 a year for life. Following his death, Bessie appears to have been happy to stay in Lincolnshire instead of returning to her Shropshire roots, or an unwelcoming royal court. In 1535 she married again, to the soldier Edward Fiennes de Clinton, 9th Baron Clinton and Saye, who was 12 years her junior. Although de Clinton had his family seat in Kent, they settled on Bessie’s Lincolnshire estates. They had three daughters together, Bridget, Katherine and Margaret, before Bessie died sometime before June 1541 (when Clinton remarried). While Elizabeth appears to have stayed away from court, Clinton’s marriage to the king’s former mistress brought him royal favour; he attended on the king at Calais and Boulogne in 1532 and acted as cup-bearer at the coronation of Anne Boleyn in 1533. Following the Lincolnshire Uprising of 1536, one of several rebellions which formed the Pilgrimage of Grace, Clinton was rewarded for staying loyal to the king – most Lincolnshire gentlemen had joined the rebellion – with the dissolved monastery of Sempringham.
Lincolnshire aristocratic families were often very closely related. Elizabeth and Edward’s daughter, Bridget, married Sir Robert Dymoke II, son of Sir Edward Dymoke and his wife Anne, who was the daughter of George Tailboys and the sister of Elizabeth’s first husband, Gilbert. The Dymoke family held Scrivelsby in Lincolnshire, through which tenure they were king’s champions; Sir Edward was champion at the coronations of Edward VI, Mary I and Elizabeth I. Sir Edward’s sister, Margaret, was born in Scrivelsby around 1500 and served several of Henry’s queens. After first marrying Richard Vernon of Haddon Hall, Derbyshire, she then married Sir William Coffin, Anne Boleyn’s Master of Horse. Margaret had been one of Queen Katherine of Aragon’s gentlewomen at the Field of Cloth of Gold and would also serve Henry VIII’s two subsequent queens.
Margaret, however, was not a favourite of Henry’s second queen, Anne Boleyn. She was one of the women who attended the disgraced queen in the Tower of London. Anne was recorded as complaining to her jailer, Sir William Kingston, “I think much unkindness in the king to put such about me as I never loved.”3 Margaret Dymoke, Lady Coffin slept on a pallet bed in the Queen’s bedchamber during her time in the Tower. In her desperation the queen confided in Margaret, unaware that she was acting as a spy for the state. Master Kingston reported to Thomas Cromwell that “I have everything told me by Mistress Coffin that she thinks meet for me to know.” 4 There is also a possibility that Margaret was not only a spy for Kingston, but also for the Imperial ambassador, Eustace Chapuys, who wrote “The lady who had charge of her [Anne] has sent to tell me in great secrecy that the concubine, before and after receiving the sacrament, affirmed to her, on the damnations of her soul, that she had never been unfaithful to the king.”5
Anne Boleyn in the Tower by Edouard Cibot
Following Anne’s execution, Margaret joined the household of Queen Jane Seymour. Lady Coffin was in high favour in Jane Seymour’s establishment and acted as intermediary for several families who had hopes of placing a daughter in the royal household. Margaret remained with the queen until the end, and was among the mourners who attended the late queen’s body as it lay in state, keeping vigil and attending masses for her soul. Margaret was in the funeral procession that accompanied Jane’s body to her final resting place in St George’s Chapel, Windsor. She rode in the third carriage and bore Princess Mary’s train at the requiem mass; Mary was chief mourner and rode on a horse trapped with black velvet.6
There were several ladies associated with the Tudor court, who married into Lincolnshire society. The most famous must surely be one of Henry VIII’s own queens. Henry’s sixth wife, Kateryn Parr was the daughter of Sir Thomas Parr and his wife, Maud Green Parr, a lady-in-waiting to Katherine of Aragon. When Sir Thomas died while Kateryn was still a child, Maud took it on herself to arrange her daughter’s future. After a failed proposal to marry Katherine to the son of Lord Dacre, In 1529 Maud turned to another of her late husband’s relatives and arranged for Kateryn to marry Edward Burgh the eldest son of Sir Thomas Burgh, Baron Burgh of Gainsborough, Lincolnshire. Sir Thomas’s father, Sir Edward, had been declared a lunatic and Sir Thomas, himself, was renowned for his violent outbursts and wild rages (possibly due to an inherited mental instability in the family) and had a tyrannical control over his family. The first two years of the marriage, spent at Sir Thomas’s new Hall at Gainsborough (now known as the Old Hall), was an unhappy time for Kateryn. She wrote, regularly, to her mother of her unhappiness and it seems the situation was only resolved following a visit by Maud Parr, who persuaded Sir Thomas to allow Edward and Kateryn to move to their own, smaller, house at Kirton-in-Lindsey, a few miles outside of Gainsborough.
