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‘Jaws’ Sequels Swim Onto 4K Ultra HD This Summer in 3-Movie Collection

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Jaws 3D
Pictured: 'Jaws 3D'

Following in the wake of Jaws and Jaws II getting upgraded to 4K Ultra HD, we’ve learned that both Jaws 3D and Jaws: The Revenge are also getting the 4K treatment this summer.

In addition to solo releases for the third and fourth installments of the franchise, Universal is releasing the Jaws 3-Movie Collection 4K set, featuring Jaws 2, Jaws 3, and Jaws 4.

The 4K Ultra HD + Blu-ray + Digital Code collection will be released on July 23.

Here’s the full rundown…

Disc 1 – Jaws 2:

  • Includes a digital copy of Jaws 3-Movie Collection (Subject to expiration. Go to NBCUCodes.com for details.)
  • Features High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color
  • Deleted Scenes
  • The Making of Jaws 2
  • Jaws 2: A Portrait by Actor Keith Gordon
  • John Williams: The Music of Jaws 2
  • The “French” Joke
  • Storyboards
  • Theatrical Trailers

Disc 2 – Jaws 2:

  • Deleted Scenes
  • The Making of Jaws 2
  • Jaws 2: A Portrait by Actor Keith Gordon
  • John Williams: The Music of Jaws 2
  • The “French” Joke
  • Storyboards
  • Theatrical Trailer

Disc 3 – Jaws 3:

  • Features High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color
  • Theatrical Trailer

Disc 4 – Jaws 3:

  • Jaws 3 in 3D
  • Theatrical Trailer

Disc 5 – Jaws: The Revenge:

  • Features High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike Color

Disc 6 – Jaws: The Revenge:

  • Theatrical Trailer
  • Alternate Ending

“Just when you thought it was safe to go back in the water…all 3 sequels from one of the most successful blockbusters of all time are featured in the Jaws 3-Movie Collection.

“Years after being terrorized by a great white shark, the vacationers on Amity Island begin disappearing again in an all-too-familiar fashion and seek the help of Police Chief Brody (Roy Scheider) in Jaws 2. In Jaws 3, tourists marvel at the new “Undersea Kingdom”, a maze of underwater glass tunnels that allow visitors to get up closer to marine life than ever before, until they get an unexpected visit from a very angry shark. Finally, in Jaws: The Revenge, Brody’s wife seeks refuge in the Bahamas only to find herself reliving the horrors of her past.”

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘I Walked with a Zombie’ & ‘The Seventh Victim’ Getting New 4K Release from Criterion

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Pictured: 'I Walked with a Zombie'

A pair of moody horror milestones from producer Val Lewton, I Walked with a Zombie and The Seventh Victim are being paired up for a new release from The Criterion Collection.

The double feature is getting a 4K UHD + Blu-ray combo edition as well as a Blu-ray edition and a DVD edition, with the release date for all three versions set for October 8, 2024.

Terror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread.

As head of RKO’s B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease.

Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness.

SPECIAL EDITION FEATURES include…

  • New 4K digital restorations of both films, with uncompressed monaural soundtracks
  • In the 4K UHD edition: One 4K UHD disc of the films and one Blu-ray with the films and special features
  • Audio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen Jones
  • Audio commentary on The Seventh Victim featuring film historian Steve Haberman
  • Interview with film critic and historian Imogen Sara Smith
  • Audio essays from Adam Roche’s podcast The Secret History of Hollywood
  • Shadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and others
  • Trailers
  • English subtitles for the deaf and hard of hearing
  • PLUS: Essays by critics Chris Fujiwara and Lucy Sante

I WALKED WITH A ZOMBIE 

1943 • 69 minutes • Black & White • Monaural • 1.37:1 aspect ratio 

Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward death—the otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism.

THE SEVENTH VICTIM

1943 • 71 minutes • Black & White • Monaural • 1.37:1 aspect ratio 

“Death is good” is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York’s bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman’s noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.

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