Looking for a bargain? – Check today's top tech deals!

The Best Micro Four Thirds Lenses for 2024

The Micro Four Thirds system invented modern mirrorless photography and, with more than a decade of lens development, has something for every photographer. These are our highest-rated lenses for a range of shooting conditions.

(Credit: Jim Fisher)

Interchangeable lens cameras offer a lot more creative flexibility and control than smartphones and point-and-shoots. Buying a camera with swappable lenses lets you change your angle of view and take advantage of specialty optics for macro and fish-eye shots.

You do need to make sure you're getting the right type of lens for your camera. In this guide, we cover lenses for the Micro Four Thirds system. It's the oldest modern mirrorless system and one that multiple camera and lens makers support.


First in Mirrorless

Micro Four Thirds cameras first went on sale in 2008. At the time, the mirrorless concept was novel. Instead of using an optical viewfinder and mirror, like the Four Thirds SLR system that preceded it, M43 takes the view from the image sensor and sends it right to an electronic display. 

Olympus (now OM System) and Panasonic got things started, but several others have employed the mount over the years. Cameras in the Blackmagic Pocket Cinema line, drones from DJI, and even some smartphones have all joined in on the platform.

Panasonic Lumix G100 with 12-32mm lens

Mirrorless technology has grown a lot in the time since. Today's models leapfrog SLRs in autofocus speed and video capabilities. Many, including those at the entry level, feature in-body image stabilization, too.

Currently, two manufacturers drive the platform forward. OM System carries the torch for the now-retired Olympus camera brand. Olympus the company is still around but is no longer in the camera business. You might still find products with Olympus logos on store shelves, but new releases all have OM System branding.

OM System OM-1 Mark II

Panasonic continues to support M43 under its Lumix imprint, even though it has added a full-frame camera system to its catalog. It uses the Lumix G designation for its Micro Four Thirds cameras, which include mainstream models and specialty options like the tiny BGH1 video camera.


How to Choose the Right Micro Four Thirds Lens

Finding a lens for a Micro Four Thirds camera isn't difficult—there have been hundreds of different types over the years. But there are some things to take into account.

First up is the focal length. The millimeter number of every lens denotes its angle of view, and lenses with a smaller number capture a larger view.

Micro Four Thirds cameras use a different image sensor format than full-frame and APS-C cameras, so you need to do some math to match up focal lengths between the systems. Micro Four Thirds also uses a 4:3 aspect ratio. Compared with the 3:2 aspect sensors of competing systems, these sensors don't translate as nicely to wide screens and are smaller in surface area.

Panasonic G9 II with Leica 12-60mm lens

As such, expect to see lenses with smaller focal lengths than you might expect. A 12mm focal length on a full-frame system is ultra-wide, for instance, but captures a wide standard view on an M43 camera. That's about the same as the main lens on your smartphone or a 24mm lens on a full-frame camera. The rule of thumb is to double Micro Four Thirds focal lengths to directly compare them with full-frame.

You don't have to think too much about it when buying a native lens for the system. We've broken this guide up by type, so you can jump down and pick out the best macro, telephoto, wide, or other type of lens for your camera.

If you're planning on using lenses for SLRs, it's easy to do if you're willing to deal with manual focus and aperture control via a simple mechanical adapter. We stick to lenses made for M43 in this guide, but we have a separate guide for photographers who want to use vintage glass with a new digital camera.

Olympus M.Zuiko Digital ED 12-45mm F4 Pro

4.0 Excellent
The Olympus M.Zuiko Digital ED 12-45mm F4 Pro is sized perfectly for Micro Four Thirds cameras and includes weather protection, strong optical performance, and a very useful macro capability.
Olympus M.Zuiko Digital ED 12-45mm F4 Pro review

Olympus M.Zuiko ED 12-100mm F4.0 IS Pro

Olympus M.Zuiko ED 12-100mm F4.0 IS PRO

4.0 Excellent
The Olympus M.Zuiko ED 12-100mm F4.0 IS PRO delivers top-notch optical performance at all but its widest angle, making it one of the best long zoom lenses we've tested.
Olympus M.Zuiko ED 12-100mm F4.0 IS PRO review

Panasonic Lumix G Leica DG Vario-Elmarit 12-60mmm F2.8-4.0 ASPH. Power O.I.S.