We do not know whether Edward was a sickly individual, or whether or not he succumbed to a sudden illness, but their happiness was short-lived, as he died in the spring of 1533, after only 4 years of marriage. Having no children, Kateryn was left with little from the marriage, and, with her mother having died the previous year, she was virtually alone in the world; possibly as a remedy to her isolation, Kateryn married her second husband, Lord Latimer, in the same year as she lost her first. There is no record that Kateryn served any of henry VIII’s queens. Her first appearance at court seems to be in 1542, when she became a lady-in-waiting in Mary Tudor’s household, before she caught the King’s eye. She does not seem to have forgotten her time with the Burgh family, however, and when she became queen Kateryn paid a pension from her own purse to her former sister-in-law, Elizabeth Owen, widow of her husband’s younger brother, Thomas. Poor Elizabeth had been accused of adultery by her domineering father-in-law, Sir Thomas, and her children were declared illegitimate by Act of Parliament in 1542.
Lord Burgh’s third surviving son, William, born in the early 1520s, would eventually succeed his father to the barony. He married Katherine Fiennes de Clinton, daughter of Edward Fiennes de Clinton – the future Earl of Lincoln – and Bessie Blount, demonstrating the interlinking relationships between the various great Lincolnshire families.
Where Kateryn Parr was linked to Lincolnshire before joining the royal court, others saw Lincolnshire as a place of retirement. Maria de Salinas was a lady-in-waiting and close friend to Katherine of Aragon; indeed, it seems that she came to England with the Spanish princess in 1501 for the marriage to Henry’s older brother, Arthur, Prince of Wales. Katherine and Maria were very close and by 1514 Caroz de Villagarut, ambassador of Katherine’s father, Ferdinand of Aragon, was complaining of Maria’s influence over the queen after she tried to persuade Katherine not to cooperate with the ambassador and encouraged the Queen to favour her English subjects.7 In June 1516 Maria married the largest landowner in Lincolnshire, William Willoughby, 11th Baron Willoughby de Eresby. The King and Queen paid for the wedding, which took place at Greenwich, and gave them a wedding gift of Grimsthorpe Castle, in Lincolnshire. The Queen even provided Maria with a dowry of 1100 marks.
Grimsthorpe Castle, Lincolnshire
Maria remained at court for some years after her wedding, and attended Katherine at the Field of Cloth of Gold in 1520. Henry VIII was godfather to Maria and William’s oldest son, Henry, who died in infancy. Another son, Francis, also died young and their daughter Katherine, born in 1519, would be the only surviving child of the marriage. Lord Willoughby died in 1526, and for several years afterwards Maria was embroiled in a legal dispute with her brother-in-law, Sir Christopher Willoughby, over the inheritance of the Willoughby lands. It seems William had settled some lands on Maria which were entailed to Sir Christopher. The dispute went to the Star Chamber and caused Sir Thomas More, the king’s chancellor and a prominent lawyer, to make an initial redistribution of some of the disputed lands.
This must have been a hard fight for a newly-widowed Maria, and the dispute threatened the stability of Lincolnshire itself, given the extensive lands involved. However, Maria attracted a powerful ally in Charles Brandon, Duke of Suffolk and brother-in-law of the King, who called on the assistance of Cardinal Thomas Wolsey, Henry’s first minister at the time, in the hope of resolving the situation. Suffolk had managed to obtain the wardship of Katherine Willoughby in 1529, intending her to marry his eldest son and heir Henry, Earl of Lincoln, and so had a vested interest in a favourable settlement for Maria. This interest became even greater following the death of Mary Tudor, Suffolk’s wife and Henry VIII’s sister, in September 1533, when only three months later the fifty-year-old Duke of Suffolk married fourteen-year-old Katherine, himself. Although Suffolk pursued the legal case with more vigour after the wedding, a final settlement was not reached until the reign of Elizabeth I. Suffolk eventually became the greatest landowner in Lincolnshire and, despite the age difference, the marriage does appear to have been successful. Katherine served at court, in the household of Henry VIII’s 6th and last queen, Katherine Parr. She was widowed in 1545 and lost her two sons – and heirs – by the Duke, Henry and Charles, to the sweating sickness, within hours of each other in 1551.
