Rivka Neumann: Difference between revisions

In the beginning of the 1990s, Rivka decided to become an independent actress who enjoyed maximum freedom to choose her acting roles.{{Cn}}

Neumann has a unique ability to transform on stage, as seen in the play ''Devorah Baron'' in which her character grew 35 years older in the duration of the play.{{Cn}}

Neuman took the part of Adella in ''[[The House of Bernarda Alba]]'' by [[Federico García Lorca|Lorca]], Alice in ''[[Alice in Wonderland]]'' by [[Lewis Carroll]], Angie in ''[[Top Girls]]'' by [[Carol Churchil]], Anabela in ''[['Tis Pity She's a Whore]]'' by [[John Ford]], Bailke in ''[[The Grand Prize]]'' by [[Sholem Aleichem]], Barblin in ''Andorra'' by [[Max Frisch]], Bat-Sheva in ''[[After the Holidays]]'' by [[Yehoshua Kenaz]], Bela Barlow in ''[[Rubber Merchants]]'' by [[Hanoch Levin]], Bessie in ''[[Marvin's Room (play)|Marvin's Room]]'' by [[Scott McPherson]], Cherubino in ''The Follies of a Day or The Marriage of Figaro'' by [[Peter Turini]], Chorus Leader in ''[[Medea (play)|Medea]]'' by [[Euripides]], Deirdre in ''Remembrance'' by [[Graham Reid (writer)|Graham Reid]], Elinor in ''Abandoned Property'' by [[Shulamit Lapid]], Elizabeth Proctor in ''[[The Crucible]]'' by Miller, Hanzi Brand in ''[[Kastner]]'' by [[Moti Lerner]], Isabella in ''[[Measure for Measure]]'' by [[Shakespeare]], [[Juliet Capulet|Juliet]] in ''[[Romeo and Juliet]]'' by Shakespeare, Kasandra in ''[[The Lost Women of Troy]]'' by [[Hanoch Levin]], Katia in ''The Storm'' by [[Aleksandr Ostrovsky|Ostrovsky]], Leila in ''[[The Screens]]'' by [[Jean Genet]], Martha in ''[[The Nest (play)|The Nest]]'' by [[Franz Xavier Kroetz]], Martirio in ''[[The House of Bernarda Alba]]'' by [[Federico García Lorca|Lorca]], Natasha in ''[[Three Sisters (play)|Three Sisters]]'' by [[Anton Chekhov|Chekhov]], [[Queen of Sheba]] in ''The Queen of Sheba'' by [[Samy Grunman]], Rea in ''[[Romulus the Great]]'' by [[Friedrich Dürrenmatt]], Sara in ''[[Apples from the Desert]]'' by [[Savion Liebrecht]], Sofya in ''[[Wild Honey (play)|Wild Honey]]'' by Chekhov, The Housekeeper in ''[[Doña Rosita]]'' by Lorca, The Second in ''Family'' by [[Ravid Davara]], The Sewer-keeper's Apprentice in ''Beheading'' by Hanoch Levin, Ursula in ''The Fossil: Scenes from the Heroic Life of the Middle Classes'' by [[Carl Sternheim]], Wendla in ''Spring Awakening: Tragedy of Childhood'' by Frank Wedekind, Yonit in ''The Murder of Pierrot'' by Eran Baniel, Zippora Aharonovitz in ''Devorah Baron'' by [[Yehudit Katzir]].

== Personal life ==