The Historical Writers Forum have released a new Anthology of short stories. You may remember that last year’s Anthology, Alternate Endings, included a short story about the final days of King John, by me! This year’s Anthology, Masterworks: Historical Fiction Inspired by Works of Art, will make you look at some famous artworks a little differently…

Today, I am joined by one of the contributors, Ronan Beckman, whose story is inspired by Emma Hamilton. Over to Ronan…

Do you remember what got you hooked onto a specific time period or aspect of history? I had just finished reading Amanda Foreman’s excellent biography Georgiana, The Duchess of Devonshire , which resulted in my addiction to everything about the Georgian-era but especially to women’s history in that time. Often relegated to the sidelines of history, Georgian times allowed women to begin to step into the spotlight – albeit in very slow, tiny steps. I began to voraciously read biographies of prominent ladies of that time. And one story that truly stood out for me was the life of a blacksmith’s daughter from Cheshire born as Amy Lyon. But the world knows her better as Emma, Lady Hamilton; lover of Admiral Nelson. Flora Fraser’s Beloved Emma laid out the incredible story of the amazing transformation of this pretty young woman into one of the most talked about celebrities of her age.

Several years later, The National Maritime Museum in London put together a fabulous exhibition entitled Seduction & Celebrity that explored Emma Hamilton’s rise and fall, from beginning to end. One of the most noticeable aspects of the show was that there was ample material to display, primarily from one particular artist. George Romney was one of the most prominent society portrait painters of the late Georgian period. Although his talent was comparable to his well-respected contemporaries, such as Joshua Reynolds, Thomas Gainsborough and John Hoppner; he refused to participate in the antics associated with the Royal Academy of Arts and their annual exhibitions. Artists would become fiercely competitive as they all vied for the most prominent places within the show, hoping that their works would stand out from the rest. Romney wanted no part of this circus, and relied on his talent and reputation to gain custom amongst his wealthy clients. This worked out well for him, and he had no shortage of sitters. However, the tedium of producing staid portraiture of the elite classes began to prove tiresome.

How fortunate for Romney then that a customer, Sir Charles Greville, brought in a secret mistress that he had ensconced away in a humble, rural cottage in nearby Edgeware. The 16 year-old Amy Lyon had already experienced several tragedies in her young life; having found herself pregnant by another aristocratic man, Sir Henry Fetherstonhaugh, who promptly abandoned her. Greville came to the rescue, but on the proviso that she gave her baby away, living a life of thrift and economy whilst being at his beck and call. She had no room to negotiate and was grateful for this second chance. Greville sought to have her beauty be captured and admired on canvas, for him to be able to display to his friends. In effect, he wanted to boast “This heavenly goddess is mine, and you cannot even see her in the flesh. Don’t you envy me?”

Romney was immediately enchanted by the charisma and stunning beauty of the newly renamed Emma Hart. Her presence reinvigorated his artwork. They embarked on a creative partnership that resulted in Romney’s finest and most creative output. In return, Emma was portrayed in various guises for posterity. She had to reinvent herself for each sitting, becoming a mythological creature or some historic character from long ago. Emma sat for dozens of paintings by Romney. She was his muse, allowing him to explore his craft beyond the confines of standard portraiture. Greville was happy to loan her modelling services to Romney, for it was increasing the value of his ‘ward’ that he had saved from a certain life of penury. Engravings had been made of some of Romney’s paintings, affording a glimpse of her allure to a wider audience. As her image was circulated, there was an increasing curiosity aroused throughout the capital city. Who was this charming being?

The drip-feed of artistic content provided opportunities for both Romney and Emma. Romney’s reputation and name was further advanced as well as inspiring his art to reach new levels of creativity. Emma became what may well be the very first Supermodel – a celebrity whose fame and notoriety was constantly on an upward trajectory. It seems apparent that Romney became infatuated with Emma. And perhaps Emma appreciated the advice and friendship of a man outside of the realm of the Ton, but who knew of the inner workings and mindset of the Upper Class who made up his clientele.

But this fame and notoriety was not appealing to Sir Charles Greville, who was seeking a wealthy heiress to supplement his dwindling finances. Being saddled with an infamous beauty as a mistress would not make him very appealing as a suitor to the respectable ladies that he wanted to pursue. Therefore, he duped Emma into travelling to Naples, to visit his uncle who was the serving British ambassador there. He had offered her to his uncle as a mistress, without her consent or knowledge. This separation severed the symbiotic artistic relationship between Emma and Romney for several years. Romney, who was prone to depression, was affected by her absence deeply. Although furious with Greville for abandoning her, Emma did make the best of her situation – enjoying her time in the royal court of Naples and eventually becoming quite fond of her ambassador.