As duchess of Suffolk, Katherine was a stalwart of the Protestant learning and used her position to introduce Protestant clergy to Lincolnshire, even inviting Hugh Latimer to preach at Grimsthorpe Castle. It was she and Sir William Cecil who persuaded Kateryn Parr to publish her book, The Lamentacion of a Sinner in 1547, demonstrating her continuing links with the court despite her first husband’s death.
Following the death of her sons by Suffolk, Katherine no longer had a financial interest in the Suffolk estates, which went to the heirs of Mary Tudor, Henry VIII’s sister. However, Katherine still had her own Willoughby estates to look after and it was in order to safeguard these that Katherine married her gentleman usher, Richard Bertie. The couple had a difficult time navigating the religious tensions of the age and even went into exile on the Continent during the reign of the Catholic Queen, Mary I. Following their return to England, on Elizabeth’s accession, Katherine resumed her position in Tudor society; her relations with the court, however, were strained by her tendency towards Puritan learning. She used her position in Lincolnshire and extensive patronage to help disseminate the Puritan teachings. The records of Katherine’s Lincolnshire household show that she employed Miles Coverdale – a prominent critic of the Elizabethan church – as tutor to her two children by Bertie; Susan and Peregrine.8 Unfortunately, Katherine died after a long illness, on 19th September 1580 and was buried in her native Lincolnshire, in Spilsby Church.
Katherine Willoughby, Duchess of Suffolk by Hans Holbein the Younger
Katherine’s mother, Maria de Salinas, Lady Willoughby, had died in 1539 and had stayed loyal to her mistress, Katherine of Aragon, throughout her married life and widowhood. Indeed, when Katherine was reported to be dying at Kimbolton Castle, Maria applied for a license to visit her ailing mistress, but was refused by Sir Thomas Cromwell, the King’s chief minister at the time. Despite this setback, Maria set out from London to visit Katherine at the beginning of January 1536 and contrived to get herself admitted by Sir Edmund Bedingfield by claiming a fall from her horse meant she could travel no further. According to Sarah Morris and Nathalie Grueninger, Katherine and Maria spent hours talking in their native Castilian; the former queen died in Maria’s arms on 7th January 1536. Katherine of Aragon was buried in Peterborough Cathedral on 29th January, with Maria and her daughter, Katherine, attending the funeral.9
The composition of the Tudor court changed under Elizabeth I. The new queen valued loyalty and most positions went to members of her extended family; the Howards and Careys among them. Throughout the forty-five years of Elizabeth’s reign, only twenty-eight women were appointed to salaried positions in the privy Chamber. Positions in the Bedchamber, Privy Chamber and Presence Chamber were highly sought after and mainly given to ladies from the same families, who were assigned positions based on their social status. The senior positions were those of the Chief and Second Gentlewoman of the Privy Chamber, these were followed by the Ladies of the Bedchamber, the Ladies of the Privy Chamber and the Ladies of the Presence Chamber, in descending order. Unmarried young ladies were given positions as maids of honour and were supervised by the Mother of the Maids.