4.0 Excellent
Panasonic's top-end 12-60mm zoom lens delivers image quality that lives up to its Leica branding.
Panasonic Lumix G Leica DG Vario-Elmarit 12-60mmm F2.8-4.0 ASPH. Power O.I.S. review

Olympus M.Zuiko ED 14-150mm F4.0-5.6 II

Olympus M.Zuiko ED 14-150mm f4.0-5.6 II

3.5 Good
The Olympus M.Zuiko ED 14-150mm f4.0-5.6 II adds weather sealing, but doesn't offer any optical advantages over the first version of the lens.
Olympus M.Zuiko ED 14-150mm f4.0-5.6 II review

Olympus M.Zuiko ED 7-14mm F2.8 Pro

Olympus M.Zuiko ED 7-14mm f2.8 PRO

4.5 Excellent
The Olympus M.Zuiko ED 7-14mm f2.8 PRO is a top-performing ultra-wide zoom lens for Micro Four Thirds cameras.

Olympus M.Zuiko 8-25mm F4.0 Pro

4.0 Excellent
The Olympus M.Zuiko 8-25mm F4.0 Pro offers more zoom power than most wide lenses and is an excellent optical performer to boot.
Olympus M.Zuiko 8-25mm F4.0 Pro review

Olympus M.Zuiko ED 8mm F1.8 Fisheye Pro

Olympus M.Zuiko ED 8mm F1.8 Fisheye PRO

4.0 Excellent
The Olympus M.Zuiko ED 8mm F1.8 Fisheye PRO is a great choice for fish-eye fans, but it's expensive for a specialized lens.
Olympus M.Zuiko ED 8mm F1.8 Fisheye PRO review

Olympus Fisheye Body Cap Lens 9mm

4.0 Excellent
The Olympus Fisheye Body Cap Lens 9mm doesn't have the greatest optics, but it's a fine choice for photographers who want a fish-eye look that won't break the bank.

Venus Optics Laowa 7.5mm F2

Venus Optics Laowa 7.5mm f/2

3.5 Good
The Venus Optics Laowa 7.5mm f/2 is a tiny ultra-wide lens for Micro Four Thirds cameras that minimizes distortion, but has a few optical drawbacks.
Venus Optics Laowa 7.5mm f/2 review

Olympus M.Zuiko ED 40-150mm F2.8 Pro

Olympus M.Zuiko ED 40-150mm f2.8 PRO

5.0 Outstanding
The Olympus M.Zuiko ED 40-150mm f2.8 PRO is the perfect telezoom for Olympus Micro Four Thirds shooters, even though Panasonic owners will be turned off by its lack of in-lens stabilization.
Olympus M.Zuiko ED 40-150mm f2.8 PRO review

OM System M.Zuiko ED 40-150mm F4.0 Pro

4.0 Excellent
The OM System M.Zuiko Digital ED 40-150mm F4.0 Pro lens covers the tight angles you want for telephoto imaging, and its tough, lightweight build makes it ideal for the outdoors.
OM System M.Zuiko ED 40-150mm F4.0 Pro review

Olympus M.Zuiko ED 300mm F4.0 IS Pro

Olympus M.Zuiko ED 300mm f4.0 IS PRO

4.5 Excellent
The Olympus M.Zuiko ED 300mm f4.0 IS PRO is the best telephoto prime lens for Micro Four Thirds cameras, and it's priced accordingly.
Olympus M.Zuiko ED 300mm f4.0 IS PRO review

Olympus M.Zuiko Digital ED 40-150mm f4.0-5.6 R

3.5 Good
The Olympus M.Zuiko Digital ED 40-150mm f4.0-5.6 R is a solid budget option for Micro Four Thirds shooters looking for an affordable telephoto zoom lens.
Olympus M.Zuiko Digital ED 40-150mm f4.0-5.6 R review

Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2

5.0 Outstanding
The Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2 is the best Micro Four Thirds lens we've seen for portraiture thanks to impeccable sharpness and a wide aperture. It's an easy Editors' Choice.
Panasonic Lumix G Leica DG Nocticron 42.5mm F1.2 review

Sigma 16mm F1.4 DC DN Contemporary

4.5 Excellent
The Sigma 16mm F1.4 DC DN Contemporary lens, available for Micro Four Thirds and Sony APS-C mirrorless cameras, delivers tack sharp photos, even when shot at f/1.4.

