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The Best Pentax SLR Lenses for 2024

Many people love Pentax SLRs for their quality construction, stabilized sensors, and classic design. These are the best K-mount SLR lenses we've tested.

(Credit: Jim Fisher)

Most photographers in the market for an SLR go with a Canon or a Nikon camera. But, despite their market share, the big two aren't the only game in town. Besides, both companies are winding down their optical viewfinder SLR cameras in favor of mirrorless models with electronic viewfinders. The Pentax brand has been around for a long time and, if you learned photography in the 70s or 80s, you probably picked up the classic manual focus K1000 SLR at some point. And, importantly for optical viewfinder purists, Pentax is sticking with SLRs, while the rest of the photo world moves to mirrorless systems.

In the digital world, Pentax SLRs set themselves apart from the competition by concentrating on build quality rather than bells and whistles. Even the budget-friendly K-70 ($649.95) has a glass pentaprism viewfinder, a stabilized image sensor, and extensive weather sealing—features that are typically only available in bodies that cost over $1,000 for other systems.

On the high end, the K-3 Mark III ($1,999.95) includes the best autofocus and video capabilities of any Pentax camera yet. It can focus and track subjects quickly, plus records in 4K. It costs as much as some cameras with full-frame sensors at around $2,000, but long-time Pentaxians finally have access to a camera that goes toe-to-toe with bigger brands for capturing subjects in motion.

Pentax K-3 Mark III
Pentax K-3 Mark III

Like most entry-level models from Nikon and Canon, most Pentax SLRs use the APS-C sensor size. There is one full-frame model available, the 36MP K-1 Mark II ($1,999.95). You can use APS-C lenses with it—we've tested some and found that a few cover the whole sensor and are decent performers—but, for the best results, look for lenses marked as FA or D FA if you shoot with the K-1.

Pentax doesn't offer nearly as many lenses for its system as other manufacturers do for theirs and third parties don't support it quite as extensively, either. Sigma released a handful of its Art and Contemporary K-mount lenses, but many have gone out of production; you can still get the 30mm F1.4 Art for APS-C and 35mm F1.4 Art for full-frame, but that's it. Tamron doesn't offer any of its current lenses for the system but does license out some of its designs under the Pentax banner.

That said, all the basics are available. You might just have one or two options for a particular type in the mount, and some options might seem a bit outdated compared with lenses from other systems. For instance, whereas Pentax still relies on screw-driven focus for many lenses, most other systems go for quieter in-lens focus motors. That said, you won't find a match for some Pentax-exclusive lenses on competing mounts. The svelte DA Limited series, a line of compact lenses with metal construction, has obtained an almost cult-like following, for example.

Pentax SMC DA Star 50-135mm F2.8 ED (IF) SDM

3.5 Good
The Pentax SMC DA Star 50-135mm F2.8 ED (IF) SDM is a pro-level zoom lens with weather sealing and a wide aperture, but it is a bit soft at its longest focal length and on the pricey side.
Pentax SMC DA Star 50-135mm F2.8 ED (IF) SDM review

Sigma 30mm F1.4 DC HSM Art

3.5 Good
The Sigma 30mm F1.4 DC HSM is a solid option for APS-C photographers who want a standard-angle prime with an f/1.4 aperture, but it's a little pricey compared with f/1.8 lenses.
Sigma 30mm F1.4 DC HSM Art review

Pentax SMC DA* 300mm F4 ED[IF] SDM

3.0 Good
The Pentax SMC DA* 300mm F4 ED[IF] SDM brings distant subjects into tight view with its telephoto optics, but it struggles on the latest Pentax SLR.
Pentax SMC DA* 300mm F4 ED[IF] SDM review

Pentax HD DA 16-85mm f/3.5-5.6 ED DC WR

3.0 Good
The Pentax HD DA 16-85mm f/3.5-5.6 ED DC WR is a weather-sealed zoom lens with a solid range and decent image quality.

Pentax HD DA 20-40mm F2.8-4 ED Limited DC WR

3.5 Good
The Pentax HD DA 20-40mm F2.8-4 ED Limited DC WR is a compact, weather-sealed zoom lens, but its range is limited and it's priced on the high side.
Pentax HD DA 20-40mm F2.8-4 ED Limited DC WR review

Pentax HD DA 15mm F4 ED AL Limited

4.0 Excellent
The Pentax HD DA 15mm F4 ED AL Limited is an impressively sharp wide-angle lens with minimal distortion.
Pentax HD DA 15mm F4 ED AL Limited review

Pentax HD DA 35mm F2.8 Macro Limited

4.5 Excellent
The Pentax HD DA 35mm F2.8 Macro Limited lens is as well-built as it is sharp, housing crisp optics in a compact, premium all-metal barrel.
Pentax HD DA 35mm F2.8 Macro Limited review

Pentax HD DA 40mm F2.8 Limited

4.0 Excellent
The slim Pentax HD DA 40mm F2.8 Limited is one of the smallest lenses you'll find, and it doesn't skimp on image quality to get there.
Pentax HD DA 40mm F2.8 Limited review

Pentax HD DA 70mm F2.4 Limited

4.0 Excellent
The Pentax HD DA 70mm F2.4 Limited is a sharp, compact lens that's great for portraiture.
Pentax HD DA 70mm F2.4 Limited review