Elizabeth Fitzgerald, a great granddaughter of Elizabeth Woodville, had entered Princess Elizabeth’s household in 1539, possibly as a maid of honour but ostensibly to be raised alongside her cousin. She was only nine or ten years old at the time. Elizabeth Fitzgerald had been born in Ireland in about 1528 and was the second daughter of Gerald Fitzgerald, 9th Earl of Kildare. Her mother was Lady Elizabeth Grey, daughter of Sir Thomas Grey, Marquess of Dorset and only surviving son of Elizabeth Woodville, Edward IV’s queen. Elizabeth Fitzgerald must have been quite a beauty as Henry Howard, Earl of Surrey, wrote a sonnet, From Tuscan cam my ladies worthi race in praise of her as his Fair Geraldine; Bewty of kind, her vertues from above; Happy ys he that may obtaine her love.10
In 1542 Elizabeth married her first husband, Sir Anthony Browne, but he died in 1548 and their two sons died in infancy. In 1552 she married again, this time to Edward Fiennes de Clinton, 9th Baron Clinton and Saye; the same Baron Clinton who had married Bessie Blount in 1535. Clinton had remarried in 1541, after Bessie’s death, to Ursula, daughter of William, 7th Baron Stourton; Ursula was a niece of John Dudley, Duke of Northumberland during the reign of Edward VI. She died in 1551 and Edward married Elizabeth the following year. Sir Edward Fiennes de Clinton had led a very successful military career and in May 1550 he had been appointed a privy councillor and lord high admiral of England. He was made a knight of the garter in April 1551 and, later in the same year, was given the former Howard property of Tattershall Castle in Lincolnshire, which he made his principal residence. Clinton was an adept political survivor; after being involved in the plot to put Jane Grey on the throne he was imprisoned for a short while, but managed to win Queen Mary’s trust and was active in her military campaigns. With the accession of Elizabeth I, Clinton was appointed a privy councillor and his wife, Elizabeth Fiennes de Clinton, was appointed Gentlewoman of the Privy Chamber ‘without wages’ (this indicated her high-born status, as salaried members were drawn from the lower ranks of the nobility).
Elizabeth Fitzgerald, painted by Steven van der Meulen
In 1572 Baron Clinton was rewarded for his service with the earldom of Lincoln. Elizabeth had practically been raised with the new queen since she was ten years old and was able to use her influence at court to benefit her family, affecting the restoration of the Fitzgeralds to their blood and lineage, which they had lost when Elizabeth was a child. Suits made to Elizabeth as Countess of Lincoln demonstrate that she was believed to have influence with the queen, who she served until 1585. Edward trusted his wife considerably, and made her executor of his will, bequeathing Semprigham to Elizabeth, and Tattershall to his eldest son, Henry (his son by Ursula). Edward, Earl of Lincoln, died in 1585 and just before his father’s death, his son Henry had written to William Cecil, Lord Burghley, in an attempt to overturn his father’s will, accusing Elizabeth of attempting to deprive him of his inheritance, and of maligning him to the queen. However, Henry’s tactic failed and the will was confirmed in 1587. Elizabeth herself appears to have withdrawn from court following her husband’s death and when she died in March 1589 was laid to rest beside her husband in the Lincoln Chapel of St George’s Chapel Windsor.
The court and society were both in a state of change during Elizabeth’s reign. Local Lincolnshire lords, such as the Burghs of Gainsborough, were increasingly absentee landlords, preferring to stay in their southern properties closer to the royal court and leaving their estates to run themselves. The Burghs increasingly resided mainly at their residence in Surrey, Sterborough Castle. Lord Thomas de Burgh fell heavily into debt in service of the Queen and was in failing health when his wife, Lady Frances begged Queen Elizabeth that he be relieved of his position as Governor of the Brill in the Netherlands. Sir Robert Sydney is quoted as saying in November 1595 “God send lady… better success than my lady Borow [Burgh], whose desire was absolutely denied and the Queen took it very ill that in such time he could desire to be from this government.”11 When Lord Burgh died in 1597 he asked the Queen, in his will, to protect his wife and family, who were now living in poverty due to his having spent his patrimony in Elizabeth’s service. The Queen, however, devised a a way of avoiding the duty imposed upon her, by requesting that whoever was appointed to Lord Burgh’s now vacant post, as Governor of Brill, should give £500 a year to his widow for her maintenance.
Religious divisions were becoming more pronounced as Queen Elizabeth’s reign advanced, not only between Catholicism and Protestantism, but within Protestantism itself. With the encouragement of Katherine Willoughby, Duchess of Suffolk, ministers with Puritan leanings had been appointed to various churches throughout Lincolnshire. Several of the Pilgrim Fathers, who sailed to America on the Mayflower, would come from the region, including William Brewster and William Bradford. Families with strong ties to service at the Tudor court, such as the Burghs of Gainsborough, were moving south, closer to London and the person of the Queen, while other families were moving north. The Old Hall at Gainsborough was sold to William Hickman, a wealthy merchant who was the grandson of Sir William Locke, Henry VIII’s Royal Mercer, and the son of Lady Rose Hickman.
