When writing medieval non-fiction, you don’t get to tell many love stories. Most marriages were arranged between families for mutual gain or assistance. As a consequence, you don’t really expect to come across many tales of love – and actual love tokens are rare indeed. But in researching the story of Nicholaa de la Haye, I came across just that: a rather unique love token. 

Unfortunately, the love token did not belong to Nicholaa, the defender of Lincoln Castle and first ever female sheriff in England, it belonged to one of her sisters. Nicholaa was the eldest of three sisters and while she inherited Lincoln Castle and her family’s English lands, her sisters, Julia (or Gila) and Isabel, married and settled in Normandy. The story of the love token is Julia’s.

Julia, whose name appears as Gille in French but appears on charters in the Latin, Gila, was married to Richard du Hommet, who died around 1199/1200. Richard was the eldest son and heir of William du Hommet (or Hummez), constable of Normandy, who died around 1204 and his wife, Lucy. According to a charter dated 1232, recording donations to the monks of Saint-Sauveur-le-Vicomte, Lucy was the granddaughter and heir of Adam de Bruys. As constable, William du Hommet appeared as a witness to a charter of 1 March 1190 in which King Richard I ‘confirms to the archbishop and church of Rouen and all the bishops and mother churches of Normandy, concerning those who break the trêve de Dieu (a truce organised by the church).’ 

As with most medieval women, we know very little of Julia’s actual dates, so we have to generalise or make educated guesses. Julia was probably born sometime in the late 1150s, and would have grown up on her family’s lands in Lincolnshire. She will have probably married Richard du Hommet some time in the 1170s, when she was in her mid-to-late teens. She died in the 1190s and her husband remarried before his own death at the turn of the century. Julia and Richard had at least three sons and two or more daughters; two of these sons were the last two constables of Normandy from the Hommet family, succeeding their grandfather in the role. Richard du Hommet had certainly married Julia by the mid-1170s at the latest, when his grandfather, another Richard du Hommet, was still constable of Normandy, and while the younger Richard was still underage. The couple’s first child was born around 1180. 

Richard du Hommet predeceased his father by four or five years, so never became constable of Normandy in his own right, though he does appear to have assisted his father in his duties. In June 1190, Richard appears as a witness, alongside his father, to a charter of Richard I in which he ‘confirms to St Martin’s, Troarn and the monks there serving God the vill and island of Reimberhome etc., with the right of presentation to the church of St Mary there, as given, with his assent, by John son of William count of Ponthieu, etc.’ Father and son are recorded as ‘Willelmo de Humeto constabulario; Richardo de Humeto’ in the witness list. 

Richard and Julia are also the subjects of a unique charter, issued by King Richard I in June 1190. The charter was preserved by the Abbey of Aunai, which had been founded by the du Hommet family. It conferred the manors of Varreville and Pouppeville upon the couple, naming both ‘Ricardo de Humetis’ and ‘Gila, uxor sue’ (his wife) in the grant.  

And it has very famous laces by which the seal was attached. 

These laces are made of silk and each one is 50cm in length; one of the laces is green, now turning yellow, and the other is blue, speckled with brown. An Old French poem was embroidered on the laces: 

 “Jo sui druerie. Ne me dunez mie ; ki nostre amur deseivre la mort pu”,

(In French, ‘Je suis gage d’amour. Ne me donnez pas. Que celui qui sépare notre amour puisse recevoir la mort’  and in English, ‘I am a pledge of love. Do not give me away. May death come to whoever separates our love’).  

For this reason, the charter is known as the charte aux lacs d’amour (the charter with the laces of love). And while the idea of a love poem being attached to a charter issued in relation to a royal land grant is charming, the reasons behind it remain elusive. At first glance, the grant appears to have no special significance that would justify such a declaration of love, nor such careful detail and precision work being undertaken on its creation.  

I can’t help thinking that Richard I – the Lionheart – who was a fan of the troubadour tradition and courtly love, would have heartily approved of turning the charter into a token of enduring love.

Unfortunately, while the laces are still attached to the document, the words, which were still visible in the nineteenth century, have now faded away. At least someone thought to record them before they faded from existence. 

Under Henry I, the lands of Varreville and Pouppeville had been in the hands of Roger, Bishop of Salisbury, and had returned to the crown on his death. King Henry II had granted the same lands to Richard de la Haye, but they had reverted to the crown on his death in 1169, and were accounted for in the Exchequer accounts of 1180. So, it seems that in granting Varreville and Pouppeville to Julia and Richard du Hommet, Richard I was returning them to their former, rightful owners. This may explain why Julia is specifically mentioned in the charter and the grant stipulates that the lands pass to Richard’s children by Julia, rather than Richard’s children by any wife.  

According to Léopold De Lisle, in his study of the charter, the two manors formed Julia’s dowry, though she and her husband were unable to take possession of the lands immediately after the marriage. In the charter King Richard ‘gives, renderes and confirms to Richard du Hommet, and to Gila [Julia] his wife, and to their heirs, Pouppeville and Varreville with all their dependencies, for them to hold from the king with their barony, by right of the said Gila [Julia].’ De Lisle goes on to suggest that the laces used, with the accompanying love poem, were once a love token, perhaps given by Julia to Richard on their wedding day, and that Richard du Hommet persuaded the king to attach them to the charter that gave him possession of Julia’s lands, as a symbol of their union.  

If so, the fact that they have survived the centuries is particularly poignant. 

When Julia died in the 1190s, she was buried in Blanchelande Abbey, a religious community of the Premonstratensian order, known as the White Canons, in Neufmesnil. The abbey had been founded by Julia’s parents, and it was where her father, Richard de la Haye, had been interred after his death in 1169. On her death, Julia’s mother, Matilda de Vernon, with the approval of her son-in-law, Richard du Hommet, made a donation to the abbey in her daughter’s name. After a short period as a widower, Richard du Hommet married for a second time, to Alienor, widow of Robert de la Haie, who may well have been a distant cousin of Julia (I did not have time to delve into  the familial relationship, unfortunately). 

The enduring love of Richard and Julia is forever entwined in the laces attached to the land charter. Even if we can no longer see the words, we know they were there and survived seven centuries before they faded away… 

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This article first appeared on ElizabethChadwick.com

Images:

Les archives du Calvados

Sources:

Les archives du Calvados; Leopold Deslisle, “Notice sur les attaches d’un sceau de Richard Coeur-de-Lion”; Richard of Devizes, The Chronicle of Richard of Devizes; Roger of Howden (Hoveden), The Annals of Roger of Howden; The Plantagenet Chronicles edited by Elizabeth Hallam; Brassey’s Battles by John Laffin; 1215 The Year of Magna Carta by Danny Danziger & John Gillingham; The Life and times of King John by Maurice Ashley; The Plantagenets, the Kings Who Made England by Dan Jones; England Under the Norman and Angevin Kings  by Robert Bartlett; lincolnshirelife.co.uk; catherinehanley.co.uk; magnacarta800th.com; lothene.org; lincolncastle.com; The Sheriff: The Man and His Office by Irene Gladwin; Louise Wilkinson, Women in Thirteenth Century Lincolnshire; Richard Huscraft, Tales from the Long Twelfth Century; J.W.F. Hill, Medieval Lincoln; swaton.org.uk; oxforddnb.com; Ingulph, Ingulph’ Chronicle of the Abbey of Croyland; Stephen Church, King John: England, Magna Carta and the Making of a Tyrant; Marc Morris, King John; Pipe Rolls; Red Book of the Exchequer

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