site categories
Ryan Fleming
Crafts Editor, Awards
Contact or follow this author
Ryan joined Deadline in March 2021 as Assistant Editor for Awardsline, rising to Crafts Editor in 2022. He received his MFA in Studio Art at The City College of New York in 2019. He contributes to the awards coverage of animation and the craft side of film and television. In his role as Crafts Editor, Ryan also contributes to the editing of Deadline's AwardsLine magazines and interviews contenders above and below the line.
More From Ryan Fleming
‘Silo’ Editor Hazel Baillie On Slow-Rolling Reveals & Editing The “Going Out” Sequences: “It’s A Difficult Balance”- Production Value
"I really wanted to be lead editor on this, because I loved it so much," says Silo editor Hazel Baillie. "I loved episode one so much, but I also thought for a big sci-fi show, it's not common [to have] a female lead editor."
Apple TV+'s Silo takes place in a dystopian future where a community of…
-
By Ryan Fleming
-
-
0 Comments Comment on ‘Silo’ Editor Hazel Baillie On Slow-Rolling Reveals & Editing The “Going Out” Sequences: “It’s A Difficult Balance”- Production Value
Read the full story
Watch
‘Love On The Spectrum’ EPs Cian O’Clery & Karina Holden On Neurodiverse Representation For A “Character-Led Show At Its Heart”
For a long time, there was a very stereotypical representation of what autism looked like in traditional media. For Cian O’Clery and Karina Holden, Love on the Spectrum was a perfect opportunity to showcase a diverse cast of neurodivergent people. “It's important to be able to have people tell their own…
-
By Ryan Fleming
-
‘Good Mythical Morning’ Hosts Rhett McLaughlin & Link Neal On Taking A “Televisual Approach To Internet Content”
When Rhett McLaughlin and Link Neal, more commonly known as Rhett & Link, began creating content for YouTube in 2011, they saw an opportunity to do things a little differently. They decided to approach user-generated content the same way you would approach a television show, rather than the usual vlogs…
-
By Ryan Fleming
-
‘RuPaul’s Drag Race’ EP Tom Campbell Q&A On Keeping The Series Fresh & Creating A Safe Platform For Queer Performers
16 years ago, executive producer Tom Campbell remembers when almost no one would take a chance on a reality drag competition series. Now, RuPaul’s Drag Race has received 63 Emmy nominations, with 29 wins, and has just wrapped their highest rated season in the last four years. “Every award we get, or…
-
By Ryan Fleming
-
‘Adventure Time: Fionna And Cake’ Showrunner Adam Muto On Creating The Spin-Off & Making The Scarab To Avoid “Retreading What’s Been Done” In Multiverse Stories
After the success of the original series, it was no surprise when Adventure Time: Distant Lands came to HBO Max in 2020 to flesh out some of the stories that were left to tell. For Adam Muto though, the characters of Fionna and Cake had a bit more story left than what could be told in a 44 minute special…
-
By Ryan Fleming
-
‘Star Trek: Lower Decks’ Creator Mike McMahan On Making His “Dream Animated” Series: “Five Years Later, It Still Feels Like A Miracle”
Even though the end is on the horizon for Star Trek: Lower Decks, creator Mike McMahan says this experience has still felt like a miracle. When he came in with the idea for an animated Star Trek series, following the comedic adventures of lower-level officers, he was prepared to be shown the door…
-
By Ryan Fleming
-
‘Squid Game: The Challenge’ EP Nicola Brown On Creating A “Genuinely New And Different” Reality Competition
After the success of Squid Game, it wasn’t long before Netflix was pitched on bringing the series into the unscripted space. EP Nicola Brown says she is sure they must have been pitched many iterations of how to best bring the drama series to life, but it was production companies The Garden and Studio…
-
By Ryan Fleming
-
‘The Crown’ Hair & Makeup Designer Cate Hall On Evolving The Period By Cycling “Through The Eras, Even Within One Season” – Production Value
As the hair and makeup designer of The Crown for four seasons, Cate Hall has seen her work evolve over the course of the series. "We really consciously cycled through the eras, even within one season," she says. "We were almost modern by the end of season 6, so as we were going along, you're seeing…
-
By Ryan Fleming
-
Read the full story
Watch
‘Palm Royale’, ‘The Crown’ & ‘The Gilded Age’ Costume Designers On Dressing For A Higher Social Standing
No matter how popular a clothing style may be in the world of high fashion, trends are made to come and go. This Emmy season has costume designers doing the work of interpreting those trends for a new era.
Related Stories
…
-
By Ryan Fleming
-
‘The Righteous Gemstones’ Costume Designer Christina Flannery On Bringing A Psychedelic Flair To Season 3
Coming into a series that has been on for two seasons doesn't always leave a lot of room for new ideas, but costume designer Christina Flannery says she was thrilled with the opportunity to embellish and elevate the established characters for the third season of The Righteous Gemstones. "Time had passed…
-
By Ryan Fleming
-
How ‘Lessons in Chemistry’ Makeup Designer Miho Suzuki Transformed Star Brie Larson Into Scientist-Turned-TV Personality Elizabeth Zott
When makeup designer Miho Suzuki began working on Lessons in Chemistry, she decided the makeup needed to follow the story arc of Elizabeth Zott (Brie Larson). "In the beginning, she couldn't afford to put herself together with lots of makeup and hair and fancy clothes, because she was so focused on her…
-
By Ryan Fleming
-
‘Lessons In Chemistry’ Cinematographers Jason Oldak & Zachary Galler On Subtlety In Filming & Staging A ’60s Cooking Show – Production Value
"An interesting thing about this limited series is that it chronicles this woman's life," says cinematographer Jason Oldak. "Even the episodes that Zack and I did… they're in different places in her life and substantial things happen, and I think it gave us the freedom to give our own voice while keeping…
-
By Ryan Fleming
-
Read the full story
Watch
Next page of stories
More Stories
Sidebar
Newswire
PMC
Deadline is a part of Penske Media Corporation. © 2024 Deadline Hollywood, LLC. All Rights Reserved.
Powered by WordPress.com VIPSite
ad
\