Pentax HD FA 31mm F1.8 Limited

4.5 Excellent
The Pentax HD FA 31mm F1.8 Limited's metal construction, exquisite wide-angle optics, and unique character make it a lens you'll love to use for years to come.
Pentax HD FA 31mm F1.8 Limited review

Sigma 35mm F1.4 DG HSM Art

Sigma 35mm F1.4 DG HSM

4.5 Excellent
The Sigma 35mm F1.4 DG HSM Art captures crisp images, opens up to f/1.4, and undercuts competing lenses on price.
Sigma 35mm F1.4 DG HSM review

Pentax HD FA 43mm F1.9 Limited

4.0 Excellent
The Pentax HD FA 43mm F1.9 Limited introduces some small, but thoughtful, upgrades to one of photography's timeless lenses.
Pentax HD FA 43mm F1.9 Limited review

Pentax HD Pentax-D FA* 50mm F1.4 SDM AW

4.0 Excellent
The HD Pentax-D FA* 50mm F1.4 SDM AW costs more than similar lenses for other systems, but it's the best fast-fifty you can get for K-mount cameras.

Pentax HD D FA 21mm F2.4 ED Limited DC WR

4.0 Excellent
The Pentax HD D FA 21mm F2.4 ED Limited DC WR lens is a worthy splurge with all the trappings of the FA Limited family, including unique optics, metal construction, and a size-conscious form.
Pentax HD D FA 21mm F2.4 ED Limited DC WR review

Pentax HD-D FA 15-30mm F2.8 ED SDM WR

4.0 Excellent
The Pentax HD D FA 15-30mm F2.8 ED SDM WR is a huge lens, but one that covers an ultra-wide field of view with excellent sharpness, even at f/2.8.

Pentax HD FA 77mm F1.8 Limited

4.0 Excellent
The Pentax HD FA 77mm F1.8 Limited lens packages bright, background-blurring optics into a palm-sized package with a metal finish and broad compatibility.
Pentax HD FA 77mm F1.8 Limited review

Pentax SMC D-FA Macro 50mm F2.8

4.0 Excellent
The Pentax SMC D-FA Macro 50mm F2.8 lens delivers strong image quality and full-size macro magnification.

Lensbaby Composer Pro II

4.0 Excellent
Lensbaby's Composer Pro II lens features a better build than the original and can be bought along with your choice of lens.
Lensbaby Composer Pro II review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

Meyer Optik Gorlitz Trioplan 100 F2.8 II

4.0 Excellent
The Meyer Optik Görlitz Trioplan 100 F2.8 II is an all-mechanical lens that captures soft, glowing photos with bright, bubbly defocused backgrounds.
Meyer Optik Gorlitz Trioplan 100 F2.8 II review

Meyer Optik Gorlitz Primoplan 75 F1.9 II

4.0 Excellent
The Meyer Optik Görlitz Primoplan 75 F1.9 II revives a beloved lens design from yesteryear for creating butterfly bokeh with digital cameras.
Meyer Optik Gorlitz Primoplan 75 F1.9 II review

Lensbaby Velvet 28

3.5 Good
The Lensbaby Velvet 28 lens has a distinctive soft focus look for ethereal environmental images and macro shots.
Lensbaby Velvet 28 review

Lensbaby Velvet 56

4.0 Excellent
The Lensbaby Velvet 56 is a macro lens that delivers a soft focus look when shot at wide apertures, but sharpens when stopped down. Its one-of-a-kind design earns it Editors' Choice honors.
Lensbaby Velvet 56 review

Lensbaby Velvet 85

4.0 Excellent
The Lensbaby Velvet 85 is an old-school manual lens with a soft focus look that's lovely for portraits and macro shots, but isn't for everyone.
Lensbaby Velvet 85 review

MonsterAdapter Pentax Adapter LA-KE1

3.5 Good
The MonsterAdapter Pentax Adapter LA-KE1 makes it possible to use many Pentax SLR lenses with Sony's mirrorless camera system with autofocus, but compatibility isn't universal.
MonsterAdapter Pentax Adapter LA-KE1 review

Peak Design Travel Tripod (Carbon Fiber)

4.5 Excellent
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

Pentax HD D FA 28-105mm F3.5-5.6ED DC WR

3.5 Good
The Pentax HD D FA 28-105mm F3.5-5.6ED DC WR is a solid full-frame starter zoom, but it makes the compromises you expect from a kit lens.

Pentax HD D FA 24-70mm F2.8 ED SDM WR

3.5 Good
The Pentax HD D FA 24-70mm F2.8 ED SDM WR lens sports a pro build, full-frame coverage, and is priced very affordably.
Pentax HD D FA 24-70mm F2.8 ED SDM WR review

Pentax HD D FA Macro 100mm F2.8 ED AW

3.5 Good
The Pentax HD D FA Macro 100mm F2.8 ED AW lens benefits from a refreshed optical formula that works better with high-pixel digital cameras, but Pentax didn't bother to make other changes to an outdated design.
Pentax HD D FA Macro 100mm F2.8 ED AW review

Flashpoint Xplor 100 Pro TTL R2

4.0 Excellent
The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.
Flashpoint Xplor 100 Pro TTL R2 review

Pentax HD D FA 150-450mm f/4.5-5.6 ED DC AW

3.0 Good
The Pentax HD D FA 150-450mm F4.5-5.6 ED DC AW is a solidly-built telezoom lens, but it's heavier and pricier than others in its class.

About Jim Fisher