According to Lady Rose her father, Sir William Locke, a merchant with strong links to Antwerp, had smuggled ‘herectic’ Protestant writings from abroad for Queen Anne Boleyn herself. Lady Rose had long been familiar with the new learning and wrote in 1610: “My mother in the dayes of King Henry the 8th came to some light of the gospel by means of some English books sent privately to her by my father’s factor from beyond the sea: where upon she used to call me with my 2 sisters into her chamber to read to us out of these same good books very privately for feare of troble because these good books were then accepted hereticall…”12
Gainsborough Old Hall, home to the Burghs and then the Hickmans
The Hickman family had become known for their Puritan leanings; Puritans were those who wanted the ‘purer’ church as envisaged in the reign of Edward VI, rather than the compromise established by Elizabeth I. In 1593, in order to curb the activities of such religious dissidents, Elizabeth I’s government had approved the ‘Act Against Puritans’, whereby it became illegal to become a Puritan or encourage others to that tendency. As a result, official appointments at court, for those known to have Puritan connections, suddenly dried up. Lady Rose’s son Walter, deeply entrenched in court circles and an old hand at brokering appointments for friends and family (usually with a financial incentive) discovered the implications of the new stance in 1594. The Cecil Papers show that Walter was refused when he applied for the position of Receiver of the Court of Wards for his brother William, despite offering an inducement of £1,000.13 The increasing hostility towards Puritans, and the possibility of escalating religious persecution, may well have persuaded William to move his family north; away from the prying eyes of the authorities and into Lincolnshire, a county with strong Puritan leanings thanks to the efforts of Katherine Willoughby, Duchess of Suffolk.
In the early years of the Tudor dynasty, the counties of Lincolnshire and Yorkshire were still greatly associated with the old Yorkist dynasty. Henry VII made a progress through the counties only a year after his accession, keeping Easter 1486 at Lincoln and making a great show of regal pomp. His son, Henry VIII, also saw the need to show himself to his northern subjects. Following the defeat of the Pilgrimage of Grace and its forebear, the Lincolnshire Rising, Henry made a great progress through Lincolnshire and Yorkshire. He spent several days at Gainsborough Old Hall in August 1541, holding meetings of the Privy Council there on the 14th, 15th and 16th of August. At Lincoln Henry and his young queen, Katherine Howard, made a great show of royal majesty; “The King and Queen came riding into their tent, which was pitched at the furthest end of the liberty of Lincoln, and there shifted their apparel, from green and crimson velvet respectively, to cloth of gold and silver…”14
Henry VIII’s children, however, did not venture north. Although Elizabeth I had intended to visit York at various points in her reign, she stayed within the Home Counties, venturing no further north than East Anglia. This may well have contributed to the changing nature of Tudor Society in Lincolnshire, where the influence from court circles appears to have waned as the years progressed. Lincolnshire towns, such as Gainsborough and Boston, provided such families with the opportunities of, to some extent, religious freedom while also allowing them to continue with their merchant activities, due to navigable rivers that would take goods to the East coast ports and on to the Continent. Whereas those who saw the government as a hindrance to their personal liberties ventured away further from the centre of power; those who saw their futures in the person of the monarch, and whose duties at the Tudor Court were taking up more and more of their time, saw the need to move closer to London and the centre of power,
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Footnotes:
1 Neville Williams, The Life and Times of Henry VII; 2 Beverley A Murphy, Bastard Prince: Henry VIII’s Lost Son; 3Letters and Papers, Foreign and Domestic, of Henry VIII, Volume 10, note 797; 4 Ibid; 5 Ibid; 6 Letters and Papers Volume 12, Part 2, note 1600; 7 Retha M. Warnicke, Oxforddnb.com; 8 Susan Wabuda, Oxforddnb.com; 9 Sarah Morris and Natalie Grueninger, In the Footsteps of the Six Wives of Henry VIII; 10 H. Howard [earl of Surrey], Poems, ed. E. Jones (1964); 11 Quoted by Sue Allan in A Guide to Gainsborough Old Hall; 12 Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman; 13 Quoted by Sue Allan in A Guide to Gainsborough Old Hall; 14Letters and Papers, Foreign and Domestic, of Henry VIII, 1541