In the summer of 1791, Emma returned to England to marry Sir William Hamilton and return to Naples as a respectable wife of the ambassador. During these brief few weeks, Emma reunited with her favourite artist, kick-starting a frenetic pace of artistic output as the painter and his muse were working together again. This brief slice in time intrigued me and I wanted to explore it further. I am fortunate enough to have seen many examples of Romney’s work with Emma as the model. You can feel the creative frisson embedded in these artworks. Romney’s paintings of Emma are seared with an energy that simply does not exist in his other portraits. There was something electric between these two individuals. Was it romantic? There is a feeling of magnetic attraction when one looks through Romney’s gaze in his portraits of Emma. I must say that even though Emma modelled for other great artists (Joshua Reynolds, Thomas Lawrence, Élisabeth Louise Vigée Le Brun, among many others), that spark of something special and extraordinary is just not there.

The last painting that Romney painted of Emma was actually painted on her wedding day. Entitled The Ambassadress, the viewer is a witness to the complete transformation of Emma Hart into Lady Hamilton. As Vesuvius erupts in the dark background, one can imagine the well of emotions bursting forth from Romney’s paintbrush – being well aware that this was the last time that he would lay eyes upon the divine Emma he so cherished. Emma looks back at him, slightly pensive but very refined as she knows she is about to embark on a life of newfound respectability. There is so much wistful emotion silently conveyed in this moving portrait. What were those last moments like in Romney’s studio, as they parted ways for the final time?

The Ambassadress was the inspiration for my short story of the same name. It is one of eleven short stories in the Historical Writer Forum’s anthology entitled Masterworks. Eleven authors have written stories that have been influenced by a particular work of art. The result is a series of stories that takes the reader through time and place, from ancient Sumerian kingdoms to present day London. Available now through Amazon.

About the author:

Ronan Beckman is an American educator who has lived in the UK for over 30 years. His interest in history and genealogy helped to spark an interest in further developing the stories of some of the family he researched – resulting in his debut novel ‘An Actress of Repute’. Subsequently, he has become a bit obsessed with all things Georgian and Regency related. Further adventures are in the works for the character of Elizabeth Searle and her fellow actor friends. His latest project has been editing a transcript of a rare, out-of-print book by a Lancashire coal miner who became secretary of the TUC and a Member of Parliament. The new annotated version of Samuel Woods’ ‘Visions of the Mine’ contains biographical notes and historical images. Visit his blog at http://www.ronanbeckman.com.

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My Books

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Signed, dedicated copies of all my books are available through my online bookshop.

Coming 15 January 2024: Women of the Anarchy

On the one side is Empress Matilda, or Maud. The sole surviving legitimate child of Henry I, she is fighting for her birthright and that of her children. On the other side is her cousin, Queen Matilda, supporting her husband, King Stephen, and fighting to see her own son inherit the English crown. Both women are granddaughters of St Margaret, Queen of Scotland and descendants of Alfred the Great of Wessex. Women of the Anarchy demonstrates how these women, unable to wield a sword, were prime movers in this time of conflict and lawlessness. It show how their strengths, weaknesses, and personal ambitions swung the fortunes of war one way – and then the other.

Available for pre-order from Amberley Publishing and Amazon UK.

Also by Sharon Bennett Connolly:

Out now: King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is the story of a truly remarkable lady. Nicholaa de la Haye was the hereditary constable of Lincoln Castle and the first woman in England to be appointed sheriff in her own right. Her strength and tenacity saved England at one of the lowest points in its history. Nicholaa de la Haye is one woman in English history whose story needs to be told…

King John’s Right-Hand Lady: The Story of Nicholaa de la Haye is now available from Pen & Sword Books, bookshop.org and Amazon.

Defenders of the Norman Crown: The Rise and Fall of the Warenne Earls of Surrey tells the fascinating story of the Warenne dynasty, of the successes and failures of one of the most powerful families in England, from its origins in Normandy, through the Conquest, Magna Carta, the wars and marriages that led to its ultimate demise in the reign of Edward III. Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey is now available from Pen & Sword Books, Amazon in the UK and US, and Bookshop.org.

Ladies of Magna Carta: Women of Influence in Thirteenth Century England looks into the relationships of the various noble families of the 13th century, and how they were affected by the Barons’ Wars, Magna Carta and its aftermath; the bonds that were formed and those that were broken. It is now available in paperback and hardback from Pen & Sword,  Amazon, and Bookshop.org.

Heroines of the Medieval World tells the stories of some of the most remarkable women from Medieval history, from Eleanor of Aquitaine to Julian of Norwich. Available now from Amberley Publishing and Amazon, and Bookshop.org.

Silk and the Sword: The Women of the Norman Conquest traces the fortunes of the women who had a significant role to play in the momentous events of 1066. Available now from Amazon,  Amberley Publishing, and Bookshop.org.

Alternate Endings: An anthology of historical fiction short stories including Long Live the King… which is my take what might have happened had King John not died in October 1216. Available in paperback and kindle from Amazon.

Podcast:

Have a listen to the A Slice of Medieval podcast, which I co-host with Historical fiction novelist Derek Birks. Derek and I welcome guests, such as Bernard Cornwell, and discuss a wide range of topics in medieval history, from significant events to the personalities involved.

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