Olympus M.Zuiko 25mm F1.8

Olympus M.Zuiko 25mm f1.8

4.0 Excellent
The Olympus M.Zuiko 25mm f1.8 is an excellent standard-angle lens for Micro Four Thirds cameras, and an affordable alternative to Panasonic's lens.
Olympus M.Zuiko 25mm f1.8 review

Olympus M.Zuiko Digital ED 17mm F1.2 Pro

Olympus M.Zuiko Digital ED 17mm f/1.2 Pro

4.0 Excellent
The Olympus M.Zuiko Digital ED 17mm f/1.2 Pro delivers top-end image quality and a bright aperture for the Micro Four Thirds system, but is a bit too big for smaller cameras.
Olympus M.Zuiko Digital ED 17mm f/1.2 Pro review

Olympus M.Zuiko ED 25mm F1.2 Pro

Olympus M.Zuiko ED 25mm f1.2 PRO

4.0 Excellent
The Olympus M.Zuiko ED 25mm f1.2 PRO is an exceptionally sharp, bright, standard-angle lens for Micro Four Thirds cameras.
Olympus M.Zuiko ED 25mm f1.2 PRO review

Sigma 56mm F1.4 DC DN Contemporary

4.0 Excellent
Sigma's 56mm F1.4 DC DN Contemporary lens captures crisp images with a shallow depth of field, and is a solid addition to your camera kit.
Sigma 56mm F1.4 DC DN Contemporary review

OM System M.Zuiko Digital ED 90mm F3.5 Macro IS PRO

4.5 Excellent
The M.Zuiko Digital ED 90mm F3.5 Macro IS PRO lens hones in on the smallest details for otherworldly macros and comes with the all-weather construction we expect from OM System.
OM System M.Zuiko Digital ED 90mm F3.5 Macro IS PRO review

Olympus M.Zuiko ED 30mm F3.5 Macro

4.0 Excellent
The Olympus M.Zuiko Digital ED 30mm F3.5 Macro lens lets you lock on to the tiniest of details, but a short working distance casts a shadow on subjects.

Panasonic Lumix G Leica DG Macro-Elmarit 45mm F2.8 ASPH.

3.5 Good
Panasonic Lumix G Leica DG Macro-Elmarit 45mm F2.8 ASPH. is a macro lens for the Micro Four Thirds system, but it doesn't get really sharp until you narrow its aperture.
Panasonic Lumix G Leica DG Macro-Elmarit 45mm F2.8 ASPH. review

Olympus M.Zuiko Digital ED 60mm F2.8 Macro

Olympus M.Zuiko Digital ED 60mm f2.8 Macro

4.0 Excellent
The Olympus M.Zuiko Digital ED 60mm f2.8 Macro is a compact lens that allows you to bring tiny objects into sharp focus.
Olympus M.Zuiko Digital ED 60mm f2.8 Macro review

Lensbaby Sol 22

4.0 Excellent
The Lensbaby Sol 22 lens captures images with a crisp spot of focus, surrounded by blur, and includes adjustable blades that obscure the front element to add texture to backgrounds.
Lensbaby Sol 22 review

Lensbaby Composer Pro II

4.0 Excellent
Lensbaby's Composer Pro II lens features a better build than the original and can be bought along with your choice of lens.
Lensbaby Composer Pro II review

Lensbaby Velvet 56

4.0 Excellent
The Lensbaby Velvet 56 is a macro lens that delivers a soft focus look when shot at wide apertures, but sharpens when stopped down. Its one-of-a-kind design earns it Editors' Choice honors.
Lensbaby Velvet 56 review

Peak Design Travel Tripod (Carbon Fiber)

4.5 Excellent
The Peak Design Travel Tripod rethinks what a go-anywhere tripod looks like, eschewing the fold-up designs of competitors to more easily fit into your pack.
Peak Design Travel Tripod (Carbon Fiber) review

DJI RS 3 Mini

4.0 Excellent
The DJI RS 3 Mini is an easy-to-use stabilizer for video creators. It handles full-frame cameras and can go vertical for social, but isn't quite as capable as the regular RS 3.
DJI RS 3 Mini review

Flashpoint Xplor 100 Pro TTL R2

4.0 Excellent
The Flashpoint Xplor 100 Pro TTL R2 straddles the line between flash and studio strobe. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight.
Flashpoint Xplor 100 Pro TTL R2 review

Godox V1

4.0 Excellent
The Godox V1 betters first-party flashes with its round head and rechargeable battery, and undercuts premium alternatives on price.
Godox V1 review

Lensbaby Omni Creative Filter System

4.0 Excellent
The Lensbaby Omni Creative Filter System attaches to the front of your lens and includes attachments to bend light, add color, and more. It's a powerful tool when put in the hands of creative photographers.

DJI Mic 2

4.0 Excellent
The DJI Mic 2 mic system produces clean wireless audio from up to two sources, comes with lots of useful accessories, and works well with just about any recording device you might use.
DJI Mic 2 review

Sigma 30mm F1.4 DC DN Contemporary

4.0 Excellent
The Sigma 30mm F1.4 DC DN Contemporary is a bright, crisp, standard-angle lens for Sony and Micro Four Thirds mirrorless cameras.

About Jim Fisher