John Leland Leland’s Itinerary in England and Wales 1535-43 edited by L Toulmin Smith (1906-10); Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII 1509-47 edited by JS Brewer, James Gairdner and RH Brodie, HMSO London 1862-1932; Privy Purse Expenses of King Henry VIII from November MDXIX to December MDXXXII edited by Sir Nicholas Harris Nicolas 1827; Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman edited by Maria Dowling and Joy Shakespeare; Bulletin of the Institute of Historical Research, 1980 & 1982; Oxforddnb.com; A Guide to Gainsborough Old Hall by Sue Allan; The Life and Times of Henry VII by Neville Williams; Bastard Prince: Henry VIII’s Lost Son by Beverley A Murphy; In the Footsteps of the Six Wives of Henry VIII by Sarah Morris and Natalie Grueninger; H. Howard [earl of Surrey], Poems, ed. E. Jones (1964); The Earlier Tudors by J.D. Mackie; Religion and politics in mid-Tudor England through the eyes of an English Protestant Woman: the Recollections of Rose Hickman; Tudorplace.com; Elizabeth’s Women by Tracy Borman; England Under the Tudors by Arthur D Innes; Henry VIII: King and Court by Alison Weir; In Bed with the Tudors by Amy Licence; Ladies-in-Waiting: Women who Served at the Tudor Court by Victoria Sylvia Evans; The Six Wives and Many Mistresses of Henry VIII: The Women’s Stories by Amy Licence.
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My Books
Signed, dedicated copies of all my books are available through my online bookshop.
OUT NOW! Heroines of the Tudor World
Heroines of the Tudor World tells the stories of the most remarkable women from European history in the time of the Tudor dynasty, 1485-1603. These are the women who ruled, the women who founded dynasties, the women who fought for religious freedom, their families and love. These are the women who made a difference, who influenced countries, kings and the Reformation. In the era dominated by the Renaissance and Reformation, Heroines of the Tudor World examines the threats and challenges faced by the women of the era, and how they overcame them. From writers to regents, from nuns to queens, Heroines of the Tudor World shines the spotlight on the women helped to shape Early Modern Europe.
Women of the Anarchy demonstrates how Empress Matilda and Matilda of Boulogne, unable to wield a sword themselves, were prime movers in this time of conflict and lawlessness. It shows how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other. Available from Bookshop.org, Amberley Publishing and Amazon UK. King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady, the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Available from all good bookshops Pen & Sword Books, bookshop.org and Amazon. Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.
Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.
Podcast:
Have a listen to theA Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell and discuss a wide range of topics in medieval history, from significant events to the personalities involved.
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1564: Devon sailor Francis Drake sets out on a journey of adventure.
Drake learns of routes used to transport Spanish silver and gold, and risks his life in an audacious plan to steal a fortune.
Queen Elizabeth is intrigued by Drake and secretly encourages his piracy. Her unlikely champion becomes a national hero, sailing around the world in the Golden Hind and attacking the Spanish fleet.
King Philip of Spain has enough of Drake’s plunder and orders an armada to threaten the future of England.
I have read practically everything Tony Riches has ever written and I have to say, this is one of his best!
Drake – Tudor Corsair, is the first in a new Elizabethan Series. It follows the career of Sir Francis Drake from his first days as a sailor on a slave ship, to becoming captain of his own ship captain, to his raid on Cadiz and the Spanish Armada and to his final voyage as one of the greatest sailors England has ever produced. It is a life full of danger and adventure – and ambition.
As I have come to expect from Tony Riches, the book is meticulously researched and draws on primary sources to recreate Drake’s life as a novel. The result is a stunning, detailed story that draws the reader onto every aspect of Elizabethan naval life.
I confess, I knew nothing of Francis Drake beyond his participation in defeating the Spanish Armada. Tony Riches paints the portrait of a fascinating character, adventurous, ambitious, caring of his family and his crews. Drake pushed the boundaries of navigation, seamanship and – oftentimes – the law. He was a thorn in the side of the Spanish, preying on their colonies and treasure ships – they must have hated him.
I’d grown tired of remaining on the ship and wanted to experience something of Africa. I armed myself with an old sword, and found a leather bag to carry anything of value I discovered. For years I’d dreamed of searching for gold in this wild country, and now I had my chance.
Morgan cursed as the dark mud at the landing place chosen by our guide clung like glue to his boots. We walked in single file down the narrow path and I hacked at the undergrowth with my sword, mindful of stories of poisonous spiders, deadly snakes and dangerous animals.
The village came into view, in a clearing surrounded by thick forest. I was surprised by the silence; it seemed the villages had learned of our approach and fled. We’d been ordered to keep together, but the men began rushing from hut to hut, their discipline lost in the search for gold.
The first arrow flashed through the air and struck the man ahead of me in the throat. He fell with bright blood gushing from a deep wound. More arrows flew from the forest, finding their targets with deadly accuracy.
I froze in panic. We’d walked into a trap and were a long way from the boats. An arrow thudded deep into a tree close to where I stood, and Master Gilbert yelled in pain as another hit him in the shoulder.
A native ran towards me, his spear raised high in the air. Painted with red earth, he wore a necklace of curved white fangs. His muscular arm drew back, ready to put all his strength into the throw.
I turned and ran back the way we’d come, the yells and cries of pain urging me on as my heart pounded and I ran for my life. The low branch of a thorn tree scratched across my face, drawing blood, and I expected an arrow to strike my back at any moment.
Drake – Tudor Corsair is a thoroughly enjoyable read. Rich in detail and characters, it depicts the good and bad of Tudor history, delicately dealing with sensitive issues such as the slave trade, while not ignoring the brutality nor immorality of it. Tony Riches depicts the drama and danger of life at sea in a Tudor warship – fighting against not only the Spanish and the often violent natives, but also the elements themselves; the weather and the dangerous, uncharted coastlines.
Tony Riches’ characters are always rich and full of life. Sir Francis Drake himself is a likable character, he has some flaws, but comes across as someone who knows what he wants, who he wants to be and naturally takes command of every situation.
Drake – Tudor Corsair is a fabulous, entertaining read. It takes the reader on a journey full of adventure and fraught with danger, to the West Indies, Africa, South America and the Spanish coast. The various voyages and natives they encounter leave Drake – and the reader – in suspense as to whether they are friend and foe.
Tony Riches highlights the dangers faced by Drake and the brave adventurers of his era, who pushed their ships further and for longer in the name of discovery and of Elizabeth I. These were men who pushed the boundaries and often paid the ultimate price. As a result, Drake – Tudor Corsair is also a story of friendship, companionship and survival, with a twist of betrayal when ambition outweighs friendship.
And what’s more, Tony Riches is telling an epic, real-life story!
Drake – Tudor Corsair is out now and available from Amazon.
About the author:
Tony Riches is a full-time writer and lives with his wife in Pembrokeshire, West Wales, UK. A specialist in the history of the early Tudors, Tony is best known for his Tudor Trilogy. His other international best-sellers include Mary – Tudor Princess, Brandon – Tudor Knight and Katherine – Tudor Duchess.
Guest Interview with Tudor Historical Fiction Author Tony Riches
Carrying on with my series of author interviews, today it is a great pleasure, at History … the Interesting Bits, to welcome author Tony Riches, best-selling author of many historical novels, including The Tudor Trilogy and The Brandon Trilogy. Tony’s latest book, Drake – Tudor Corsair has just hit the shops.
I last interviewed Tony in 2016, so we had some catching up to do!
Hi Tony, thanks so much for agreeing to do an interview, and congratulations on the release of Drake – Tudor Corsair.
So, first question, have you always wanted to be a writer?
I used to write regularly for a range of magazines, and was amazed when my first book (on project management) became a best seller in the US. I wrote my first historical fiction novel ten years ago. Since then, I’ve written at least one book a year, and have been able to write full-time.
Who are your writing influences?
Hilary Mantel and C.J. Sansom are my favourite historical fiction authors, and I’ve just finished reading Alison Weir’s Kathryn Howard – The Tainted Queen, which I highly recommend. I read widely across all genres, and have a huge collection of non-fiction books.
What do you love about writing?
Writing historical fiction is like travelling in time, as I enjoy immersing myself in every detail of the period, from the food they eat to the clothes they wear. In my new Elizabethan series, I had to understand what it was like to wear a ruff. (Francis Drake found his fashionable ruffs uncomfortable, and couldn’t wait to take them off.)
Grimsthorpe Castle
I also look forward to visiting the actual locations used in my books, to have a sense of the local area. When I was researching my book about Katherine Willoughby, I was able to visit the actual rooms at Grimsthorpe Castle where she spent her last years, as well as her amazing tomb at Spilsby.
Social media – do you love it or hate it?
I was an early adopter of Twitter (in July 2009) and over the years have built up a great following, so I use it most days. I never really took to Facebook, but I try to post to my author page once a day, and I’ve recently been participating in some useful and interesting groups, so it has its place. I’m still trying to work out how to make effective use of Instagram…
What advice would you give to someone starting on their writing career?
Write something every day, until writing becomes a habit – and remember that a page a day us a book a year! I try to write at least five-hundred words a day, even when I’m away on research visits.
Many of your stories are set in the Tudor era, what attracted you to setting your stories in the Tudor, what attracted you to writing about this time?
I was born in Pembroke, birthplace of Henry Tudor, who became King Henry VII and began the Tudor Dynasty, but I only began to study its history when I returned to the area as a full-time author.
I found several accounts of Henry’s life, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three, so there would be plenty of scope to explore his life and times.
I’m pleased to say all three books of the Tudor trilogy became best-sellers in the US and UK, and I decided to write a ‘sequel’ about the life of Henry VII’s daughter, Mary Tudor, who became Queen of France. This developed into the Brandon trilogy, as I was intrigued by the life of Mary’s second husband, Charles Brandon, the best friend of Henry VIII. The final book of the Brandon trilogy, about his last wife, Katherine Willoughby, has also become an international best-seller.
Katherine saw Elizabeth Ist become queen, and I began planning an Elizabethan series, so that my books tell the continuous stories of the Tudors from Owen Tudor’s first meeting with Queen Catherine of Valois through to the end of Queen Elizabeth’s reign.
What particularly interested you in writing the story of Francis Drake?
I decided to show the fascinating world of the Elizabethan court through the eyes of the queen’s favourite courtiers. Francis Drake’s story is one of the great adventures of Tudor history. He intrigued me because he was a self-made man, who built his fortune by discovering the routes used by the Spanish to transport vast quantities of gold and silver. He had a special relationship with Queen Elizabeth, and they spent long hours in private meetings, yet he was looked down on by the nobility – even after he was knighted.
I’ve enjoyed tracking down primary sources to uncover the truth of Drake’s story – and discovering the complex man behind the myths. I’ve also learnt that most of what I thought I knew about Drake was wrong, so I’m hoping my new book will help to set the record straight.
What comes first, the research or the story?
I spend about a year researching each book, making notes, looking for important details, and thinking about my approach. I decided to write Drake in the first person, and can imagine him as a unreliable narrator, keen to impress his queen with his stories of stolen gold, dangerous islanders and long-necked sheep (llamas).
How do you decide whose story to write next?
Although it’s important for each book to stand alone, there is a thread which connects them all, and some readers have noticed how there is some mention of the next subject, in each book. There are so many fascinating characters in the Elizabethan court I decided not to limit myself to a trilogy and to make it a series.
You have written about several fascinating people, from Eleanor Cobham to Francis Drake, who was your favourite subject and why?
Whoever I’m writing about at any point in time becomes my new favourite subject, but if I have to choose one, Owen Tudor has a special place as the one who started it all. I’d written the first three chapters when I read Hilary Mantel’s Wolf Hall, and decided to rewrite Owen in first person present tense. It was a gamble, but I’ve just checked and at the time of writing he has 676 reviews on Amazon US – and has been #1 in the US, UK and Australia, so he’s served me well.
Tony Riches
Fabulous talking to you Tony!Thank you!
About the author:
Tony Riches is a full-time UK author of best-selling historical fiction. He lives in Pembrokeshire, West Wales and is a specialist in the history of the Tudors. For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on Facebook and Twitter @tonyriches.
History... the interesting bits!